Rising elegantly at the highest point of Rome's Via Sacra, the Arch of Titus stands as a solemn tribute to a pivotal era in Roman history.
The Arch of Titus was constructed in 81 AD by Emperor Domitianus, serving as a tribute to his older brother, Titus, who had passed away earlier that year. Titus’s reign, though brief from 79 to 81 AD, was marked by monumental events that shaped the course of Roman history. Among his major achievements was the grand opening of the Colosseum in the heart of Rome—an arena that still resonates with echoes of ancient spectacles. Yet, his rule was also overshadowed by calamity, most notably the catastrophic eruption of Mount Vesuvius in 79 AD, which buried the cities of Pompeii and Herculaneum under ash and pumice.
The arch itself is more than just a grand structure; it’s a carefully crafted symbol of triumph and remembrance. The reliefs carved into its marble recount the victory of Titus in the Siege of Jerusalem, capturing dramatic scenes of Roman soldiers carrying spoils from the Temple. These vivid details offer a glimpse into the pageantry and power that once defined the Roman Empire, while also providing a poignant reminder of the impermanence of glory and tragedy alike.
Today, the Arch of Titus stands as a gateway between Rome’s past and present, a must-see for anyone seeking to grasp the incredible depth of the city’s heritage. Whether you’re a history buff retracing ancient footsteps or a curious traveler swept up in Rome’s timeless allure, the arch invites you to pause, reflect, and marvel at a civilization whose echoes are still heard in the stones beneath your feet.
Source - https://en.wikipedia.org/wiki/Arch_of_Titus
An underrated way to see fantastic art made after the Renaissance. Mainly Italian artists, notably De Chirico, but Cézanne, Degas, Kandinsky, Man Ray, Modigliani, Monet, Pollock and Van Gogh are also represented.
Built in honour of Victor Emmanuel, the first king of a unified Italy, this vast structure may appear to be solid white marble but actually contains many rooms inside. There are two permanent museums, one on Italian Reunification and one on emigration from Italy, as well as other spaces that host rotating exhibitions. A walk through the Flag Room leads to the tomb of the unknown soldier. Good views from half-way up but you can also pay €10 (€2 concessions) and take a lift all the way to the top.
Regular shows plus an excellent astronomical museum.
It was constructed to hold relics of the Passion of Jesus. They include two thorns of his crown, part of a nail and three small wooden pieces of the Cross. The authenticity of these relics is much disputed, however.
This is an important place of pilgrimage for Catholics because of the supposedly miraculous powers of an image of the Virgin Mary. The first miracle was in 1740 when a traveller being attacked by a pack of dogs called out to the Virgin’s image for rescue and the dogs calmed down. The image was moved to Rome in the Second World War and is credited with saving the city from destruction, as a result of which Romans vowed to construct this new sanctuary.
Built after 1631, the crypt of the church contains a macabre display - a series of chapels decorated with the bones of 3700 dead friars. The bones are glued to the walls and ceilings in bizarre and striking decorations.
Next door to the Pyramid, this fine gate in the Aurelian Wall is named after St. Paul as the Via Ostiense leads to the basilica of St. Paul's Outside the Walls (see Rome/South).
Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica).
The Catacombs of Domitilla are considered to be the best preserved of all Roman catacombs. They are the only ones still to contain bones. Domitilla also has a subterranean basilica, much of which was reconstructed in 1870.
This is the attractive park on the hillside directly west of the Colosseum. Visible ruins in the area come from the Baths of Trajan. These baths were built on the top of the ruins of Domus Aurea - the Golden House of Nero (the Colosseum was built on the drained site of Nero's lake). The area underneath the park contains an enormous area from Nero's villa. It was restored at great expense in the 1980s and 1990s, opened to the public, and then closed again after a few years when it began to leak!
This building housed the University of Rome from the middle of the 15th century until 1935. The splendid interior courtyard was created by Giacomo della Porta. The inside church of Sant'Ivo (see above) is one of the masterpieces of the architect Borromini.
Home of the Abbot Primate of the Benedictine Confederation and Benedictine monks studying in Rome. Visit the monastic produce shop and listen to the best Gregorian chant in Rome during Vespers (19:15 each evening).