Among the few surviving medieval structures in Paris, the Tour Jean-sans-Peur stands out for its remarkable history. Located outside the city’s 4th arrondissement, this ancient tower is a rare vestige from the Middle Ages, offering a glimpse into the city’s distant past.
The tower was originally a section of l'hôtel de Bourgogne, a grand castle that once belonged to the powerful Dukes of Burgundy. While the castle itself no longer exists, the tower serves as a testament to the wealth and influence of its former residents. Its walls have witnessed centuries of Parisian history, from noble feuds to dramatic political changes.
Tour Jean-sans-Peur now sits amid modern buildings, creating a striking contrast between old and new. Visitors can still admire its fortified stone construction, which has endured through wars and revolutions. The tower’s intricate stone staircase and defensive architectural features offer insight into medieval life and design in the heart of the city.
Source - https://en.wikipedia.org/wiki/Tour_Jean-sans-Peur
The foundation opened its doors in May 2003. It preserves Henri Cartier-Bresson and Martine Franck’s archives. Exhibition of photographs, paintings, sculptings, and illustrations.
The house of the symbolist painter has now become a museum to his life and work.
Housed in a former Beaux-Arts railway station (completed in 1900 for the Exposition Universelle, later saved from demolition and converted to its present use), the rambling, open-plan museum is home to the works of the great artists of the 19th century (1848-1914) - Impressionists, post-Impressionists, and the rest - that were formerly displayed in the l'Orangerie. This is perhaps the most spectacular collection of European impressionism in the world—breath-taking rooms full of Manet, Renoir, Monet, Van Gogh, and many others. Impressionist represent the biggest draw, but there is much more to explore.
The C.I.U.P. is a student quarter established in 1925, providing homes for about 10,000 students, scientists, and artists from 120 countries. It has 40 houses attributed to individual nations. The individual houses organise top quality cultural and political events. Among the most remarkable buildings are the Fondation Deutsch de la Meurthe, the Heinrich Heine House (Maison Heinrich Heine - Fondation de l'Allemagne), the Swedish Student House (Maison des Etudiants Suédois), and the Swiss Pavilion (Pavillon Suisse) which was built in 1933 on plans of Le Corbusier.
Housed in an amazing Art Deco building, purpose-built for the 1931 Colonial Exhibition, featuring an elaborate frieze across the front facade that depicts the achievement of French overseas territories. It houses an Aquarium and an Immigration Museum. The aquarium can be seen in about an hour and is popular with families with small children.
The ancient medieval fortress and prison of the city's island, site of some remarkable medieval royal architecture and the scene of Marie Antoinette's imprisonment in the period leading to her execution in 1793; lots of revolutionary associations.
The burial place of existentialist philosopher Jean-Paul Sartre, feminist Simone de Beauvoir (both of whom lived nearby); musician Serge Gainsbourg; artist Man Ray; the poets Charles Baudelaire, Guy de Maupassant, Charles Sainte-Beuve, and Marguerite Duras; the founders of the Theatre of the Absurd Samuel Becket and Eugene Ionesco; the sculptors Constantin Brancusi and Ossip Zadkine; the composers Camille de Saint-Saens and César Franck; the actors Maria Montez and Jean Seberg; the French officer Alfred Dreyfus; the founder of the Larousse encyclopedia, Pierre Larousse; the industrialist André Citroen, and many others.
Guimard's own home, built in 1909-12. It is less decorated than Castel Béranger, but still beautifully shaped. Privately owned and not open to the public.
The bridge is widely regarded as the most ornate, extravagant bridge in the city. It is classified as a French Monument historique.
A Gothic church tower in a square 150m to the west of the Hôtel de Ville was restored by Ballu, is all that remains of Eglise Saint-Jacques-de-la-Boucherie, which was the meeting place in Paris for pilgrims heading to Santiago de Compestela. As such it is included on the UNESCO World Heritage List as part of the Routes of Santiago de Compostela in France.
Part gallery - part restaurant - part nightclub, La Cite (Les Docks) is a modern building that is instantly recognisable due to being draped on one side with a large neon green shell covering the stairwells and roof the building. Roughly translated in English as The City of Fashion and Design, this is a trendy spot at the weekends and is used for event like Paris Design Week. The restaurant in the building is open all year round.
For a taste of the French countryside, a visit to Bercy Village brings to life the spirit of market shopping inside Paris.
The magnificent setting of The Phantom of the Opera, the inside is as opulent as the outside. However, since the opening of the Opera Bastille (12th) in 1989, the Palais Garnier has been reserved mostly for dance performances, particularly ballet.
Opened in 2006, this is the newest and the most modern of Paris' great museums, housing an outstanding collection of tribal art, with a particular emphasis on France's former (and present) territories in Oceania and Africa. The museum is large and you can easily spend half a day browsing, especially if you pause to explore the multimedia presentations.
Built in 1717, the windmill is now part of a restaurant of the same name, and is easily visible from the street.
The largest French museum of Jewish art and history
The Paris Botanical Garden, founded as the royal medicinal garden in 1626 by King Louis XIII's doctor, contains over 10,000 species. The grounds also include a small zoo known as La Ménagerie, and the Muséum National d'Histoire Naturelle, which includes the Grande Galerie de l'Evolution (where you can see thousands of naturalized animals from all over the world) and the 'Galerie de paléontologie et d'anatomie comparée' (same thing, but with skeletons).
a Roman Catholic church on the east side of the Place Saint-Sulpice within the rue Bonaparte, in the Luxembourg Quarter of the VIe arrondissement. At 113 metres long, 58 metres in width and 34 metres tall, it is only slightly smaller than Notre-Dame and thus the second largest church in the city. It is dedicated to Sulpitius the Pious. During the 18th century, an elaborate gnomon, the Gnomon of Saint-Sulpice, was constructed in the church. In front of the church itself is the magnificent Place Saint-Sulpice which contains the 'Fountain of the Four Bishops'. The church has a long-standing tradition of talented organists that dates back to the eighteenth century. In 1862, Aristide Cavaillé-Coll reconstructed and improved the existing organ built by François-Henri Clicquot. Though using many materials from Clicquot's French Classical organ, it is considered to be Cavaillé-Coll's magnum opus, featuring 102 speaking stops, and is perhaps the most impressive instrument of the romantic French symphonic-organ era. Its organists have also been renowned, starting with Nicolas Séjan in the 18th century, and continuing with Charles-Marie Widor (organist 1870-1933) and Marcel Dupré (organist 1934-1971), both great organists and composers of organ music. The current organists are 'titulaire' Daniel Roth (since 1985) and 'assistant titulaire' Sophie-Véronique Cauchefer-Choplin. In Saint-Sulpice Sunday organ recitals are held on a regular basis (Auditions du Dimanche, following the High Mass, usually from 11:30am till 12:05pm, during the subsequent mass, a visit of the organ loft is possible).