Exhibition of digital interactive entertainment culture, the Computerspielemuseum in Berlin offers a lively journey through the history of video games. Rooms glow with arcade cabinets, early home consoles, and modern setups, each display telling a piece of how play, design, and technology evolved. Labels are clear and direct, yet the real story comes alive on the screens and controllers waiting for visitors to try.
Unlike many museums, nearly every exhibit invites interaction. Buttons click, joysticks move, and pixels dance in response. Classic machines sit beside cult favorites and contemporary titles, making the collection feel both historical and current. The soundscape of beeps, music loops, and cheers creates a playful atmosphere that mirrors the medium it celebrates.
Arcade corners feature cabinets that defined entire eras, the kind that once drew crowds with neon lighting and high-score boards. Nearby, early home consoles trace the shift from public arcades to living rooms, with cartridges, chunky controllers, and box art that sparked generations of fans. Timelines and short texts connect the hardware to the culture around it, showing how games influenced fashion, film, and everyday language.
Interactive stations highlight landmark titles and genres. Platformers, puzzle games, shooters, and experimental projects sit side by side, encouraging comparisons between design styles. Visitors can pause to see concept sketches, packaging, and advertising that shaped how games were marketed and remembered.
Hands-on play serves as the main guide through the exhibition. Mechanics become clear by pressing start and trying a few rounds. Differences in difficulty, control schemes, and graphics are easy to feel, turning game evolution into a tactile lesson. Family groups and friends often gather around the same screen, sharing tips, laughter, and the occasional friendly rivalry.
Temporary features and themed sections rotate through topics like virtual worlds, sound design, or the rise of indie creators. Curated selections show how new tools opened doors for different voices and stories, while preserved hardware offers a glimpse of the engineering behind the scenes.
The museum also explores how games reflect their time. Exhibits touch on social themes, representation, and the communities that form around play. Fan magazines, early websites, and tournament posters map out the networks that grew with the medium.
By inviting visitors to pick up a controller, the Computerspielemuseum turns a history lesson into an active experience. Ideas about design, storytelling, and technology travel from display case to fingertips, making the culture of digital games feel immediate and alive.
Source - https://en.wikipedia.org/wiki/Computerspielemuseum
The Bierpinsel ("beer brush") is a building in Steglitz which resembles an observation tower and is famous for its pop-art appearance. The futuristic, landmarked building was built from 1972 to 1976 and has since been used as restaurant, night club, bar, radio station and art café.
One of the most authentic and oldest villages (1247) in the outskirts of Berlin, it looks the same way it did some hundred years ago. Take S-Bahn 1 to Waidmannslust and then bus 222 to Alt-Lübars.
This museum is perhaps something you wouldn't expect in a major metropolis and truth be told it owes its existence in part to partition (when West Berlin schoolkids couldn't go to the surrounding Brandenburg countryside to experience rural life). Opened in 1975 it is an attempt to recreate as faithfully as feasible a medieval farming village from roughly the era of Berlin's founding (12th or 13th century). The village that existed at this place 800 years ago was not called "Düppel" back then as that name was only applied in the 1860s after the Prussian victory over Denmark at Dybbøl which was rendered into German as "Düppel" and applied to the area to honor a member of the Prussian royal family who owned land there.
The large square in front of the Brandenburg Gate contains the French and American embassies, the rebuilt Hotel Adlon, and the new building of the Academy of Arts.
Features a nice fountain, stately old houses and a good night time hot spot. Many people hang out in the platz in good weather.
The town hall of Berlin is known as such because it is made of red brick, not due to its former political persuasion. There are nice Prussian rooms inside, which are worth a look.
The meeting point of one of the leading oppositions against the GDR regime and is a great Neogothic church. Also the only ecumenical Lord's supper with Protestants and Catholics together took place in the Gethsemanekirche (2003).
Huge technical museum, on a former railroad depot, featuring from ancient water and wind mills to computer pioneer Konrad Zuse's inventions, a collection of old to new vehicles of all types -bicycles, boats, trains, etc - and the interactive Spectrum science center with various hands-on experiments. There's an actual C-17 "Candy Bomber" airplane hanging on its façade. The railroad and aeronautical sections are hard to beat.
Started in the 15th century and finished in the mid-18th century, the baroque palace was the residence of electors, kings and emperors until 1918, when it became a museum. The palace was badly damaged during World War II and later razed in 1950, replaced by the GDR with a modernist Palast der Republik. The Palast was in turn gradually dismantled at the turn of the century, as it was discovered to contain asbestos and its former function of housing the GDR parliament became obsolete. Berlin has started in June 2013 construction on a new version of its historic Stadtschloss. The Schlüterhof, an inner courtyard, was also rebuilt. The building opened with a delay in 2021 with museums inside and a roof terrace with a good view. Among the Berlin museums this is perhaps the most controversial due to reconstruction of a monarchist palace being seen as a questionable political statement and due to the fact that many of the exhibits were sourced from German colonies under ethically questionable circumstances leading to demands to return some or all of them to their places of origin.
The synagogue in the backyard of an apartment house is one of the biggest in Germany.
A small castle in late classical style. It was built 1868 by Martin Gropius (uncle of the Bauhaus-founder and other architects, the von Siemens family changed the castle a bit around 1900 and they enlarged the dimensions of the park, which is today renovated and nice to wander around when the sun is shining. Located within a few minutes' walking distance from Biesdorf station (take the S5 from the city centre) or Elsterwerdaer Platz station (U5).
Want to feel like one of the angels in Wim Wenders' classic film Der Himmel über Berlin (a.k.a. Wings of Desire)? Climb to the top of Gold-Else, as the statue of Victory on the top of the Victory Column is known. Just don't jump off if you're not actually an angel. Unfortunately there is no elevator, so be prepared for 285 steps to the platform at 50.7 m.Else was built to commemorate Prussian military prowess in the wars against Denmark (1864), Austria (1866) and France (1870-71), and moved to her present location by the Nazis. Five roads run into a traffic circle called Grosser Stern, in the centre of which is the Siegessäule. Else is visible from much of the city district known as Tiergarten. At the base of the statue are reliefs of war scenes representing the conflicts which this monument memorializes. The Allies forced Germany to take those panels down in 1945, but they were remounted in 1984 and 1987. It also served as a backdrop for a speech by then senator Obama in 2008, after his request to speak in front of Brandenburger Tor caused a political debate in Germany.
150 m high lattice tower with open-air observation deck 124 m above ground.
In this house the surrender of Germany was signed on May 9th, 1945, ending WWII in Europe. This museum describes the history of the war between Germany and the Soviet Union between 1941 and 1945 and the GDR/German-Russian relationship ever since. Historic rooms, permanent exhibition and special exhibits.
With an impressive, circus-tent-like roof over its courtyard and remains of the pre-war Hotel Esplanade incorporated into the modern structure.