Haus des Rundfunks in Berlin stands as a landmark of early modern broadcasting. Designed by architect Hans Poelzig in 1929, it was the first self-contained broadcasting house in the world, bringing studios, offices, and technical rooms together under one roof. The building remains in active use today, demonstrating the durability and foresight of its original concept.
The exterior showcases clean lines and a brick facade that reflects the era’s modernist ideas. Inside, corridors and studios were planned for sound control and efficient movement, supporting live radio production at a time when broadcasting technology was rapidly evolving. The layout anticipated the needs of engineers and presenters alike, with acoustic considerations guiding the design of walls, doors, and studio volumes.
Beyond its historic status, the building continues to operate as a media hub. Its long life in service highlights the strength of Poelzig’s functional approach, where form follows practical needs without losing a sense of style. The combination of heritage architecture and ongoing broadcast activity makes the Haus des Rundfunks a living piece of media history in Berlin.
Source - https://en.wikipedia.org/wiki/Haus_des_Rundfunks
This museum is perhaps something you wouldn't expect in a major metropolis and truth be told it owes its existence in part to partition (when West Berlin schoolkids couldn't go to the surrounding Brandenburg countryside to experience rural life). Opened in 1975 it is an attempt to recreate as faithfully as feasible a medieval farming village from roughly the era of Berlin's founding (12th or 13th century). The village that existed at this place 800 years ago was not called "Düppel" back then as that name was only applied in the 1860s after the Prussian victory over Denmark at Dybbøl which was rendered into German as "Düppel" and applied to the area to honor a member of the Prussian royal family who owned land there.
The charming Baroque water palace of the Hohenzollern electors surrounded by the Dahme river and an English garden.
One of the oldest buildings in Charlottenburg and actually the reason for the whole city to be built.
150 m high lattice tower with open-air observation deck 124 m above ground.
Nazi Propaganda Minister Josef Goebbels made Bebelplatz (then called Opernplatz) infamous on 10 May 1933, when he used the square across from Humboldt University to burn 20,000 books by "immoral" authors of whom the Nazis did not approve. Their list included Thomas and Heinrich Mann, Arnold Zweig, Kurt Tucholsky and Sigmund Freud. Today a monument is the reminder, though it blames Nazi students for the episode. When entering the square it's easy to miss the monument. It is in that part of Bebelplatz bounded on one side by the Opera House and on the other side by Humboldt University. Look dead centre: the monument is underground. A piece of plexiglass allows the viewer to look underground into a large, white room, filled with entirely empty, blank white bookcases. The room is large enough to hold the 20,000 books that were burnt. The absence of books reminds the viewer just what was lost here: ideas. But the event did reveal things to come, as ethnically Jewish author and philosopher Heinrich Heine, whose books were burned, let one of his characters say in an 1821 play: "This was only the foreplay. Where they burn books, they will also burn people." He was correct.
This chapel was built on the site of a church built in 1894 which sat on the "death strip" and was thus blown up by the GDR authorities in 1985. The chapel is the site of occasional memorial services for victims of the wall.
This museum describes the procedures applied by the East German secret police. Every Friday to Monday, there is a guided tour in English at 15:00 (5€).
The oldest museum of its kind in Germany which, despite great losses during the World War II, still possesses one of the world's primary collections of European applied art. There are two sections to the collection: one located at the Kulturforum in Tiergarten, the other at Köpenick Palace.
Also known as "Picasso und seine Zeit", this not so large, but precious museum hosts a very good collection of paintings and sculptures signed by Picasso, Klee, Matisse, Giacometti, and others from the first decades of the 20th century.
A man-made hill of about 120 m in the Grunewald, created after the Second World War from debris of the city. On top is the Field Station Berlin, a former US listening station. Inside the building complex you can see lots of graffiti art. The hill can be accessed without any restrictions and is free; however, the building complex is surrounded by fences and requires a ticket (tours are available as well).
Arguably the most beautiful bridge in Berlin and the only connection between Friedrichshain and Kreuzberg. As signage on the bridge indicates, it was built twice - once in the 1890s and once in the 1990s. Before reunification the border ran where the bridge now is.
Spectacular building by Mies van der Rohe contains its own collection and temporary exhibitions.