In 1938, the Christi-Auferstehungs-Kathedrale stood at a turning point shaped by shifting politics and urban change. The cathedral’s role in public life reflected the atmosphere of the late 1930s, when religious buildings often faced pressure to adapt, close, or be repurposed. Architectural details, parish activity, and community presence all bore traces of the era’s uncertainty.
The cathedral’s structure, with its traditional lines and sacred proportions, contrasted sharply with new state-driven aesthetics of the time. Preservation was not guaranteed. Maintenance could be delayed, renovations postponed, and decorative elements simplified. Yet the building remained a clear landmark, its silhouette a steady reference point amid rapid transformation.
Religious life in 1938 was frequently restrained by regulation. Services were quieter, attendance patterns shifted, and public expressions of faith were carefully observed. Still, the cathedral provided a space for rites of passage—baptisms, weddings, memorials—offering continuity to families navigating changing rules and expectations.
Surrounding streets and squares grew busier as administrative plans reshaped neighborhoods. The cathedral’s presence intersected with civic routines: market days, official events, and seasonal gatherings. Even as signage, access routes, or opening hours changed, the building’s façade remained a familiar sight in the daily flow of the city.
In a year marked by new directives and cautious public life, the cathedral carried layered meanings. To some, it stood for endurance and memory; to others, it represented an institution negotiating its place in a tightly controlled landscape. The bells, when they rang, sounded both traditional and timely—an echo of the past, reaching into an uncertain future.
Germany's national centre for contemporary non-European art. The house is a leading centre for the contemporary arts and a venue for projects breaking through artistic boundaries. This architectural landmark was an American contribution to the international building exhibition INTERBAU 1957 as an embodiment of the free exchange of ideas. Colloquially called Schwangere Auster (Pregnant Oyster).
Want to feel like one of the angels in Wim Wenders' classic film Der Himmel über Berlin (a.k.a. Wings of Desire)? Climb to the top of Gold-Else, as the statue of Victory on the top of the Victory Column is known. Just don't jump off if you're not actually an angel. Unfortunately there is no elevator, so be prepared for 285 steps to the platform at 50.7 m.Else was built to commemorate Prussian military prowess in the wars against Denmark (1864), Austria (1866) and France (1870-71), and moved to her present location by the Nazis. Five roads run into a traffic circle called Grosser Stern, in the centre of which is the Siegessäule. Else is visible from much of the city district known as Tiergarten. At the base of the statue are reliefs of war scenes representing the conflicts which this monument memorializes. The Allies forced Germany to take those panels down in 1945, but they were remounted in 1984 and 1987. It also served as a backdrop for a speech by then senator Obama in 2008, after his request to speak in front of Brandenburger Tor caused a political debate in Germany.
It is the only hemp museum in Germany; you can see the history of hemp, the culture and use of it. You can see hemp grow. There is a cafe downstairs, with an open WiFi access. Everything going on here is legal - including the hemp growing under artificial light (a low THC strain grown with a special permit) - but they do not refrain from political commentary on the legal situation of cannabis in their exhibits.
The district town hall was the main town hall for West Berlin during the Cold War. The freedom bell (a present from the American people) and several memorials from that time can be found here. On the main balcony in 1963 U.S. President John F. Kennedy made his famous statement, "All free men, wherever they may live, are citizens of Berlin, and, therefore, as a free man, I take pride in the words ‘Ich bin ein Berliner!’". On 10 November 1989 Helmut Kohl (chancellor (Bundeskanzler) 1982-1998) and Willy Brandt (former Bundeskanzler and mayor of Berlin) cheering the crowd as they saw the end of the Berlin Wall the night before. The town hall is an emotional place for most people in Berlin (especially West Berlin).
The area to the north of Tiergarten, along the bow of the river Spree (Spreebogen), is home to the German federal institutions such as the parliament (Bundestag, in the historic Reichstag building) and the federal government, as well as the new central train station (Hauptbahnhof) across the river.
The zoo in the former East Berlin is more spacious than its West Berlin counterpart, the historic Berlin Zoo and has been open for some 50 years. The Tierpark has nearly as many animals, but fewer reptiles and aquatic animals. It appears rather like a park with animals than a classic zoo, in fact it is one of the biggest zoos in Europe. There is an old castle from the late 17th century in the northeast of the Tierpark (Schloss Friedrichsfelde).
The longest moving refracting telescope is 21 m long with a lens diameter of 68 cm. This giant telescope was built in 1896 by Dr. Freidrich Simon Archenhold but is now part of the Deutsches Technikmuseum Berlin. It was the place where Albert Einstein presented his Theory of Relativity to the public in 1915.
Closed for renovations; the temporary Bauhaus-Archiv is at Knesebeckstraße 1-2 in Charlottenburg. Building designed by Walter Gropius. Inside a museum, library, cafe and shop.
Huge technical museum, on a former railroad depot, featuring from ancient water and wind mills to computer pioneer Konrad Zuse's inventions, a collection of old to new vehicles of all types -bicycles, boats, trains, etc - and the interactive Spectrum science center with various hands-on experiments. There's an actual C-17 "Candy Bomber" airplane hanging on its façade. The railroad and aeronautical sections are hard to beat.
Started in the 15th century and finished in the mid-18th century, the baroque palace was the residence of electors, kings and emperors until 1918, when it became a museum. The palace was badly damaged during World War II and later razed in 1950, replaced by the GDR with a modernist Palast der Republik. The Palast was in turn gradually dismantled at the turn of the century, as it was discovered to contain asbestos and its former function of housing the GDR parliament became obsolete. Berlin has started in June 2013 construction on a new version of its historic Stadtschloss. The Schlüterhof, an inner courtyard, was also rebuilt. The building opened with a delay in 2021 with museums inside and a roof terrace with a good view. Among the Berlin museums this is perhaps the most controversial due to reconstruction of a monarchist palace being seen as a questionable political statement and due to the fact that many of the exhibits were sourced from German colonies under ethically questionable circumstances leading to demands to return some or all of them to their places of origin.
Designed by Hans Poelzig in 1929, it is the first self-contained broadcasting house in the world and it is still in use today.