Villa Jeanneret sits quietly on a tree-lined street in Paris’s 16th arrondissement. This house, with its clean lines and white façade, is a classic example of early modern architecture. Designed by the famous architect Le Corbusier in 1924, Villa Jeanneret was originally built as a family home for his brother, Albert Jeanneret, and his sister, Suzanne Raaf. Today, it stands as a reminder of a new way of thinking about space, light, and comfort.
Le Corbusier wanted Villa Jeanneret to be more than just a house. He used simple shapes, open spaces, and large windows, letting in plenty of natural light. The building features the architect’s famous “five points of architecture”: supporting columns, a flat roof terrace, an open floor plan, ribbon windows, and a free façade design. These ideas were new at the time and set the stage for modern homes everywhere.
The inside of Villa Jeanneret feels open and bright. The rooms flow smoothly into one another, with sliding doors and minimal walls. Sunlight pours in through long horizontal windows, making the space feel larger than it is. Details like built-in furniture and clever storage solutions show Le Corbusier’s focus on both style and function.
Today, Villa Jeanneret is home to the Fondation Le Corbusier, an organization that preserves Le Corbusier’s work. Visitors can explore the home, see original furniture, and view exhibitions about the architect’s life and ideas. The villa attracts architecture enthusiasts, students, and tourists, all drawn by its history and beauty. Surrounded by a quiet garden, it offers a calm escape from the busy city outside.
Source - https://en.wikipedia.org/wiki/Villa_Jeanneret
Founded in 1671 by Louis XIV as a hospital for 6,000 wounded soldiers—this function explaining the name of the building—the golden-domed Hôtel des Invalides still functions as an infirmary and now also houses the Musée de l'Armée. The church attached, l'Eglise du Dôme, houses the tomb of Napoleon.
CLOSED UNTIL LATE 2024 OR 2025 FOR RENOVATION WORKS. Built in 1900 for the universal exposition, the Grand Palais was an engineering feat and a milestone of design, marking the transition between historicism and modern architecture. It remain impressive today due to its unique, exquisite style and sheer volume of its main nave. The Grand Palais, managed by the state-owned institution Rnm who also manage the Musee de Luxembourg, is used both for temporary exhibitions of historic and contemporary art collections (both beaux arts and applied) and unique events, such as catwalk shows during the Paris Fashion Week, Bonhams car auctions and prestigious galas.
A symbol of Paris and one of the most famous landmarks in the world. Built by Gustave Eiffel in 1887-1889, the tower was almost torn down in 1909 and only saved due to its use as a telegraphy antenna. The queues can be very long. The tower allows online reservations at its website. You can select a date and time frame. If you miss the time on your ticket, you have lost your money. The north, west, and east pillars have elevators that go to the first and second floors; the south pillar has stairs that can be climbed to the second floor. To reach the top floor, an additional elevator ride is required, and the wait for this can be very long as well. Disabled visitors are not allowed beyond the second floor due to safety concerns. Taking the Métro as far as Ecole Militiare and then strolling up the Champ de Mars is a lovely way to arrive at the tower. Another phenomenal approach is to exit the Metro at Trocadero and see the Eiffel Tower from the other side of the Ecole Militaire.
The magnificent setting of The Phantom of the Opera, the inside is as opulent as the outside. However, since the opening of the Opera Bastille (12th) in 1989, the Palais Garnier has been reserved mostly for dance performances, particularly ballet.
Many feel that this, Paris' town hall, is one of the loveliest buildings in the city. You might not get that from the front view, but try watching the light change on its roofs and towers during sunset from one of the cafés on the Ile de St. Louis, the Lutece for instance. Alternatively, go to the top floor of the Bazar de l'Hôtel de Ville (BHV) department store opposite, on rue de Rivoli and walk up a flight of stairs to the roof terrace (terrasse), from which there is a dramatic view of both the roof of the Hôtel de Ville and the immediate surroundings and river. The present Hôtel de Ville replaced the 16th century original which was burned down during the Commune in 1871. A pastiche of its predecessor, but on a far larger scale, it was designed by the architects Ballu and Deperthes, chosen after a competition, and was mostly completed by 1882. The building is lavishly, and some would say heavy-handedly, decorated both inside and out, and finished in an arrestingly white stone, similar to that used for the even more eye-catching Sacre-Coeur basilica. The statue on the garden wall on the south side is of Etienne Marcel, the most famous holder of the post of "prevôt des marchands" (provost of merchants) which pre-dated the office of mayor. Marcel came to a sticky end, lynched in 1358 by an angry mob after trying to assert the city's powers a little too energetically. The Hôtel de Ville was for many years the private fiefdom of Jacques Chirac, France's president before Sarkozy, and was the site of a scandal centring on both illegal jobs given to Chirac's party members and an immense entertainment budget. General de Gaulle greeted the crowds from a front window in 1944 when Paris was liberated from the Germans and Robespierre was shot in the jaw and arrested in the original building in 1794. Admirers of Hôtel de Ville's architecture will want to know that Ballu also built the Church of La Trinité in the 9th arrondissement and the belfry of the town hall of the 1st arrondissement, opposite the Louvre's east façade. Ballu also restored the Tour St Jacques (see below), which was uncovered after restoration work lasting over a decade.
Contained within two historic houses (hotels), the museum explores the history of Paris through objects in over 140 separate rooms.
