Wandering through Rome, just across the grand Via dei Fori Imperiali from the iconic Roman Forum, you’ll discover one of the city’s most fascinating and well-preserved ancient sites: Trajan’s Market. This impressive structure stands as a remarkable testament to both Roman ingenuity and their vibrant marketplace culture.
Trajan’s Market wasn’t just a bustling commercial hub in its heyday. Ingeniously, its grand multi-level design served a dual purpose. Besides hosting shops and administrative offices, the market complex was constructed as a strategic measure to prevent the nearby Quirinal Hill from collapsing onto the city below. This clever blend of practicality and sophistication remains evident in the sturdy arches and ancient corridors that have survived nearly two millennia.
Just below the market, nestled within the vast expanse of the Forum, rises another marvel of the ancient world: Trajan’s Column. Built in 113 AD, this towering column is adorned with intricate reliefs that spiral upward, telling the dramatic story of Emperor Trajan’s victories in battle. Each carved scene offers a glimpse into the military prowess and artistry that defined Rome at the height of its power.
Whether you’re a history enthusiast, an architecture lover, or simply a curious traveler, Trajan’s Market and the surrounding monuments invite you to step back in time and experience the enduring legacy of ancient Rome.
Source - https://en.wikipedia.org/wiki/Trajan%27s_Market
It was immortalised in 1960 by the Federico Fellini film La Dolce Vita. It is also the location of the US Embassy, in the massive Palazzo Margherita. Via Veneto went into a period of decline in the 1980s but has returned to popularity and the roadside cafes are the place to be seen if you are into that sort of thing.
According to an inscription Emperor Augustus dedicated the obelisk to the sun in the 11th year of his consulate (10BC), after he had annexed Egypt to Rome. The obelisk is 24 m high. It was erected in Heliopolis in Egypt and was dedicated to Pharao Sethos I (1313-1292 BC) and Pharoa Ramses II (1292-1275 BC). Augustus brought the obelisk to the Circus Maximus, where it was rediscovered in 1587, broken into three pieces and was relocated to Piazze del Popolo on the orders of Pope Sixtus V in 1589.
The building is in one of the most hidden corners of the city center among Piazza Navona and Castel Sant'Angelo. It served as residence for the Orsini family. Nowadays it is private property and one can only glance at the courtyard and the amazing fountain inside, erected in 1618 by architect Antonio Casoni. However, the brief moment is worth it.
Parco Savello is the name of the grounds and orange grove next to the Santa Sabina church at the top of the Aventino and also where you have one of the best views of the city. Families gather here to sit under the dozens of orange trees. The "Giardino degli Aranci" is also a well known spot for lovers at night. The best views are arguably from Janiculum hill, just across the Tevere (Tiber) river. Immediately below you, the Tiber snakes its way through the city, and directly beyond it you can see the lively medieval quarter of Trastevere. Beyond that is the majestic dome of St. Peter's Basilica, with the historic centre of Rome visible to the right.
The two museums are on opposite sides of the Piazza del Campidoglio, It is recommended to book tickets online Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica). Also based on a Michelangelo architectural plan, this compact gallery is well endowed in classical sculpture and paintings. Highlights include the small 1st-century-BC bronze Lo Spinario, a Greek statue of a little boy picking a thorn from his foot; the Lupa Capitolina (Capitoline Wolf), a rare Etruscan bronze statue probably dating from the 5th century BC; and (in the entrance courtyard), the massive head, hands, foot and kneecap from a colossal statue of Constantine the Great. The palace also contains a Pinacoteca (Picture Gallery) with paintings mainly from the 16th and 17th centuries - highlights include: Caravaggio's Fortune-Teller and his curious John the Baptist; The Holy Family, by Dosso Dossi; Romulus and Remus, by Rubens; and Titian's Baptism of Christ.
The contours of the ancient stadium, built in the 6th Century B.C., are still visible in what is now a park in the shadow of the Palatine. Circus Maximus was primarily devoted to chariot races and was used for this purpose until around 550 AD. The stadium could seat up to 150,000 people. Originally built of wood, it burnt down twice, on the second occasion starting the great fire when the Emperor Nero was said to fiddle while Rome burned. It was in one of the tunnels here that Caligula met his end. Excavations began in 2009 at the east end of the circus and are likely to go on for some years.
Good collection of Renaissance and Baroque art, including by Velasquez, Titian, Raphael, and Bernini, all owned by the Doria Pamphilj family. Excellent audio guides really bring the paintings to life.
The museum is dedicated to Napoleon Bonaparte and his family. After Napoleon's death in 1821 the Pope gave permission to his family to settle down in Rome. His sister married Prince Camillo Borghese.
A relaxing place to sit and recover from the exertions of sightseeing. Permanent collection plus annual competition.
Rome's museum of contemporary art, housed in a former industrial complex. Rotating exhibitions, each one usually lasting about 4 months. The MACRO Testaccio exhibition space is located in Aventino-Testaccio.
By Bernini, in the very centre of Piazza Navona. Incorporates an Egyptian obelisk and symbolises four of the world's great rivers (the Ganges, the Nile, the Danube and the Plata), representing the four continents known at the time.
Built in the 9th century, this ancient basilica crowns the top of the Esquiline Hill. Tons of gold decorate the interior together with impressive mosaics (particularly when the floodlights are turned on), and there is a museum on the premises. If you are in Rome on Corpus Christi (Corpus Domini), which is the Thursday after the 8th Sunday after Easter, an early-evening service is held in San Giovanni by the Pope followed by a procession along Via Merulana to Santa Maria. Good opportunity for a close up view of the Pope. This is a very large church with lots to see, as for example, the main part of the church has two layers of mosaics and paintings high on the walls, the altar and apse are spectacular, and then there are several more or less large chapels you won't want to miss, including the one with the amazing golden baptismal font. Allow at least an hour if not an hour and a half or more to visit the interior, even if you do not take any special tours, and also allow time to view the exterior from all sides. Overall, at least 2 hours would not be too much time to allot.
On top of the Capitoline hill. The piazza was designed by Michelangelo. The Capitoline Museum is housed in the palaces flanking the piazza. You can walk behind the Palazzo Senatorio, where Rome's government meets, to a wonderful viewpoint which overlooks the entire Roman Forum. In the centre of the square you can admire an exact copy of the Statue of Marcus Aurelius on horseback; the original is kept in one of the two museums, to preserve it from pollution.
An ethnographic collection of around 60,000 pieces from European indigenous cultures. Documents evolution from the Palaeolithic age to the Iron Age.
Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica).
A lovely, if somewhat run-down park (parts of it are blocked due to the poor state of the roads) with statues and a great view on the city.