Musée d'art moderne de Paris

A monument to the French art de vivre, housed in a 19th-century wing of the Louvre that has been restored to beaux-arts splendour, its galleries and period rooms showcase eight centuries of Gallic taste in interior decoration.

This charming museum is owned by the French Académie des Beaux-Arts. Its main collection areas, the result of several large donations, include: First Empire art and furnishings; illuminated manuscripts; and Impressionist art, including the largest Monet collection in the world and works by Renoir, Manet, Morisot, Caillebotte and Gauguin.

Mainly used as a concert hall and venue for fashion shows today, the Cirque d'Hiver was built in 1852, as the name would suggest, as a winter venue for circuses.

A former fortress and royal residence at the edge of the city, alongside the Bois de Vincennes. Most of the building is open to public.

Visitable only by reservation and then only one Saturday every month. A richly decorated palace built for Marie de Medici in the early 17th century, which is now the French Senate. For those interested in seeing a Parisian monument normally unavailable to the public, or for those interested in the inner workings of the French Government. The large Luxembourg Garden is open to the public year-round. The garden is home to the Medici fountain, a children's playground, and vintage toy boats for hire that children push around in the Grand Bassin duck pond (a 90-year tradition).

The two pavilions were built in 1784 to 1787 by the French architect Claude-Nicolas Ledoux, who erected many similar toll houses at the entrances to the city.

19th-century bridge.

The largest French museum of Jewish art and history

For an interesting take on Paris, check out the underground sewers of Paris. See swords found in the sewers over the years and get an appreciation for what it takes to keep Paris running.

Those who are unfamiliar with conceptual art sometimes don't know quite what to expect, or how to approach it. Such travellers should rest assured that the curators at the Pompidou Centre have assembled a marvellous introduction consisting of mostly approachable works which delight, amuse, and entertain. The art is far from the only reason for a visit, as the building also contains a vast public library and a fine restaurant (run by the Costes brothers) on the roof. In fact the place is literally surrounded by some of the nicest pavement cafés in the city, in its superb location between the car-free above ground part of Forum Les Halles and the Marais art district.

Part gallery - part restaurant - part nightclub, La Cite (Les Docks) is a modern building that is instantly recognisable due to being draped on one side with a large neon green shell covering the stairwells and roof the building. Roughly translated in English as The City of Fashion and Design, this is a trendy spot at the weekends and is used for event like Paris Design Week. The restaurant in the building is open all year round.

Built in 1625, the Hotel de Sully is an interesting house with some sculptures in a beautiful courtyard. The house features special exhibitions, so check listings when in Paris.

This wedding cake-white church rises visibly above the north part of Paris. The striking building, with its towers and white onion dome (83 m high), was built between 1875-1914 on the birthplace of La Commune, officially as an act of penitence for the sins committed during the civil war in which thousands of Communards were executed, as well as for the previous bloodshed of the 1870 Franco-Prussian war. A number of prominent businessmen put up the money, and a dizzying combination of architects worked to put together the mock Romano-Byzantine extravaganza. Consecration followed in 1919. The view over Paris from the dome and from the square before it (200 m above sea level) is unsurpassed, apart from that enjoyed at the Eiffel Tower (50 km on a clear day). For the athletic traveller there are stairs from several directions to the top of the hill; otherwise there is also a funicular which runs every few minutes during the daytime from Place St. Pierre. Follow the signs that say "Funiculaire De Montmartre". Beware that the guards don't like it if they catch you taking pictures inside and will even yell "No photo!" and chase you down if they see you with a camera. Be warned: along the lower steps leading up to church, groups of mostly young African men gather and reach toward you with a small string, offering to loop it round your finger. In case it happens, pull back your hand, brush them off and move on. They might claim that "This is for the church." In case your feel that things go sideways, raise your voice to get people's attention and ask them call the police.

Probably the most visited graveyard in any Western city, the vast Père-Lachaise features literally thousands of often elaborately decorated graves separated by narrow lanes and avenues. The roll call of famous burials includes: Chopin, Champollion, Sarah Bernhardt, Edith Piaf, Oscar Wilde, Delacroix, Bizet, Proust, Balzac, Colette, Molière, and Jim Morrison of The Doors.

The oldest church in Paris, founded in the year 542 by King Childebert. The church as it exists today dates mainly from the 11th century, the period in which it became the center of a powerful Benedictine abbey. The Revolution witnessed the suppression of the abbey in 1794, when most of the monastic buildings were put to the torch. Earlier, 318 priests had been hacked to death nearby by a mob on 3 September 1792. The church underwent significant restoration in the 19th century, ensuring the preservation of the building, which by that date represented a fascinating mix of styles: 6th century marble columns placed alongside Gothic vaults and supported by Romanesque arches. Famous burials within the church include René Descartes (philosopher), Nicolas Boileau (poet) and King John Casimir of Poland, who had become (in 1669, before his death) abbot of the church's monastery.

A museum of contemporary art. It was founded in 1984 by the well-known jewel and watch manufacturer, Cartier. In 1994 it moved to the new building erected on plans of the architect Jean Nouvel.