Standing amidst the ruins of ancient Rome, the Curia Julia tells a story of resilience and transformation. This historical marvel, once the hub of political power, has been lovingly restored to reflect its former grandeur while revealing layers of its storied past.
The Curia Julia, the final iteration in a series of buildings that housed the Roman Senate, represents the political heart of an empire. Originally commissioned by Julius Caesar, this iteration of the Curia stands as the fourth rebuilding of its kind, each version a testament to the changing eras it witnessed.
During the Middle Ages, the Curia Julia was repurposed, transitioning from a center of political discourse to a place of spiritual reflection. Converted into a church, the building took on a new identity, reflecting the shifting priorities and values of the time.
In the 1930s, efforts were made to restore the Curia Julia to its original state, peeling back the layers of history to uncover its ancient roots. The meticulous restoration work has since allowed visitors to step back in time and experience the space as the senators of Rome once did.
Today, the Curia Julia stands as a monument to both the enduring nature of Roman architecture and the ever-evolving narrative of history. Its walls whisper tales of political intrigue, spiritual redemption, and cultural transformation, inviting all who visit to partake in its rich legacy.
Source - https://en.wikipedia.org/wiki/Curia_Julia
Four fountains from the time of Pope Sixtus V when much of Rome was redeveloped. A reclining deity is the theme of each sculpture. This is a busy intersection and if you don't look twice you may miss these exquisite examples of Roman mythology.
By Bernini, in the very centre of Piazza Navona. Incorporates an Egyptian obelisk and symbolises four of the world's great rivers (the Ganges, the Nile, the Danube and the Plata), representing the four continents known at the time.
According to the legendary passio, two brothers, John and Paul, who were officials at the imperial court, suffered martyrdom in 362 in their home on the Caelian hill, during the reign of emperor Flavius Claudius Julianus. This basilica dedicated to these two Roman officers was erected starting from 398 and was used first as a domus ecclesiae by the Christian community.
Built in the 9th century, this ancient basilica crowns the top of the Esquiline Hill. Tons of gold decorate the interior together with impressive mosaics (particularly when the floodlights are turned on), and there is a museum on the premises. If you are in Rome on Corpus Christi (Corpus Domini), which is the Thursday after the 8th Sunday after Easter, an early-evening service is held in San Giovanni by the Pope followed by a procession along Via Merulana to Santa Maria. Good opportunity for a close up view of the Pope. This is a very large church with lots to see, as for example, the main part of the church has two layers of mosaics and paintings high on the walls, the altar and apse are spectacular, and then there are several more or less large chapels you won't want to miss, including the one with the amazing golden baptismal font. Allow at least an hour if not an hour and a half or more to visit the interior, even if you do not take any special tours, and also allow time to view the exterior from all sides. Overall, at least 2 hours would not be too much time to allot.
Pope Nicholas III connected Castel Sant'Angelo to St. Peter's by a covered fortified corridor called the Passetto di Borgo. This proved useful for Pope Clement VII during the Sack of Rome (1527). You can still see much of the Passetto by walking along the Borgo Sant'Angelo, which runs parallel to, and north of, the Via della Conciliazione.
Built in 81 AD by the emperor Domitianus in dedication to his brother Titus, who died earlier that year and reigned as emperor from 79-81, overseeing the opening of the Colosseum in 80 and the eruption of Mt Vesuvius the previous year.
Perhaps the most fascinating building in Rome. The core of the structure began life as the mausoleum of Emperor Hadrian, built between 135 and 139 AD. Subsequent strongholds built on top of the mausoleum were in turn incorporated into a residence and castle by medieval Popes. The building was used as a prison until 1870 but now houses a museum. Opera buffs will be exhilarated to visit the balcony from which Tosca leaps to her death. Film buffs will recognise it as a setting from Angels and Demons.
At the southern end of the Piazza, designed by Bernini but the main statue of the Moor was done by Giacomo della Porta and the other statues are 19th-century copies of the originals.
A 1st-century tomb surrounded by two farmhouses from the Middle Ages, one of which used to be a cheese store. Rather hidden behind a high wall, the tomb is rarely open to the public. You might be lucky on a Sunday: on the third Sunday of every month there is a guided tour at 11:00.
They are posted at entrances to the Vatican City to provide security and protect the Pope. They wear very colourful clothing, similar to the uniforms worn by Renaissance-era soldiers. The Pontifical Swiss Guards is also the smallest and oldest standing army in the world, founded in 1506 by Pope Julius II. The origins of the Swiss guards, however, go back much further as the popes had regularly imported Swiss mercenaries during the 1400s.
This is one of the two main Jesuit churches in Rome, the other being the nearby Sant'Ignazio. The interior is Baroque art on steroids. Simply astounding.
Erected in 203. You can see it close up from Via della Curia also (without entering the Forum).