Moulin de la Galette

The Palais de Tokyo is Paris's largest specialist contemporary art exhibition venue, owned and operated by the national government. The building dates to 1937 and also includes the Museum of Modern Art of the City of Paris.

The Petit Palais was built as a complement to the Grand Palais for the 1900 universal exhibition, and afterwards became the prime exhibition venue for the City of Paris' vast collection of artworks spanning centuries from ancient history to around 1914. (Later material is at the Museum of Modern Art of the City of Paris in the 16th). There is a permanent exhibition of selected artworks of artifacts, complemented by temporary exhibitions of historic artworks. The Petit Palais also features an on-site cafe/restaurant, as well as a book and gift shop.

A monument to the French art de vivre, housed in a 19th-century wing of the Louvre that has been restored to beaux-arts splendour, its galleries and period rooms showcase eight centuries of Gallic taste in interior decoration.

There are many beautiful footpaths, a Buddhist Temple, and a lake with rowboats available for rental (about €10 as of 2009). The lake has many different kinds of birds, and islands accessible by footbridge.

This museum is in the historic Invalides complex and presents the history of the French Army. It is co-located with Napoleon Bonaparte's tomb (entry to which is included in the ticket price). Most of the exhibitions are very old fashioned, and the coverage of the First World War is surprisingly limited. A highlight is the Musée des Plans-Reliefs, which displays painstakingly accurate models of French fortresses and includes its own shop.

If the queues at the Eiffel Tower are just too much for you and your time is limited, consider a trip up the Montparnasse Tower. This is an office building with an observation and shopping area on the 56th floor, where the elevators stop, and an open viewing area on the roof. Arguably the view is better than from the Eiffel Tower: you are not so high up so things are more visible, and you can see the Eiffel Tower!

Its exhibits come from such diverse origins as ancient Egypt, classical Greece and the Roman Empire, medieval Europe, and Napoleonic France, but controversially including many items that were looted from their places of origin. Its most famous exhibit, of course, is Leonardo da Vinci's painting of the Mona Lisa (French: La Joconde, Italian: La Gioconda), generally to be found surrounded by hordes of camera-flashing tourists. The Louvre poses many of the same challenges to the visitor as Paris itself; overwhelming in size, crowded in high seasons, and much information available only in French. If you want to see everything in the Louvre, plan at least two full days. However, it is better to pick and choose, as the collection was assembled with an eye to completeness rather than quality. As of July 2019, due to intense crowding and reports of ticket fraud, entry now almost always requires a pre-booked timed ticket, even for holders of the Paris Museum Pass.

The ancient medieval fortress and prison of the city's island, site of some remarkable medieval royal architecture and the scene of Marie Antoinette's imprisonment in the period leading to her execution in 1793; lots of revolutionary associations.

The massive parish church of the Les Halles area is a notable example of late Gothic interspersed with Renaissance details (including the entire front façade), as it was only completed in the 17th century. Its unique form results from a combination of relatively short length and impressive height of over 30 metres inside. The latter allows room not only for an array of stained glass windows and paintings, but also France's largest church organ of 8,000 pipes. The sculpture Écoute, depicting an oversized human head, was placed in front of the church's southern facade and has become a favourite photo spot.

The first concrete church

Paris's international exhibition centre (the 4th largest in Europe) has millions of visitors annually.

The oldest planned square in Paris, and what many tourists as well as locals consider the heart of the Marais area.

The building has a freely accessible rooftop which allows for a beautiful bird's-eye view of the northern half of Paris.

There are a number of famous occupants, but the real reason to visit this cemetery is to see the ornate tombstones, sculptures, and other sometimes macabre, sometimes touching memorials Parisians have left here for their dead.

