The Kupferstichkabinett in Berlin holds the largest collection of graphic art in Germany. Its rooms and archives bring together centuries of creativity on paper—delicate drawings, precise engravings, rare prints, and experimental works by artists from many eras.
Visitors encounter a wide range of techniques: copper engravings, woodcuts, lithographs, etchings, and masterful drawings. The holdings span from medieval sheets to contemporary editions, with names like Albrecht Dürer, Rembrandt, and Adolph Menzel often represented alongside modern and international artists. Many pieces are small or intimate in scale, encouraging slow looking and close attention to detail.
Because light is a threat to works on paper, the display rotates regularly. Selected highlights appear in changing exhibitions, while much of the collection is preserved in study rooms and storage for long-term care. Visitors can see curated shows that explore themes, techniques, or individual artists, and researchers may request access to examine originals under supervision.
The Kupferstichkabinett is part of the Staatliche Museen zu Berlin. Over time, the collection grew through royal acquisitions, private donations, and systematic collecting, building a record of European printmaking and drawing. Today, its catalog continues to expand with modern and contemporary works, reflecting new voices and methods in graphic art.
Works on paper often reveal an artist’s hand at its most direct: a quick sketch, a test print, a proof before the final state. The museum’s archives preserve these moments, showing how ideas move from concept to finished image. Visitors gain insight into processes that shaped books, posters, portraits, and visual culture across the centuries.
Source - https://en.wikipedia.org/wiki/Kupferstichkabinett_Berlin
A beautiful landscape of water canals and vegetation with charming little fish restaurants.
The memorial site stretches along the full 1.5-km length of Bernauer Straße. The listing marker points to the visitor centre. Various monuments can be found along the entire length of the street, documenting nearby escape attempts and tunnels; captions are in German and English. The documentation centre across the street on Bernauer Straße/Ackerstraße is excellent (although most of the documentation is in German). The viewing platform next to the documentation centre gives you a tiny hint of the true scale of the Wall and how terrifying the "no man's land" between the two sections of walls must have been. The monument (that you can see from the platform) is a complete section of 4th generation wall - both inside and outside sections, and you can peer through from the east side to see the remains of the electric fence and anti-tank devices in the death strip. It really helps you understand what an incredible feat it was to get from one side to the other -- and why so many died doing it. The memorial site is often missed by tourists but an absolute must for anyone interested in this part of the city's history. It's a memorial to those who died crossing, so you won't, fortunately, get the tackiness of the Checkpoint Charlie area; instead you will be left with a haunting feeling of what life with the wall may have been really like.Bernauer Straße is a street with a great deal of Wall history: it came to tragic prominence on August 13, 1961 when East German authorities closed the border and the street (with houses in the East but the street in the West). Border guards walled the doors and windows shut to keep Easterners from escaping by jumping out the window while Westerners (including police and fire brigades who brought life nets to help catch refugees) looked on in horror. The first recorded Wall-related death - the notorious Peter Fechter case (he bled to death in the "no-man's-land" with both sides unwilling or unable to help him) - was here, as was one of the famous tunnels and the famous photograph of the GDR border guard leaping over the barbed wire.
The Bayerischer Platz is the centre of the Bayerisches Viertel ("Bavarian district", with many streets named after Bavarian cities), which was destroyed a lot more during World War II (about 60%). Somewhere around there Albert Einstein lived once. You’ll find several memorial signs providing information about the Nazi regime's persecution of gays and Jews.
Gothic church, the second oldest (built in late 13th century) of the historical centre of Berlin. It's the highest church tower of Berlin (about 90 m), but seems rather small beneath the gigantic TV tower. The church tower was built in the late 18th century by Carl Gotthard Langhans, the architect of the Brandenburg Gate.
Nazi Propaganda Minister Josef Goebbels made Bebelplatz (then called Opernplatz) infamous on 10 May 1933, when he used the square across from Humboldt University to burn 20,000 books by "immoral" authors of whom the Nazis did not approve. Their list included Thomas and Heinrich Mann, Arnold Zweig, Kurt Tucholsky and Sigmund Freud. Today a monument is the reminder, though it blames Nazi students for the episode. When entering the square it's easy to miss the monument. It is in that part of Bebelplatz bounded on one side by the Opera House and on the other side by Humboldt University. Look dead centre: the monument is underground. A piece of plexiglass allows the viewer to look underground into a large, white room, filled with entirely empty, blank white bookcases. The room is large enough to hold the 20,000 books that were burnt. The absence of books reminds the viewer just what was lost here: ideas. But the event did reveal things to come, as ethnically Jewish author and philosopher Heinrich Heine, whose books were burned, let one of his characters say in an 1821 play: "This was only the foreplay. Where they burn books, they will also burn people." He was correct.
House museum on Max Liebermann, German painter and printmaker. Has about 15 Lieberman paintings.
Places with markets on Wednesdays and Saturdays are popular with locals at Winterfeldplatz. Buy a coffee and browse amongst the stalls; this is a place to unearth hidden gems. Breakfast is served usually until 14:00-15:00.
Exhibition of digital interactive entertainment culture. You can actually play almost all of the exhibits making it a more "hands on" museum than most.
The museum’s treasures include the sculpture collection with works of art from the middle ages to the 18th century. The Bode museum is best known for its Byzantine art collection and the coin cabinet.
An observation tower without an elevator in Southeast Berlin, from which you can see that there is a great deal of forest around Berlin. There is a cafe at the tower.
The old town of Köpenick is surrounded by water. Especially noteworthy are the Köpenick Palace which houses a museum of applied art and the Neogothic town hall.
Official residence of the (largely ceremonial) President of Germany since 1994. Only Roman Herzog (president 1994-1999) actually lived here, his successors have preferred a quiet apartment on the outskirts of Berlin, but this is where the president will usually host guests and do public events. Guided tours are possible, but plan to book up to nine months ahead and be prepared for having to reschedule if the president decides to hold an event on short notice which preempts tours.
This heritage-protected 120-m-long pedestrian tunnel below the river Spree was the first ferro-concrete tunnel in Germany that has been built using pneumatic caissons. Two beaches can be accessed via the tunnel which are not far from its south entrance.
The building houses the personal offices of the Chancellor and the Chancellery staff. The Berlin Chancellery is one of the largest government headquarters buildings in the world. By comparison, the new Chancellery building is ten times the size of the White House. A semi official Chancellor's apartment is on the top floor of the building. The 200-m², two-room flat has thus far only been occupied by Gerhard Schröder chancellors since then have lived elsewhere. It is usually not possible to visit the building, but on occasion there are tours, usually around August. The building was deliberately designed in a way to symbolize the German constitutional system - it's in the line of sight of the Bundestag and lower in height, symbolizing the role of parliament in controlling government and "the people's house" being the higher power in the relationship between the two. Or at least that's the idea.