In the late 1800s, Paris was changing quickly, with new architecture and impressive public works. Among these developments, the Pont Mirabeau stands as a symbol of both progress and artistry from that era. Located in the southwest part of the city, this bridge connects the 15th and 16th arrondissements, crossing the famous River Seine.
The Pont Mirabeau was built between 1895 and 1897. Its elegant design features graceful metal arches and decorative sculptures. The bridge is named after Honoré Gabriel Riqueti, Count of Mirabeau, a prominent figure during the French Revolution. At the time of its completion, it was the longest and tallest bridge in Paris, reflecting the city’s ambition to modernize and beautify its urban landscape.
The structure is made mainly of steel, with three broad arches stretching across the river. Each end of the bridge is adorned with impressive stonework and statues, representing boats and the flowing water of the Seine. The artistic details were created by the sculptor Jean Antoine Injalbert, adding a touch of elegance to the bridge’s strong, industrial lines.
Pont Mirabeau has inspired many artists and writers. It is especially famous in French poetry, appearing in the work of Guillaume Apollinaire. Today, it remains an important part of Paris’s rich architectural heritage, serving both as a busy crossing for cars and pedestrians and as a lasting reminder of the city’s creative past.
Source - https://en.wikipedia.org/wiki/Pont_Mirabeau
One of the largest collections outside Asia of Southeast Asian, Indian, Afghan, Chinese, Japanese, and Korean art.
Built in 1717, the windmill is now part of a restaurant of the same name, and is easily visible from the street.
This museum is in the historic Invalides complex and presents the history of the French Army. It is co-located with Napoleon Bonaparte's tomb (entry to which is included in the ticket price). Most of the exhibitions are very old fashioned, and the coverage of the First World War is surprisingly limited. A highlight is the Musée des Plans-Reliefs, which displays painstakingly accurate models of French fortresses and includes its own shop.
Private collection of French, Italian, Dutch masterpieces in a typical XIXth century mansion.
Most of the works by Picasso and others which were in the master's possession at the time of his death are now on display here.
Built adjoining the now-lost royal palace of the Tuileries, these gardens lying immediately west of the Louvre offer a central open space for Parisians and visitors with semi-formal gardens (an outdoor gallery for modern sculpture), various cafés, ice cream and crépe stalls, and a summer fun fair. The gardens are frequently home to a giant Ferris wheel and enclose the Musée de la Orangerie and the Jeu de Paume.
The Pasteur Museum is housed in the apartment where the great scientist spent the last 7 years of his life. Hardly touched since that time, the museum is full of personal memorabilia and scientific instruments. Pasteur is buried on the grounds in a flamboyant mosaic-decorated mausoleum. The museum was closed to individual visitors for security reasons after the 13th November 2015 Paris terrorist attacks.
Housed in an amazing Art Deco building, purpose-built for the 1931 Colonial Exhibition, featuring an elaborate frieze across the front facade that depicts the achievement of French overseas territories. It houses an Aquarium and an Immigration Museum. The aquarium can be seen in about an hour and is popular with families with small children.
The oldest planned square in Paris, and what many tourists as well as locals consider the heart of the Marais area.
Numerous artists paint portraits of tourists and also sell their paintings.
This wedding cake-white church rises visibly above the north part of Paris. The striking building, with its towers and white onion dome (83 m high), was built between 1875-1914 on the birthplace of La Commune, officially as an act of penitence for the sins committed during the civil war in which thousands of Communards were executed, as well as for the previous bloodshed of the 1870 Franco-Prussian war. A number of prominent businessmen put up the money, and a dizzying combination of architects worked to put together the mock Romano-Byzantine extravaganza. Consecration followed in 1919. The view over Paris from the dome and from the square before it (200 m above sea level) is unsurpassed, apart from that enjoyed at the Eiffel Tower (50 km on a clear day). For the athletic traveller there are stairs from several directions to the top of the hill; otherwise there is also a funicular which runs every few minutes during the daytime from Place St. Pierre. Follow the signs that say "Funiculaire De Montmartre". Beware that the guards don't like it if they catch you taking pictures inside and will even yell "No photo!" and chase you down if they see you with a camera. Be warned: along the lower steps leading up to church, groups of mostly young African men gather and reach toward you with a small string, offering to loop it round your finger. In case it happens, pull back your hand, brush them off and move on. They might claim that "This is for the church." In case your feel that things go sideways, raise your voice to get people's attention and ask them call the police.
Built in 1625, the Hotel de Sully is an interesting house with some sculptures in a beautiful courtyard. The house features special exhibitions, so check listings when in Paris.
A museum of contemporary art. It was founded in 1984 by the well-known jewel and watch manufacturer, Cartier. In 1994 it moved to the new building erected on plans of the architect Jean Nouvel.
Since 2021 the 18th-century former Bourse de Commerce building has been the Paris home of the art collection of the French business magnate François Pinault, showing a rotating selection of contemporary artworks either newly commissioned or taken from his collection.
A symbol of Paris and one of the most famous landmarks in the world. Built by Gustave Eiffel in 1887-1889, the tower was almost torn down in 1909 and only saved due to its use as a telegraphy antenna. The queues can be very long. The tower allows online reservations at its website. You can select a date and time frame. If you miss the time on your ticket, you have lost your money. The north, west, and east pillars have elevators that go to the first and second floors; the south pillar has stairs that can be climbed to the second floor. To reach the top floor, an additional elevator ride is required, and the wait for this can be very long as well. Disabled visitors are not allowed beyond the second floor due to safety concerns. Taking the Métro as far as Ecole Militiare and then strolling up the Champ de Mars is a lovely way to arrive at the tower. Another phenomenal approach is to exit the Metro at Trocadero and see the Eiffel Tower from the other side of the Ecole Militaire.
The Palais de Tokyo is Paris's largest specialist contemporary art exhibition venue, owned and operated by the national government. The building dates to 1937 and also includes the Museum of Modern Art of the City of Paris.
An ancient Roman theater, the only surviving above-ground ruins of the Gallo-Roman era in Paris (ancient Lutetia, French Lutèce) apart from the nearby Thermes de Cluny. The theatre could hold approximately 15,000 spectators and measures some 132 m x 100 m. Built sometime in the 2nd century CE, the location of the actor's dressing room, the platform of the stage, and lapidary remains can still be seen. The remains were rediscovered in 1869, when new streets were being built. An excavation was subsequently ordered in 1883. The theatre has been preserved as a quiet archaeological park removed from the bustle of Parisian streets.
This charming museum is owned by the French Académie des Beaux-Arts. Its main collection areas, the result of several large donations, include: First Empire art and furnishings; illuminated manuscripts; and Impressionist art, including the largest Monet collection in the world and works by Renoir, Manet, Morisot, Caillebotte and Gauguin.
The C.I.U.P. is a student quarter established in 1925, providing homes for about 10,000 students, scientists, and artists from 120 countries. It has 40 houses attributed to individual nations. The individual houses organise top quality cultural and political events. Among the most remarkable buildings are the Fondation Deutsch de la Meurthe, the Heinrich Heine House (Maison Heinrich Heine - Fondation de l'Allemagne), the Swedish Student House (Maison des Etudiants Suédois), and the Swiss Pavilion (Pavillon Suisse) which was built in 1933 on plans of Le Corbusier.