Soaring stained glass windows beaming ample light onto the rich primary colours of the tile mosaics on the floor, this photogenic church was built by the French kings to house the relics of the Crown of Thorns. Make sure you go on a sunny day, as the highlight of this small chapel in Rayonnante Gothic style are the large stained-glass windows which soar up to near the vaulted ceiling. Also of interest is the extremely ornate lower level. If it happens to be rainy or cloudy, give Sainte-Chapelle a miss, as the play of coloured lights on the floor is well worth the wait for a sunnier day. As the chapelle is inside the Courts of Justice, there will thus be a security check.

Many feel that this, Paris' town hall, is one of the loveliest buildings in the city. You might not get that from the front view, but try watching the light change on its roofs and towers during sunset from one of the cafés on the Ile de St. Louis, the Lutece for instance. Alternatively, go to the top floor of the Bazar de l'Hôtel de Ville (BHV) department store opposite, on rue de Rivoli and walk up a flight of stairs to the roof terrace (terrasse), from which there is a dramatic view of both the roof of the Hôtel de Ville and the immediate surroundings and river. The present Hôtel de Ville replaced the 16th century original which was burned down during the Commune in 1871. A pastiche of its predecessor, but on a far larger scale, it was designed by the architects Ballu and Deperthes, chosen after a competition, and was mostly completed by 1882. The building is lavishly, and some would say heavy-handedly, decorated both inside and out, and finished in an arrestingly white stone, similar to that used for the even more eye-catching Sacre-Coeur basilica. The statue on the garden wall on the south side is of Etienne Marcel, the most famous holder of the post of "prevôt des marchands" (provost of merchants) which pre-dated the office of mayor. Marcel came to a sticky end, lynched in 1358 by an angry mob after trying to assert the city's powers a little too energetically. The Hôtel de Ville was for many years the private fiefdom of Jacques Chirac, France's president before Sarkozy, and was the site of a scandal centring on both illegal jobs given to Chirac's party members and an immense entertainment budget. General de Gaulle greeted the crowds from a front window in 1944 when Paris was liberated from the Germans and Robespierre was shot in the jaw and arrested in the original building in 1794. Admirers of Hôtel de Ville's architecture will want to know that Ballu also built the Church of La Trinité in the 9th arrondissement and the belfry of the town hall of the 1st arrondissement, opposite the Louvre's east façade. Ballu also restored the Tour St Jacques (see below), which was uncovered after restoration work lasting over a decade.

The east wing of the Palais de Tokyo holds the modern art collection of the city of Paris, dating roughly from World War I to date (the older part of the collection is at the Petit Palais in the 8th), including around 10,000 works.

Those who are unfamiliar with conceptual art sometimes don't know quite what to expect, or how to approach it. Such travellers should rest assured that the curators at the Pompidou Centre have assembled a marvellous introduction consisting of mostly approachable works which delight, amuse, and entertain. The art is far from the only reason for a visit, as the building also contains a vast public library and a fine restaurant (run by the Costes brothers) on the roof. In fact the place is literally surrounded by some of the nicest pavement cafés in the city, in its superb location between the car-free above ground part of Forum Les Halles and the Marais art district.

Built adjoining the now-lost royal palace of the Tuileries, these gardens lying immediately west of the Louvre offer a central open space for Parisians and visitors with semi-formal gardens (an outdoor gallery for modern sculpture), various cafés, ice cream and crépe stalls, and a summer fun fair. The gardens are frequently home to a giant Ferris wheel and enclose the Musée de la Orangerie and the Jeu de Paume.

It was conceived by Louis XV as a grand neo-classical church honouring St. Geneviève, the patron saint of Paris. After the Revolution, the building was converted into a mausoleum for the great philosophers, military, artists, scientists, and heroes of the French Republic. Occupants of the crypt include Voltaire, Rousseau, Victor Hugo, Zola, the Curies, and Alexandre Dumas (reinterred here in 2002). The view from the dome (206 steps) is marvellous. Check tour departure times at the information desk. A fascinating reconstruction of Foucault's pendulum also hangs within the Panthéon.