Villa Albani stands as a grand example of Roman architecture and opulence, designed during the mid-18th century. Built between 1743 and 1763 at the request of Cardinal Alessandro Albani, this stately house was created specifically to showcase the cardinal’s extensive collection of art. The property is surrounded by remarkable gardens, providing elegant scenery and a refined atmosphere that has captivated visitors for centuries.
The management and care of the art collection housed at Villa Albani were entrusted to Johann Joachim Winckelmann, a close adviser and friend of Cardinal Albani. Winckelmann, widely regarded as the founder of classical archaeology, wrote his seminal work "Geschichte der Kunst des Altertums" ("History of the Art of Antiquity") while in Rome. This influential book laid the foundations for the modern study of ancient art and culture, connecting Villa Albani to important developments in scholarly history.
One of the villa’s highlights is the painted ceiling of the great hall, which features a depiction of Mount Parnassus. This stunning artwork was created by Anton Raphael Mengs, a German painter who was considered the greatest artist in Rome during the 18th century. The ceiling’s grandeur and vibrant imagery offer a glimpse into the artistic achievements that flourished within Villa Albani’s walls.
Access to Villa Albani is limited and requires advance arrangements. Visitors must email or fax the administration of Principi Torlonia, indicating their preferred date and time, their name, and the number of people in their group (up to ten). This process helps maintain the villa’s exclusivity and ensures a tranquil experience for every guest.
Source - https://en.wikipedia.org/wiki/Villa_Albani
Built in the 9th century, this ancient basilica crowns the top of the Esquiline Hill. Tons of gold decorate the interior together with impressive mosaics (particularly when the floodlights are turned on), and there is a museum on the premises. If you are in Rome on Corpus Christi (Corpus Domini), which is the Thursday after the 8th Sunday after Easter, an early-evening service is held in San Giovanni by the Pope followed by a procession along Via Merulana to Santa Maria. Good opportunity for a close up view of the Pope. This is a very large church with lots to see, as for example, the main part of the church has two layers of mosaics and paintings high on the walls, the altar and apse are spectacular, and then there are several more or less large chapels you won't want to miss, including the one with the amazing golden baptismal font. Allow at least an hour if not an hour and a half or more to visit the interior, even if you do not take any special tours, and also allow time to view the exterior from all sides. Overall, at least 2 hours would not be too much time to allot.
By Bernini, in the very centre of Piazza Navona. Incorporates an Egyptian obelisk and symbolises four of the world's great rivers (the Ganges, the Nile, the Danube and the Plata), representing the four continents known at the time.
Permanent collection features paintings and drawings of Rome between the 18th and 20th centuries together with a fascinating black and white photo exhibition of Rome from 1950-80. Also offers rotating exhibitions, usually of the work of photographers.
A truly quiet oasis close to the hustle and bustle of EUR. There are three churches in this complex and the doors are open all day, unlike city churches. The monks produce a range of products such as liqueurs, chocolate and honey, as well as a cure for the illnesses Romans suffer when the Scirocco wind blows in from the Sahara. These are on sale at a shop at the Abbey.
The Celian Hill is one of the seven hills of Rome. You immediately see the church of San Gregorio Magno. On this site monks were trained before setting off as missionaries to England at the end of the 6th Century. Further up the hill is Santi Giovanni e Paolo. At this point it is difficult to believe you are in the middle of a major city. This church was built in 398 over the home of two Roman soldiers, John and Paul, who were martyred for their Christian beliefs in 362. Excavations show that there were several burials on the site, a risky business as burials were illegal at that time. After the church you come to the back entrance of the Villa Celimontana park (jazz festival nightly in late June-August). The modern buildings before you reach the park are owned by Silvio Berlusconi’s television company. By the main entrance of the park note the boat-like fountain known as the “Navicella”. As you exit the main entrance to the left is the church of S. Maria in Domnica, which has some interesting mosaics. Next to this church is the Porta Esquilina, one of the gates from the original Servian walls of Rome. It dates back to the 4th century BC.
The western end of the ancient Via Appia road connecting Rome to Brindisi in the heel of Italy, and as such the third world heritage site in Rome together with the Old Center and the Vatican. As such it's an important historical location, even if the remains of the gate aren't as impressive as the city's major sites. As Via Appia heads southeast out of Rome, and after a few kilometers the route is officially named Via Appia Antica and starts looking more historical: it gets narrow as a city street, the asphalt is replaced by a rock surface and the road is lined with parks and park-like areas and walled old buildings. This section has been described as the world's longest museum.
A tomb for the wealthy Gaius Cestius, who died in 12 BC. Admission to the monument only by guided tours on specific dates (2nd and 4th Saturday every month, and in combination with a ticket to the Museum of Via Ostiense also on the 1st and 3rd Saturday of every month).
Contains the tomb of Pope Hadrian IV, the last non-Italian pope before Pope John Paul I.
Built in 81 AD by the emperor Domitianus in dedication to his brother Titus, who died earlier that year and reigned as emperor from 79-81, overseeing the opening of the Colosseum in 80 and the eruption of Mt Vesuvius the previous year.
Built in 141 AD and dedicated to the Empress Faustina; after her husband emperor Antoninus Pius died in 161 AD the temple was rededicated to the couple.
One of Bernini's masterpieces, an obelisk on the back of an elephant.
housed in the baroque palace Corsini where Christina, Queen of Sweden settled down in the last years of her life
Next door to the Pyramid, this fine gate in the Aurelian Wall is named after St. Paul as the Via Ostiense leads to the basilica of St. Paul's Outside the Walls (see Rome/South).