Louis Vuitton Foundation

Castel Béranger is an apartment building that was the first entirely art nouveau building in Paris, insulted at the time as "Castel Derangé". Its richly decorated facade won a city competition in 1898. It contains 36 apartments, all of which are still privately owned and not open to the public.

Numerous artists paint portraits of tourists and also sell their paintings.

17th century church.

Once the dye works for royalty, it is now a museum.

This charming museum is owned by the French Académie des Beaux-Arts. Its main collection areas, the result of several large donations, include: First Empire art and furnishings; illuminated manuscripts; and Impressionist art, including the largest Monet collection in the world and works by Renoir, Manet, Morisot, Caillebotte and Gauguin.

The Stade Charlety is a massive multi-sport arena, hosting football (soccer), tennis, rugby and squash matches.

Built in 1717, the windmill is now part of a restaurant of the same name, and is easily visible from the street.

Part gallery - part restaurant - part nightclub, La Cite (Les Docks) is a modern building that is instantly recognisable due to being draped on one side with a large neon green shell covering the stairwells and roof the building. Roughly translated in English as The City of Fashion and Design, this is a trendy spot at the weekends and is used for event like Paris Design Week. The restaurant in the building is open all year round.

The C.I.U.P. is a student quarter established in 1925, providing homes for about 10,000 students, scientists, and artists from 120 countries. It has 40 houses attributed to individual nations. The individual houses organise top quality cultural and political events. Among the most remarkable buildings are the Fondation Deutsch de la Meurthe, the Heinrich Heine House (Maison Heinrich Heine - Fondation de l'Allemagne), the Swedish Student House (Maison des Etudiants Suédois), and the Swiss Pavilion (Pavillon Suisse) which was built in 1933 on plans of Le Corbusier.

Guimard's own home, built in 1909-12. It is less decorated than Castel Béranger, but still beautifully shaped. Privately owned and not open to the public.

The massive parish church of the Les Halles area is a notable example of late Gothic interspersed with Renaissance details (including the entire front façade), as it was only completed in the 17th century. Its unique form results from a combination of relatively short length and impressive height of over 30 metres inside. The latter allows room not only for an array of stained glass windows and paintings, but also France's largest church organ of 8,000 pipes. The sculpture Écoute, depicting an oversized human head, was placed in front of the church's southern facade and has become a favourite photo spot.

Paris's international exhibition centre (the 4th largest in Europe) has millions of visitors annually.

Opened in 2006, this is the newest and the most modern of Paris' great museums, housing an outstanding collection of tribal art, with a particular emphasis on France's former (and present) territories in Oceania and Africa. The museum is large and you can easily spend half a day browsing, especially if you pause to explore the multimedia presentations.

The two pavilions were built in 1784 to 1787 by the French architect Claude-Nicolas Ledoux, who erected many similar toll houses at the entrances to the city.

Many feel that this, Paris' town hall, is one of the loveliest buildings in the city. You might not get that from the front view, but try watching the light change on its roofs and towers during sunset from one of the cafés on the Ile de St. Louis, the Lutece for instance. Alternatively, go to the top floor of the Bazar de l'Hôtel de Ville (BHV) department store opposite, on rue de Rivoli and walk up a flight of stairs to the roof terrace (terrasse), from which there is a dramatic view of both the roof of the Hôtel de Ville and the immediate surroundings and river. The present Hôtel de Ville replaced the 16th century original which was burned down during the Commune in 1871. A pastiche of its predecessor, but on a far larger scale, it was designed by the architects Ballu and Deperthes, chosen after a competition, and was mostly completed by 1882. The building is lavishly, and some would say heavy-handedly, decorated both inside and out, and finished in an arrestingly white stone, similar to that used for the even more eye-catching Sacre-Coeur basilica. The statue on the garden wall on the south side is of Etienne Marcel, the most famous holder of the post of "prevôt des marchands" (provost of merchants) which pre-dated the office of mayor. Marcel came to a sticky end, lynched in 1358 by an angry mob after trying to assert the city's powers a little too energetically. The Hôtel de Ville was for many years the private fiefdom of Jacques Chirac, France's president before Sarkozy, and was the site of a scandal centring on both illegal jobs given to Chirac's party members and an immense entertainment budget. General de Gaulle greeted the crowds from a front window in 1944 when Paris was liberated from the Germans and Robespierre was shot in the jaw and arrested in the original building in 1794. Admirers of Hôtel de Ville's architecture will want to know that Ballu also built the Church of La Trinité in the 9th arrondissement and the belfry of the town hall of the 1st arrondissement, opposite the Louvre's east façade. Ballu also restored the Tour St Jacques (see below), which was uncovered after restoration work lasting over a decade.

Most of the works by Picasso and others which were in the master's possession at the time of his death are now on display here.

Famous people who stayed here include Marie de Rohan, intriguer during the Fronde; Jeanne Baptiste d'Albert de Luynes, future mistress of a duke of Savoy; Marie Angélique de Fontanges, mistress of Louis XIV, died here giving birth to his child who also died. Today its main cloister (illustration) forms part of the modern Hôpital Cochin.

A museum of contemporary art. It was founded in 1984 by the well-known jewel and watch manufacturer, Cartier. In 1994 it moved to the new building erected on plans of the architect Jean Nouvel.

Since 2021 the 18th-century former Bourse de Commerce building has been the Paris home of the art collection of the French business magnate François Pinault, showing a rotating selection of contemporary artworks either newly commissioned or taken from his collection.