The Borghese Gallery and Museum stands out for its stunning villa location and impressive art collection. Instead of focusing on a large number of works, this gallery showcases a thoughtfully curated selection, offering visitors a chance to spend time with each masterpiece. The setting itself adds to the experience, with beautiful rooms and gardens surrounding the artwork.
The gallery features notable sculptures and paintings by famous artists. Some of the most admired pieces are by Antonio Canova and Gian Lorenzo Bernini, including the remarkable sculpture Apollo and Daphne. Works by the celebrated painter Caravaggio are also displayed here, making the collection especially appealing for art lovers. Each piece is carefully presented, allowing for a close look at the artists’ techniques and styles.
Originally, the Borghese Gallery was a private collection put together by Cardinal Scipione Borghese. For many years, it was considered one of the most magnificent collections in the world. In the early 1800s, Prince Camillo Borghese sold a significant part of the collection to Paris, where many pieces now belong to the Louvre Museum. Since 1902, the villa and its remaining artworks have been owned by the Italian state, preserving an important part of Italy’s artistic heritage.
Admission to the Borghese Gallery is limited to 360 people every two hours. Booking a time slot in advance is highly recommended. Visitors are allowed to take photos inside, which is rare for such a prestigious collection. To make the most of the visit, it’s important to arrive at least 15 minutes before the reserved time. This allows time to pick up tickets from Will Call and leave bags, strollers, and other large items in the cloakroom. The gallery enforces strict entry times, and late arrivals may not be accommodated, so punctuality is essential for a smooth visit.
Source - https://en.wikipedia.org/wiki/Galleria_Borghese
Ballroom-like church which crowns part of the Capitoline Hill. Don't be fooled by the plain stone exterior.
According to the legendary passio, two brothers, John and Paul, who were officials at the imperial court, suffered martyrdom in 362 in their home on the Caelian hill, during the reign of emperor Flavius Claudius Julianus. This basilica dedicated to these two Roman officers was erected starting from 398 and was used first as a domus ecclesiae by the Christian community.
The Scala Sancta (Holy Stairs) is, according to Roman Catholic tradition, the staircase used by Jesus Christ to approach Pontius Pilate to be sentenced to death. Attracts numerous pilgrims who climb the stairs on their knees.
The Servian Wall was the first wall around Rome, built around the 3rd century BC. This well-preserved section provides a good opportunity to observe the construction methods of that time, particularly the use of tufa rock blocks
Caffarella Park covers an area of 339 ha and is part of the larger Appia Antica park. It contains both a working farm and numerous Roman ruins, some quite well preserved and is a great place for a stroll or cycle away from Rome’s traffic.
Built in honour of Victor Emmanuel, the first king of a unified Italy, this vast structure may appear to be solid white marble but actually contains many rooms inside. There are two permanent museums, one on Italian Reunification and one on emigration from Italy, as well as other spaces that host rotating exhibitions. A walk through the Flag Room leads to the tomb of the unknown soldier. Good views from half-way up but you can also pay €10 (€2 concessions) and take a lift all the way to the top.
Contains the tomb of Pope Hadrian IV, the last non-Italian pope before Pope John Paul I.
Also based on a Michelangelo architectural plan, this compact gallery is well endowed in classical sculpture and paintings. Highlights include the small 1st-century-BC bronze Lo Spinario, a Greek statue of a little boy picking a thorn from his foot; the Lupa Capitolina (Capitoline Wolf), a rare Etruscan bronze statue probably dating from the 5th century BC; and (in the entrance courtyard), the massive head, hands, foot and kneecap from a colossal statue of Constantine the Great. The palace also contains a Pinacoteca (Picture Gallery) with paintings mainly from the 16th and 17th centuries - highlights include: Caravaggio's Fortune-Teller and his curious John the Baptist; The Holy Family, by Dosso Dossi; Romulus and Remus, by Rubens; and Titian's Baptism of Christ.
On the site of the Roman baths, this museum houses an enormous collection of statues, etc.
A truly monumental stairway of 135 steps (similar to climbing eight flights of stairs), built with French funds between 1721 and 1725 in order to link the Bourbon Spanish embassy to the Holy See (still located in the piazza below), with the Bourbon French church (its monastery founded in 1495) above. Don't sit on them though, or eat, or push a baby stroller on them, or do anything else that might obstruct pedestrians, make them dirty, or cause additional wear and tear, or else you will have to pay a fine that ranges from €250 to €400.
Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica).
In addition to Santa Maria in Cosmedin there is a lot to be seen around this piazza. Opposite the church is the round temple dedicated to Hercules Invictus (the Unconquered Hercules), and not far from that the rectangular Fortuna Virilis, both constructed in the 1st Century. Opposite, to the back of the piazza is the Arch of Argentari and behind that the church of San Giorgio in Velabro, the front of which was repaired after being damaged by a terrorist bomb in July 1993.
The museum is dedicated to Napoleon Bonaparte and his family. After Napoleon's death in 1821 the Pope gave permission to his family to settle down in Rome. His sister married Prince Camillo Borghese.
Perhaps most famous for a large model of imperial Rome, but also has a large display of various aspects of ancient Rome, using plaster casts, models and reconstructions of works found in museums throughout the world.
Completed in 1762 to a design by Nicola Salvi, this spectacular Baroque fountain features a mythological sculptural composition of Neptune, god of the sea, flanked by two Tritons: one Triton labours to control a violent sea-horse, the other controls a pacified creature, both symbolising the dual nature of the world's oceans. The location of the Trevi fountain marks the terminus of the ancient Aqua Virgo aqueduct, completed in 19 BCE in order to supply the Baths of Agrippa, and is so named on account of its position at the junction of three roads (tre vie). The legend says that one who throws a coin in the fountain shall one day return to Rome. The coins in the fountain are regularly collected to finance charities. The fountain has been made even more famous by the 1954 film, Three Coins in the Fountain, and by a famous scene in Federico Fellini's film La Dolce Vita. According to popular superstition and custom, throwing coins with one's right hand over one's left shoulder into the Trevi Fountain is a practice endowed with good luck. Throwing one coin ensures that the thrower will return to Rome; throwing two coins will ensure that the thrower will fall in love with a beautiful Roman girl (or handsome boy); throwing three coins, finally, ensures that the thrower will marry that girl or boy in Rome itself. The fountain is one of Rome's most famous attractions, but the square isn't exactly as large as St. Peter's, therefore it might be packed with crowds almost like at a rock festival. For this reason it's reportedly also a pickpocket hotspot, so do watch your pockets and bags here!