Musée Bourdelle

Those who are unfamiliar with conceptual art sometimes don't know quite what to expect, or how to approach it. Such travellers should rest assured that the curators at the Pompidou Centre have assembled a marvellous introduction consisting of mostly approachable works which delight, amuse, and entertain. The art is far from the only reason for a visit, as the building also contains a vast public library and a fine restaurant (run by the Costes brothers) on the roof. In fact the place is literally surrounded by some of the nicest pavement cafés in the city, in its superb location between the car-free above ground part of Forum Les Halles and the Marais art district.

Housed in a former Beaux-Arts railway station (completed in 1900 for the Exposition Universelle, later saved from demolition and converted to its present use), the rambling, open-plan museum is home to the works of the great artists of the 19th century (1848-1914) - Impressionists, post-Impressionists, and the rest - that were formerly displayed in the l'Orangerie. This is perhaps the most spectacular collection of European impressionism in the world—breath-taking rooms full of Manet, Renoir, Monet, Van Gogh, and many others. Impressionist represent the biggest draw, but there is much more to explore.

Two-level bridge.

A must for anyone interested in the history of the American Revolution. This small cemetery includes three mass graves from the French Revolution, plus a section that includes many of France's most noble families that lost members during the French Revolution and consequently have a continuing right to be buried there. In the farthest right hand corner is the tomb of General Lafayette, the friend and fellow soldier of George Washington. Beside him is his beloved wife plus other members of her family, the de Noailles, who were almost completely wiped out during the French Revolution because of their closeness to the Court. Since 1834 the American flag has apparently flown continuously over his grave, even during the German occupation of Paris during World War II. Well worthy of a visit.

The massive parish church of the Les Halles area is a notable example of late Gothic interspersed with Renaissance details (including the entire front façade), as it was only completed in the 17th century. Its unique form results from a combination of relatively short length and impressive height of over 30 metres inside. The latter allows room not only for an array of stained glass windows and paintings, but also France's largest church organ of 8,000 pipes. The sculpture Écoute, depicting an oversized human head, was placed in front of the church's southern facade and has become a favourite photo spot.

The Stade Charlety is a massive multi-sport arena, hosting football (soccer), tennis, rugby and squash matches.

Built in 1717, the windmill is now part of a restaurant of the same name, and is easily visible from the street.

One of the most eye-popping sights of Paris, the catacombs represent a network of labyrinthine tunnels, first excavated in the Roman period, that now house the remains of over 6 million burials removed here from the various overcrowded cemeteries and charnel houses all over Paris in the late 18th and early 19th centuries. Well worth a visit: the atmosphere is suitably morbid and gloomy (without being too scary), the dark tunnels containing neatly stacked piles of skulls and long bones. There is a limit to the number of visitors allowed within the Catacombs at one time (200 persons). So, if you arrive just after opening, you must wait until someone exits, approximately 45–60 minutes, before anyone is admitted. Steep stairwell on the exit of the catacombs. Can be challenging for the elderly or the unfit. Tickets can be purchased online at a small premium (€29, includes audioguide), allows you pick a date&time and to skip the long line

One of the last remnants of medieval Paris outside of the 4th, this tower was once part of a castle called l'hôtel de Bourgogne.

A museum of contemporary art. It was founded in 1984 by the well-known jewel and watch manufacturer, Cartier. In 1994 it moved to the new building erected on plans of the architect Jean Nouvel.

20th- and 21st-century art in a building designed by Frank Gehry

Contained within two historic houses (hotels), the museum explores the history of Paris through objects in over 140 separate rooms.

The Palais de Tokyo is Paris's largest specialist contemporary art exhibition venue, owned and operated by the national government. The building dates to 1937 and also includes the Museum of Modern Art of the City of Paris.

Suspended above the train tracks this garden is surprisingly calm and chilled-out.

It was conceived by Louis XV as a grand neo-classical church honouring St. Geneviève, the patron saint of Paris. After the Revolution, the building was converted into a mausoleum for the great philosophers, military, artists, scientists, and heroes of the French Republic. Occupants of the crypt include Voltaire, Rousseau, Victor Hugo, Zola, the Curies, and Alexandre Dumas (reinterred here in 2002). The view from the dome (206 steps) is marvellous. Check tour departure times at the information desk. A fascinating reconstruction of Foucault's pendulum also hangs within the Panthéon.

Mainly used as a concert hall and venue for fashion shows today, the Cirque d'Hiver was built in 1852, as the name would suggest, as a winter venue for circuses.

This charming museum is owned by the French Académie des Beaux-Arts. Its main collection areas, the result of several large donations, include: First Empire art and furnishings; illuminated manuscripts; and Impressionist art, including the largest Monet collection in the world and works by Renoir, Manet, Morisot, Caillebotte and Gauguin.

Numerous artists paint portraits of tourists and also sell their paintings.

The burial place of existentialist philosopher Jean-Paul Sartre, feminist Simone de Beauvoir (both of whom lived nearby); musician Serge Gainsbourg; artist Man Ray; the poets Charles Baudelaire, Guy de Maupassant, Charles Sainte-Beuve, and Marguerite Duras; the founders of the Theatre of the Absurd Samuel Becket and Eugene Ionesco; the sculptors Constantin Brancusi and Ossip Zadkine; the composers Camille de Saint-Saens and César Franck; the actors Maria Montez and Jean Seberg; the French officer Alfred Dreyfus; the founder of the Larousse encyclopedia, Pierre Larousse; the industrialist André Citroen, and many others.