If the queues at the Eiffel Tower are just too much for you and your time is limited, consider a trip up the Montparnasse Tower. This is an office building with an observation and shopping area on the 56th floor, where the elevators stop, and an open viewing area on the roof. Arguably the view is better than from the Eiffel Tower: you are not so high up so things are more visible, and you can see the Eiffel Tower!
The early Gothic Cathédrale de Notre Dame (Our Lady) has a 12th century design but wasn't completed until the 14th. Still it is a good example of the development of the style, though the west or main portal is a bit unusual in its rigidity. A April 2019 fire caused severe damage, but after extensive renovation the cathedral was reopened to the public in December 2024.
Considered one of the most colourful Parisian parks, a local favourite, the Parc Montsouris was opened in 1878, having been designed by Alphand for Baron Haussmann. A large man-made lake and waterfalls are surrounded by long stretches of gently sloping lawns. Bronze statues are to be found studding the grounds, amongst the 1,400 trees, including such exotic varieties as the giant sequoia and the ginkgo. The park is featured in the film Cléo de 5 à 7. It is popular among families (there are two playground areas for children) and students.
One of the most eye-popping sights of Paris, the catacombs represent a network of labyrinthine tunnels, first excavated in the Roman period, that now house the remains of over 6 million burials removed here from the various overcrowded cemeteries and charnel houses all over Paris in the late 18th and early 19th centuries. Well worth a visit: the atmosphere is suitably morbid and gloomy (without being too scary), the dark tunnels containing neatly stacked piles of skulls and long bones. There is a limit to the number of visitors allowed within the Catacombs at one time (200 persons). So, if you arrive just after opening, you must wait until someone exits, approximately 45–60 minutes, before anyone is admitted. Steep stairwell on the exit of the catacombs. Can be challenging for the elderly or the unfit. Tickets can be purchased online at a small premium (€29, includes audioguide), allows you pick a date&time and to skip the long line
For an interesting take on Paris, check out the underground sewers of Paris. See swords found in the sewers over the years and get an appreciation for what it takes to keep Paris running.
Tourists cross this park with the large fountain on the way to the Place du Trocadéro viewpoint to the Eiffel Tower.
a Roman Catholic church on the east side of the Place Saint-Sulpice within the rue Bonaparte, in the Luxembourg Quarter of the VIe arrondissement. At 113 metres long, 58 metres in width and 34 metres tall, it is only slightly smaller than Notre-Dame and thus the second largest church in the city. It is dedicated to Sulpitius the Pious. During the 18th century, an elaborate gnomon, the Gnomon of Saint-Sulpice, was constructed in the church. In front of the church itself is the magnificent Place Saint-Sulpice which contains the 'Fountain of the Four Bishops'. The church has a long-standing tradition of talented organists that dates back to the eighteenth century. In 1862, Aristide Cavaillé-Coll reconstructed and improved the existing organ built by François-Henri Clicquot. Though using many materials from Clicquot's French Classical organ, it is considered to be Cavaillé-Coll's magnum opus, featuring 102 speaking stops, and is perhaps the most impressive instrument of the romantic French symphonic-organ era. Its organists have also been renowned, starting with Nicolas Séjan in the 18th century, and continuing with Charles-Marie Widor (organist 1870-1933) and Marcel Dupré (organist 1934-1971), both great organists and composers of organ music. The current organists are 'titulaire' Daniel Roth (since 1985) and 'assistant titulaire' Sophie-Véronique Cauchefer-Choplin. In Saint-Sulpice Sunday organ recitals are held on a regular basis (Auditions du Dimanche, following the High Mass, usually from 11:30am till 12:05pm, during the subsequent mass, a visit of the organ loft is possible).
Great perspective on the Eiffel Tower and Left Bank from Place du Trocadéro in between the two buildings of the palais. Former location of the Palais du Trocadéro. It accommodates three museums, an aquarium, and the Theatre Nationale du Chaillot.
Recently reconstructed, the Paris branch of the National Maritime Museum, one of the three museums in the Palais du Chaillot, cannot accommodate any full-size ships, but has a wide range of smaller artifacts, artworks and models, covering both the Navy and commercial shipping.
One of the truly great venues for the performing arts anywhere in the world, Paris' new opera house actually managed to inspire some neighborhood protest during its planning and construction. Pretty much everybody is a believer nowadays though. Check out the website for upcoming shows, it might even make sense to plan a trip to Paris around one.
A museum of contemporary art. It was founded in 1984 by the well-known jewel and watch manufacturer, Cartier. In 1994 it moved to the new building erected on plans of the architect Jean Nouvel.
The City of Architecture and Heritage, accommodated in the Palais du Chaillot, is a museum and gallery of French architecture. The centrepiece is the spectacular Hall of Casts, a collection of full-size plaster casts of facades, towers, doorways and windows of great buildings from all over France. Architecture of the late 19th, 20th, and 21st centuries is represented by additional galleries of models and images.
The Pasteur Museum is housed in the apartment where the great scientist spent the last 7 years of his life. Hardly touched since that time, the museum is full of personal memorabilia and scientific instruments. Pasteur is buried on the grounds in a flamboyant mosaic-decorated mausoleum. The museum was closed to individual visitors for security reasons after the 13th November 2015 Paris terrorist attacks.