Castel Sant'Angelo stands as one of Rome’s most remarkable landmarks. Its story began nearly two thousand years ago, when Emperor Hadrian ordered a grand mausoleum to be built for himself and his family between 135 and 139 AD. Over the centuries, the building took on new roles as rulers and popes transformed it to suit the needs of their times.
During the medieval era, the original mausoleum became the foundation for a strong fortress. Successive popes expanded and fortified Castel Sant'Angelo, turning it into a residence and a vital military stronghold in the heart of Rome. Its thick walls and strategic location along the Tiber River made it an ideal refuge during times of conflict.
For many years, Castel Sant'Angelo also served as a prison. Powerful figures and political prisoners were held within its walls until 1870. The dark cells and secret passageways tell stories of intrigue and drama from Roman history.
Today, the building is a museum filled with art, historical artifacts, and sweeping views of the city. Opera fans may find a special thrill in visiting the famous balcony where the character Tosca, from Puccini’s renowned opera, meets her tragic end. The castle has also appeared in popular films, including a memorable scene in "Angels and Demons," linking its ancient halls to modern entertainment.
Source - https://en.wikipedia.org/wiki/Castel_Sant%27Angelo
If it is sunny, you'll catch a few young people and older gentlemen sitting at the base of a statue in the middle of the open space. The statue is a brooding, hooded Giordano Bruno—an excommunicated Dominican monk and one of the earliest cosmologists who held the idea of an infinite universe. He was burnt at the stake for heresy on this spot on 17 February 1600. The piazza is used as a marketplace during the day, and party central for college students and tourists at night. When the sky gets dark and the street lamps go on, the Campo de' Fiori fills with people and lovers wander arm in arm in the crowd. Over the buzzing of conversation and the occasional burst of laughter you may hear a young vocalist belt out O Sole Mio at the top of his lungs as change plunks into his accordion case.
The two museums are on opposite sides of the Piazza del Campidoglio, It is recommended to book tickets online Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica). Also based on a Michelangelo architectural plan, this compact gallery is well endowed in classical sculpture and paintings. Highlights include the small 1st-century-BC bronze Lo Spinario, a Greek statue of a little boy picking a thorn from his foot; the Lupa Capitolina (Capitoline Wolf), a rare Etruscan bronze statue probably dating from the 5th century BC; and (in the entrance courtyard), the massive head, hands, foot and kneecap from a colossal statue of Constantine the Great. The palace also contains a Pinacoteca (Picture Gallery) with paintings mainly from the 16th and 17th centuries - highlights include: Caravaggio's Fortune-Teller and his curious John the Baptist; The Holy Family, by Dosso Dossi; Romulus and Remus, by Rubens; and Titian's Baptism of Christ.
This palace of the 16th century was erected by the famous Medici family. It was the residence of Cardinals Giovanni and Giuliano Medici, later Pope Leo X. and Clement VII. Catherine de Medici, Pope Clement VII's niece lived here until her marriage in 1553 with Prince Henry, the son of King Francis I of France. The palace is named after Madama Margerita of Austria, the illegitimate daughter of Emperor Charles V. Since 1871 it has been the seat of the Italian Senate.
Contains the tomb of Pope Hadrian IV, the last non-Italian pope before Pope John Paul I.
If stones could talk: these hallowed ruins were the most powerful seat of government in the world. To stand in the political, legal and religious centre of the whole Roman Empire brings shivers down one's spine. It is the best way of imagining the splendour and glory of ancient Rome. Located in a small valley between the Capitoline and Palatine hills, access to the Forum is by foot only, from an entrance on the Via dei Fori Imperiali. Wheelchair access is available for most of the Forum but be aware that the path is often bumpy due to it containing original stones from the ancient Roman period. The Forum is much less crowded than the Colosseum and, from a historical perspective, much more interesting. You can hire an audioguide for €5.5 from a small booth just above the Arch of Titus near the Colosseum. These audioguides contain an audio jack so that two people can easily share one. Built in 141 AD and dedicated to the Empress Faustina; after her husband emperor Antoninus Pius died in 161 AD the temple was rededicated to the couple. Completed in 179 BC. The 4th rebuilding of the meeting place for the Roman Senate, once converted into a church during the Middle Ages, but now restored since the 1930s. Erected in 203. You can see it close up from Via della Curia also (without entering the Forum). Finished in 29 BC, marks the spot of Caesar's spontaneous cremation and Mark Antony's funeral speech, made famous by Shakespeare in his play Julius Caesar ("Friends, Romans, Countrymen, lend me your ears ..."). Built in 81 AD by the emperor Domitianus in dedication to his brother Titus, who died earlier that year and reigned as emperor from 79-81, overseeing the opening of the Colosseum in 80 and the eruption of Mt Vesuvius the previous year. The remains of the ancient Roman archives, where Cicero and Seneca did research. Visible from the Forum and accessible through the Capitoline Museum.
