Santa Cecilia in Trastevere stands out for its remarkably ornate and beautiful interior. Vibrant artwork, intricate decorations, and solemn statues catch the eye at every turn, offering visitors a sense of grandeur and reverence within its walls.
Inside, all of the information panels and signs are written only in Italian. Visitors who do not read Italian will find limited explanations, but the visual beauty of the church can still be appreciated by everyone.
According to tradition, Saint Cecilia endured a particularly harsh martyrdom. It is said that she was scalded, suffocated, and finally beheaded with three blows to the neck. Throughout her suffering, she continued to sing. For this reason, Saint Cecilia is honored as the patron saint of music, and her legacy resonates through the art and atmosphere of the church.
The structure of Santa Cecilia in Trastevere is a blend of different architectural styles. The portico dates back to the 12th century, while the striking facade was added in the 18th century. Visitors can admire this unique combination, with elements from various periods coming together in one historic place.
Source - https://en.wikipedia.org/wiki/Santa_Cecilia_in_Trastevere
This is the largest square in Rome. It sometimes hosts pop concerts and is the focal point for Rome's New Year's Eve celebrations. The twin churches Santa Maria dei Miracoli (1681) and Santa Maria in Montesanto (1679) used to provide a clear welcome to Rome for those coming from the north. Much older, to the north of the piazza is yet another Santa Maria (see below). The Piazza del Popolo is considered as one of the most beautiful squares in Europe. It was enlarged and two streets, the Via di Ripetta and the Via del Babuino were added by order of Pope Sixtus V. In the middle of the square is an obelisk (see below). In 1809-1816, Giuseppe Valadier, Roman architect of French origin, gave the square its characteristic oval shape.
The renamed Rome Zoo, one of the oldest in Europe, founded in 1911. On the edge of the Borghese Gardens, a short, well-signposted walk from the Gallery. They try hard, but San Diego this isn't. If you are a regular zoo-goer you will be disappointed.
Built after 1631, the crypt of the church contains a macabre display - a series of chapels decorated with the bones of 3700 dead friars. The bones are glued to the walls and ceilings in bizarre and striking decorations.
Ballroom-like church which crowns part of the Capitoline Hill. Don't be fooled by the plain stone exterior.
Not, as commonly believed, named after the country but after the city of Strasbourg (Argentoratum in Latin), from which came a courtesan of Pope Alexander VI who lived nearby. Four Roman Republican-era temples, Pompey's theater and a Roman public toilet ("Latrina") have been excavated. The Pompey Theater is the site where Julius Caesar was stabbed to death by senators in 44 BC. The largo is also home to a large number of cats which are tended by the local animal rights organization - purportedly a jab at Mussolini who excavated the area and is said to have hated cats. As of September 2024 no cats could be seen at least from the street.
This small museum records the liberation of Rome from German occupation during the Second World War. During the occupation the building was used as a prison. Stair lifts and chair lifts available for wheelchair users (call ahead).
A tomb for the wealthy Gaius Cestius, who died in 12 BC. Admission to the monument only by guided tours on specific dates (2nd and 4th Saturday every month, and in combination with a ticket to the Museum of Via Ostiense also on the 1st and 3rd Saturday of every month).
A 5th-century basilica, simply and attractively decorated. The wooden door, of which 18 carved panels of scenes from the Bible survive, is believed to date from the church's construction.
Erected in 203. You can see it close up from Via della Curia also (without entering the Forum).
Built in honour of Victor Emmanuel, the first king of a unified Italy, this vast structure may appear to be solid white marble but actually contains many rooms inside. There are two permanent museums, one on Italian Reunification and one on emigration from Italy, as well as other spaces that host rotating exhibitions. A walk through the Flag Room leads to the tomb of the unknown soldier. Good views from half-way up but you can also pay €10 (€2 concessions) and take a lift all the way to the top.
The 4th rebuilding of the meeting place for the Roman Senate, once converted into a church during the Middle Ages, but now restored since the 1930s.
Regular shows plus an excellent astronomical museum.
In the Middle Ages pilgrims on their way to St. Peter's had to pass through the Via dei Coronari in order to cross the Tiber at Ponte St. Angelo. The street got its name from the people who sold rosaries to the pilgrims. It follows the ancient Via Recta which led from what is today Piazza Colonna to the Tiber. In the 15th century Pope Sixtus IV initiated the construction of private buildings. Today, several houses dating back to the 15th and 16th century may be seen. House nr. 156/157 is said to have been the House of Fiametta, the mistress of Cesare Borgia.
This is not the real name of the church on the corner by the main entrance to San Callisto but it is universally known by this name. By legend it is located on the spot where Saint Peter had a vision of the risen Christ while fleeing persecution in Rome. According to the tradition, Peter asked Jesus, Domine, quo vadis? “Lord, where are you going?” The current church is from 1637. Inside is a copy of a stone said to contain the imprints of the feet of Jesus; the original is maintained in San Sebastiano, further along the Appian Way