Hidden amidst the ancient cityscape of Rome, history whispers through the stones of the Basilica of Saints John and Paul, perched gracefully on the Caelian Hill. This sacred place holds a story that dates back to the 4th century, where legend and devotion intertwine beneath its vaulted ceilings and serene chapels.
According to time-honored tales, John and Paul were not just brothers, but also esteemed officials in the imperial court of Rome. Their faith, however, set them on a fateful path during the reign of Emperor Flavius Claudius Julianus in 362 AD. Refusing to abandon their Christian beliefs, the brothers faced martyrdom within their own home on the Caelian Hill. Their courage and conviction left a legacy that would inspire generations of worshippers and pilgrims.
In the years following their martyrdom, the site of their sacrifice became a focal point for the early Christian community. Starting in 398 AD, the basilica was erected to honor Saints John and Paul. Initially, it served as a "domus ecclesiae," or house church—a private home used for Christian worship during a time when such gatherings were still finding their place in Roman society. Through centuries of devotion and transformation, the basilica remains a testament to the enduring spirit of faith and the profound history etched within Rome's sacred hills.
Source - https://en.wikipedia.org/wiki/Santi_Giovanni_e_Paolo_al_Celio
An ethnographic collection of around 60,000 pieces from European indigenous cultures. Documents evolution from the Palaeolithic age to the Iron Age.
A medieval church dating from the 6th century and home to the Bocca della Verità (Mouth of Truth). The Bocca della Verità at the entrance to the church is thought to be a 1st-century manhole cover. It is believed that if you put your hand in the mouth and tell a lie, the hand will be bitten off. Queues for the privilege of risking this can get rather long. Don't ignore the church, which is a gem, and has a separate entrance. Its mosaic floor in the Cosmatesque style is more rustic and less intricate than some others (Santa Maria in Trastevere, for example), but its simplicity gives it a solidity not found in the more ornate styles. S.M. in Cosmedin has a fine medieval choir enclosure and the tallest medieval belfry in Rome.
More of an enormous traffic circle than a piazza, but a good central location. The centerpiece is the enormous Vittorio Emanuele Monument (aka the Wedding Cake or the Typewriter) with the Capitoline hill next door. Mussolini used to harangue Romans from the first floor balcony of Palazzo Venezia (see under Museums), to the west of the square.
This is a large tomb built by the Roman Emperor Augustus in 28 BC in the form of a stone ring covered by an earth mound. A brick wall, 87 m in diameter, carried an earth mound covered with cypresses. On top of the hill stood a bronze monument of the emperor. The building was 44 meters high. At the beginning of the alley, which led to the tomb were two Egyptian obelisks. On both sides of the doorway bronze plates describe the "Res gestae", the deeds of the emperor. The urns of Augustus, Marcellus, Octavia, Agrippa, Drusus and other members of the Julian Claudian dynasty were revered here. In the Middles Ages the building served as citadel of the Colonna family. It was destroyed by Pope Gregor IX in 1241. The body of Cola di Rienzo. a popular leader of the people in the mid-14th century, was burnt in this monument. The Mausoleo di Augusto is not open to the public, and is fenced off.
The most extensive collection of Etruscan art and artifacts anywhere. Fantastic collection and well worth the admission charge. A difficult museum to find, but a lovely display in a beautiful villa setting.
The renamed Rome Zoo, one of the oldest in Europe, founded in 1911. On the edge of the Borghese Gardens, a short, well-signposted walk from the Gallery. They try hard, but San Diego this isn't. If you are a regular zoo-goer you will be disappointed.
The Scala Sancta (Holy Stairs) is, according to Roman Catholic tradition, the staircase used by Jesus Christ to approach Pontius Pilate to be sentenced to death. Attracts numerous pilgrims who climb the stairs on their knees.
Built in 141 AD and dedicated to the Empress Faustina; after her husband emperor Antoninus Pius died in 161 AD the temple was rededicated to the couple.
Beautiful park, the 2nd largest in Rome (after Villa Doria Pamphili) at 450 acres/182 hectares. Hosts concerts on summer evenings. former summer residence of Italian monarchs. Also known for it's bunker.
The two museums are on opposite sides of the Piazza del Campidoglio, It is recommended to book tickets online Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica). Also based on a Michelangelo architectural plan, this compact gallery is well endowed in classical sculpture and paintings. Highlights include the small 1st-century-BC bronze Lo Spinario, a Greek statue of a little boy picking a thorn from his foot; the Lupa Capitolina (Capitoline Wolf), a rare Etruscan bronze statue probably dating from the 5th century BC; and (in the entrance courtyard), the massive head, hands, foot and kneecap from a colossal statue of Constantine the Great. The palace also contains a Pinacoteca (Picture Gallery) with paintings mainly from the 16th and 17th centuries - highlights include: Caravaggio's Fortune-Teller and his curious John the Baptist; The Holy Family, by Dosso Dossi; Romulus and Remus, by Rubens; and Titian's Baptism of Christ.
With its strange Liberty- style buildings with influence from the Art Nouveau of the 1920s this small bunch of blocks is one of the most interesting, and less known, landmarks of the city. A must see.
The house in which the famous English poet John Keats succumbed to consumption, now preserved as a memorial to his life and that of his friend Shelley, both of whom are buried in Rome's Protestant Cemetery (see Testaccio).
Next door to Santa Croce. A collection of around 3000 pieces, although only a third of these are displayed.