In 1938, the Christi-Auferstehungs-Kathedrale stood at a turning point shaped by shifting politics and urban change. The cathedral’s role in public life reflected the atmosphere of the late 1930s, when religious buildings often faced pressure to adapt, close, or be repurposed. Architectural details, parish activity, and community presence all bore traces of the era’s uncertainty.
The cathedral’s structure, with its traditional lines and sacred proportions, contrasted sharply with new state-driven aesthetics of the time. Preservation was not guaranteed. Maintenance could be delayed, renovations postponed, and decorative elements simplified. Yet the building remained a clear landmark, its silhouette a steady reference point amid rapid transformation.
Religious life in 1938 was frequently restrained by regulation. Services were quieter, attendance patterns shifted, and public expressions of faith were carefully observed. Still, the cathedral provided a space for rites of passage—baptisms, weddings, memorials—offering continuity to families navigating changing rules and expectations.
Surrounding streets and squares grew busier as administrative plans reshaped neighborhoods. The cathedral’s presence intersected with civic routines: market days, official events, and seasonal gatherings. Even as signage, access routes, or opening hours changed, the building’s façade remained a familiar sight in the daily flow of the city.
In a year marked by new directives and cautious public life, the cathedral carried layered meanings. To some, it stood for endurance and memory; to others, it represented an institution negotiating its place in a tightly controlled landscape. The bells, when they rang, sounded both traditional and timely—an echo of the past, reaching into an uncertain future.
A small but interesting collection of decorative arts from the Art Nouveau and Art Deco periods
The Gemäldegalerie contains an astounding array of paintings, including works by Rembrandt, Rubens, Botticelli, Raphael, Titian, Goya, Velasquez and Watteau. The collection contains works from the old Bodemuseum on Museumsinsel in the East, now closed, and the former Gemäldegalerie in Dahlem. Its strong points are German paintings of the 13-16th centuries, Netherlandish painting of the 15th and 16th centuries, Flemish paintings of the 17th century, and miniature paintings of the 16th-19th centuries. In the newer section of the museum, designed by architects Heinz Hilmer and Christoph Sattler, there is enough space to display 1,150 masterpieces in the main gallery and 350 in the studio gallery - of the almost 2,900 pieces in the European painting collections. Established in 1830, the newly built gallery from 1998 has about 7,000 sq m of exhibition space (a complete tour of the 72 rooms covers almost 2 km).
A beautiful landscape of water canals and vegetation with charming little fish restaurants.
It was the only border crossing between East and West Berlin that permitted foreigners passage. Residents of East and West Berlin were not allowed to use it. This contributed to Checkpoint Charlie's mythological status as a meeting place for spies and other shady individuals. Checkpoint Charlie gained its name from the phonetic alphabet; checkpoints "Alpha" and "Bravo" were at the autobahn checkpoints Helmstedt and Dreilinden respectively. Checkpoint Charlie's atmosphere was not improved at all on 27 Oct 1961 when the two Cold War superpowers chose to face each other down for a day. Soviet and American tanks stood approximately 200 m apart, making an already tense situation worse. Now the remains of the Berlin Wall have been moved to permit building, including construction of the American Business Center and other institutions.At the intersection of Zimmerstraße and Friedrichstraße (U-Bahn Kochstraße U6) is the famous "You Are Leaving the American Sector" sign. The actual guardhouse from Checkpoint Charlie is now housed at the Allied Museum on Clayallee. For a more interesting exhibit go to the Haus am Checkpoint Charlie. This is a private museum with kitschy memorabilia from the Wall and the devices GDR residents used to escape the East (including a tiny submarine!). There are also people who set up booths here offering to stamp your passport with souvenir stamps in exchange for a small fee. You are highly advised not to put these stamps in your passport, as these are not official stamps and could invalidate it. Instead, bring along an expired passport or a small booklet to put the stamps in.
With an impressive, circus-tent-like roof over its courtyard and remains of the pre-war Hotel Esplanade incorporated into the modern structure.
Nice church near Unter den Linden/Museum Island, finished in 1830 by Schinkel in English Neogothic style. Nice exhibition inside (neoclassical statues and an exhibition about Schinkel's life and work upstairs).
The zoo in the former East Berlin is more spacious than its West Berlin counterpart, the historic Berlin Zoo and has been open for some 50 years. The Tierpark has nearly as many animals, but fewer reptiles and aquatic animals. It appears rather like a park with animals than a classic zoo, in fact it is one of the biggest zoos in Europe. There is an old castle from the late 17th century in the northeast of the Tierpark (Schloss Friedrichsfelde).
The building houses the personal offices of the Chancellor and the Chancellery staff. The Berlin Chancellery is one of the largest government headquarters buildings in the world. By comparison, the new Chancellery building is ten times the size of the White House. A semi official Chancellor's apartment is on the top floor of the building. The 200-m², two-room flat has thus far only been occupied by Gerhard Schröder chancellors since then have lived elsewhere. It is usually not possible to visit the building, but on occasion there are tours, usually around August. The building was deliberately designed in a way to symbolize the German constitutional system - it's in the line of sight of the Bundestag and lower in height, symbolizing the role of parliament in controlling government and "the people's house" being the higher power in the relationship between the two. Or at least that's the idea.
The longest moving refracting telescope is 21 m long with a lens diameter of 68 cm. This giant telescope was built in 1896 by Dr. Freidrich Simon Archenhold but is now part of the Deutsches Technikmuseum Berlin. It was the place where Albert Einstein presented his Theory of Relativity to the public in 1915.
150 m high lattice tower with open-air observation deck 124 m above ground.
Small terrace on the top of the Park Inn, publicly accessible. Take the elevator to the 40th floor, and follow the signs up the stairs. Pay the attendant who also serves beer and coffee. Great views of the Fernsehturm. In the summer, consider base jumping off the roof with Jochen Schweizer. It is often closed in bad/windy weather, so look for a notice posted near the elevator that the terrace is closed.