From a distance, it looks like a miniature Colosseum, its grand ancient arches rising majestically from the street. But as you draw closer, something remarkable comes into view—the very top of this ancient Roman theater is crowned with apartments where people actually live today.
The Theatre of Marcellus dates back to the closing years of the Roman Republic, completed in 13 BC under Emperor Augustus. Originally, it was one of the city’s largest open-air theaters, hosting thousands of spectators for plays and performances beneath the Mediterranean sky.
Over the centuries, as empires rose and fell, the theater’s massive stone structure found new life. By the Middle Ages, it had become the foundation for fortress-like residences, and later, elegant Renaissance apartments were built right atop the ancient ruins. Today, those homes still perch above the centuries-old arches—Rome’s history quite literally supporting modern life.
Seeing locals come and go from their homes above the ancient theater is a surreal reminder of Rome’s unique charm. Few places in the world blend antiquity and the everyday so seamlessly. The Theatre of Marcellus isn’t just a relic to be admired from afar—it’s a living, breathing part of the city, where Roman stones and Renaissance palazzi form a single, striking silhouette against the sky.
If you’re visiting Rome, make time to stroll by this incredible site, soak in its unusual beauty, and imagine the stories echoing within its walls—from ancient performances to modern lives unfolding overhead. In the Eternal City, history is never just in the past—it’s right above your head.
Source - https://en.wikipedia.org/wiki/Theatre_of_Marcellus
Unusual and fascinating round church dedicated to St. Stephen. It is the national church of Hungary in Rome. Dating from the 5th Century this is believed to be the largest round church in the world. Charles Dickens described its wall paintings of martyrdom and butchery as "hideous". A good starting point to visit the attractions of the Celio Hill (see Rome/Aventino-Testaccio).
The Catacombs of Domitilla are considered to be the best preserved of all Roman catacombs. They are the only ones still to contain bones. Domitilla also has a subterranean basilica, much of which was reconstructed in 1870.
The chains that allegedly held St. Peter are displayed in a case before the altar. More importantly, contains the impressive statue of Moses by Michelangelo. It's close to the Colosseum, but a little hard to find. Take the steps opposite the Colosseum on Via dei Fori Imperiali, cross the road at the top and seek directions. Also reachable through steps to the right leading off Via Cavour.
In the Middle Ages pilgrims on their way to St. Peter's had to pass through the Via dei Coronari in order to cross the Tiber at Ponte St. Angelo. The street got its name from the people who sold rosaries to the pilgrims. It follows the ancient Via Recta which led from what is today Piazza Colonna to the Tiber. In the 15th century Pope Sixtus IV initiated the construction of private buildings. Today, several houses dating back to the 15th and 16th century may be seen. House nr. 156/157 is said to have been the House of Fiametta, the mistress of Cesare Borgia.
Brand new museum designed to celebrate the art and architecture of the 21st century.
Home of the Abbot Primate of the Benedictine Confederation and Benedictine monks studying in Rome. Visit the monastic produce shop and listen to the best Gregorian chant in Rome during Vespers (19:15 each evening).
Next door to Santa Croce. A collection of around 3000 pieces, although only a third of these are displayed.
This museum is built on top of the excavation site of the Balbi Crypt, a building from the first century A.D. which underwent considerable modifications in the following centuries. Through the building's history, the museum gives us glimpses of what Roman life across the ages was like. Free visits of the ruins are possible. The Essedra ruins are only accessible on Saturdays and Sundays, at 10:45, 11:45, 12:45, 14:45 and 15:45.
Built in 141 AD and dedicated to the Empress Faustina; after her husband emperor Antoninus Pius died in 161 AD the temple was rededicated to the couple.
The contours of the ancient stadium, built in the 6th Century B.C., are still visible in what is now a park in the shadow of the Palatine. Circus Maximus was primarily devoted to chariot races and was used for this purpose until around 550 AD. The stadium could seat up to 150,000 people. Originally built of wood, it burnt down twice, on the second occasion starting the great fire when the Emperor Nero was said to fiddle while Rome burned. It was in one of the tunnels here that Caligula met his end. Excavations began in 2009 at the east end of the circus and are likely to go on for some years.
On the site of the Roman baths, this museum houses an enormous collection of statues, etc.
This impressive villa covers 23 hectares. It can be accessed from the Via Appia Nuova (Bus 118) or through Via Appia Antica 251. Parts can be seen from the Appian Way at around the 5th mile just after No 251. The villa was built by Maximus and Condinus Quintilii. The emperor Commudus liked it so much that he put the brothers to death in 182 AD and took it for himself. A museum has friezes and sculptures from the villa. The nypheum, the tepidarium and the baths may also be visited. At Appia Antica 251 is Santa Maria Nova, a farmhouse that has undergone many reincarnations since being built on top of a Roman cistern that was probably used by Villa dei Quintilii.