Parco Savello is the name of the grounds and orange grove next to the Santa Sabina church at the top of the Aventino and also where you have one of the best views of the city. Families gather here to sit under the dozens of orange trees. The "Giardino degli Aranci" is also a well known spot for lovers at night. The best views are arguably from Janiculum hill, just across the Tevere (Tiber) river. Immediately below you, the Tiber snakes its way through the city, and directly beyond it you can see the lively medieval quarter of Trastevere. Beyond that is the majestic dome of St. Peter's Basilica, with the historic centre of Rome visible to the right.
This archaeological site displays the thermal baths of the villa of the wealthy Herod Atticus. Also in the complex is a restored villa, until 2002 a private residence, that has an exterior completely covered with pieces from Roman ruins, including pipes used in the baths. There are some very helpful staff to show you around, although they only speak Italian. An interesting photographic exhibition in the house traces the development of the Appian Way over the last century. Almost opposite the entrance to the baths is a ruined tower known as the Torre di Capo di Bove.
This is one of the two main Jesuit churches in Rome, the other being the nearby Sant'Ignazio. The interior is Baroque art on steroids. Simply astounding.
The Ghetto lies between the island in the River Tiber and the Theatre of Marcellus and includes Rome’s synagogue. It was established in 1555 as a result of a Papal Bull by Pope Paul IV that required all Jews to live in the area, considered one of the least desirable quarters of the city, as it was subject to constant flooding by the river. The area was originally enclosed by walls and gates that were only open during the day. With the end of the Papal States in 1870, the requirement that Jews live in the Ghetto came to an end. The walls were torn down in 1888 and much of the ghetto was demolished. However, there is still much to see, including walls of buildings that incorporate Roman ruins, and there are several good Jewish restaurants.
A lovely, if somewhat run-down park (parts of it are blocked due to the poor state of the roads) with statues and a great view on the city.
Finished in 29 BC, marks the spot of Caesar's spontaneous cremation and Mark Antony's funeral speech, made famous by Shakespeare in his play Julius Caesar ("Friends, Romans, Countrymen, lend me your ears ...").
The western end of the ancient Via Appia road connecting Rome to Brindisi in the heel of Italy, and as such the third world heritage site in Rome together with the Old Center and the Vatican. As such it's an important historical location, even if the remains of the gate aren't as impressive as the city's major sites. As Via Appia heads southeast out of Rome, and after a few kilometers the route is officially named Via Appia Antica and starts looking more historical: it gets narrow as a city street, the asphalt is replaced by a rock surface and the road is lined with parks and park-like areas and walled old buildings. This section has been described as the world's longest museum.
This museum is built on top of the excavation site of the Balbi Crypt, a building from the first century A.D. which underwent considerable modifications in the following centuries. Through the building's history, the museum gives us glimpses of what Roman life across the ages was like. Free visits of the ruins are possible. The Essedra ruins are only accessible on Saturdays and Sundays, at 10:45, 11:45, 12:45, 14:45 and 15:45.
Like Pasquino, the Facchino is one the so-called "speaking figures" which are peculiar to Rome. He is looking out of the Banco di Roma building. The man depicted is holding a barrel in his hands and is carrying water. It is sometimes said that he is looking similar to Martin Luther, but more probably a porter who died while carrying a barrel is depicted here.
The mausoleum of Cecilia Metella, who died in 69 BC, is the best preserved monument on the Appian Way and dominates the surroundings. In the Middle Ages it was transformed into a fortress and battlements were added. At that time there was considerable competition for ownership because of its strategic location.