Villa La Roche is an architectural landmark located in Paris, France. Designed by the famous architect Le Corbusier in the early 1920s, the villa is recognized for its innovative use of space, light, and form. Built as a private home and art gallery for the Swiss banker and art collector Raoul La Roche, the building is a prime example of early modernist architecture.
The villa stands out for its simple, geometric lines and white façade. Inside, visitors can find open-plan rooms filled with natural light. The interior layout features ramps and split levels instead of traditional staircases, creating unique perspectives and movement throughout the house. Large windows and glass blocks were used to maximize sunlight, while built-in furniture and minimalist décor reflect the modernist philosophy.
Villa La Roche was designed not only as a residence but also as a gallery to display Raoul La Roche’s impressive collection of avant-garde paintings. Works by artists such as Fernand Léger and Juan Gris were once exhibited throughout the villa. Over time, the villa became a gathering place for artists, intellectuals, and architects interested in new ideas and design. Today, Villa La Roche is managed by the Fondation Le Corbusier and is open to the public as a museum, showcasing both original furnishings and architectural drawings.
Source - https://en.wikipedia.org/wiki/Villa_La_Roche
The magnificent setting of The Phantom of the Opera, the inside is as opulent as the outside. However, since the opening of the Opera Bastille (12th) in 1989, the Palais Garnier has been reserved mostly for dance performances, particularly ballet.
The two pavilions were built in 1784 to 1787 by the French architect Claude-Nicolas Ledoux, who erected many similar toll houses at the entrances to the city.
Many feel that this, Paris' town hall, is one of the loveliest buildings in the city. You might not get that from the front view, but try watching the light change on its roofs and towers during sunset from one of the cafés on the Ile de St. Louis, the Lutece for instance. Alternatively, go to the top floor of the Bazar de l'Hôtel de Ville (BHV) department store opposite, on rue de Rivoli and walk up a flight of stairs to the roof terrace (terrasse), from which there is a dramatic view of both the roof of the Hôtel de Ville and the immediate surroundings and river. The present Hôtel de Ville replaced the 16th century original which was burned down during the Commune in 1871. A pastiche of its predecessor, but on a far larger scale, it was designed by the architects Ballu and Deperthes, chosen after a competition, and was mostly completed by 1882. The building is lavishly, and some would say heavy-handedly, decorated both inside and out, and finished in an arrestingly white stone, similar to that used for the even more eye-catching Sacre-Coeur basilica. The statue on the garden wall on the south side is of Etienne Marcel, the most famous holder of the post of "prevôt des marchands" (provost of merchants) which pre-dated the office of mayor. Marcel came to a sticky end, lynched in 1358 by an angry mob after trying to assert the city's powers a little too energetically. The Hôtel de Ville was for many years the private fiefdom of Jacques Chirac, France's president before Sarkozy, and was the site of a scandal centring on both illegal jobs given to Chirac's party members and an immense entertainment budget. General de Gaulle greeted the crowds from a front window in 1944 when Paris was liberated from the Germans and Robespierre was shot in the jaw and arrested in the original building in 1794. Admirers of Hôtel de Ville's architecture will want to know that Ballu also built the Church of La Trinité in the 9th arrondissement and the belfry of the town hall of the 1st arrondissement, opposite the Louvre's east façade. Ballu also restored the Tour St Jacques (see below), which was uncovered after restoration work lasting over a decade.
A Gothic church tower in a square 150m to the west of the Hôtel de Ville was restored by Ballu, is all that remains of Eglise Saint-Jacques-de-la-Boucherie, which was the meeting place in Paris for pilgrims heading to Santiago de Compestela. As such it is included on the UNESCO World Heritage List as part of the Routes of Santiago de Compostela in France.
The ancient medieval fortress and prison of the city's island, site of some remarkable medieval royal architecture and the scene of Marie Antoinette's imprisonment in the period leading to her execution in 1793; lots of revolutionary associations.
20th- and 21st-century art in a building designed by Frank Gehry
The early Gothic Cathédrale de Notre Dame (Our Lady) has a 12th century design but wasn't completed until the 14th. Still it is a good example of the development of the style, though the west or main portal is a bit unusual in its rigidity. A April 2019 fire caused severe damage, but after extensive renovation the cathedral was reopened to the public in December 2024.
The largest square in Paris with fantastic vistas in every direction. It was in this square (then called la Place de la Revolution) that the French King Louis XVI, Marie Antoinette and many others were guillotined during the Terror. The large Egyptian obelisk in the centre of the Place de la Concorde was brought from the Temple of Luxor.
The bridge is widely regarded as the most ornate, extravagant bridge in the city. It is classified as a French Monument historique.
Recently reconstructed, the Paris branch of the National Maritime Museum, one of the three museums in the Palais du Chaillot, cannot accommodate any full-size ships, but has a wide range of smaller artifacts, artworks and models, covering both the Navy and commercial shipping.
Enter Bastille station through any entrance or on any train and then make your way to the Bobigny/Pablo Picasso-bound platform. All that's left of the fortress whose front steps used to lead up from place de la Bastille are some foundation stones which you can see while waiting for a north bound train on this metro platform. There are maps and explanations showing where the fortress used to be relative the place and surroundings (basically the location of the old front steps are now occupied by Café des Phares).
Probably the most visited graveyard in any Western city, the vast Père-Lachaise features literally thousands of often elaborately decorated graves separated by narrow lanes and avenues. The roll call of famous burials includes: Chopin, Champollion, Sarah Bernhardt, Edith Piaf, Oscar Wilde, Delacroix, Bizet, Proust, Balzac, Colette, Molière, and Jim Morrison of The Doors.
Those who are unfamiliar with conceptual art sometimes don't know quite what to expect, or how to approach it. Such travellers should rest assured that the curators at the Pompidou Centre have assembled a marvellous introduction consisting of mostly approachable works which delight, amuse, and entertain. The art is far from the only reason for a visit, as the building also contains a vast public library and a fine restaurant (run by the Costes brothers) on the roof. In fact the place is literally surrounded by some of the nicest pavement cafés in the city, in its superb location between the car-free above ground part of Forum Les Halles and the Marais art district.
This charming museum is owned by the French Académie des Beaux-Arts. Its main collection areas, the result of several large donations, include: First Empire art and furnishings; illuminated manuscripts; and Impressionist art, including the largest Monet collection in the world and works by Renoir, Manet, Morisot, Caillebotte and Gauguin.
Built in 1625, the Hotel de Sully is an interesting house with some sculptures in a beautiful courtyard. The house features special exhibitions, so check listings when in Paris.
The largest French museum of Jewish art and history