Standing tall since 1717, the windmill known as Moulin de la Galette continues to draw attention from visitors and locals alike. Its sails rise above the rooftops, easily visible from the bustling street below.
Today, the historic windmill is part of a restaurant that carries the same name. Guests enjoy their meals in the presence of this iconic structure, surrounded by the charm and history of the Montmartre neighborhood. The combination of French cuisine and the unique setting creates an atmosphere that reflects both tradition and Parisian flair.
Founded in 1671 by Louis XIV as a hospital for 6,000 wounded soldiers—this function explaining the name of the building—the golden-domed Hôtel des Invalides still functions as an infirmary and now also houses the Musée de l'Armée. The church attached, l'Eglise du Dôme, houses the tomb of Napoleon.
A must for anyone interested in the history of the American Revolution. This small cemetery includes three mass graves from the French Revolution, plus a section that includes many of France's most noble families that lost members during the French Revolution and consequently have a continuing right to be buried there. In the farthest right hand corner is the tomb of General Lafayette, the friend and fellow soldier of George Washington. Beside him is his beloved wife plus other members of her family, the de Noailles, who were almost completely wiped out during the French Revolution because of their closeness to the Court. Since 1834 the American flag has apparently flown continuously over his grave, even during the German occupation of Paris during World War II. Well worthy of a visit.
The Musée Grévin is a waxwork museum with some 500 characters arranged in scenes from the history of France and modern life.
This iconic triumphal arch forms the focus of the main east-west road axis of Paris, running between the Louvre and the Grande Arche de la Défense in the west. The monument was commissioned by Napoleon in 1806 as a tribute to his victories as Emperor of France - it was finally completed in 1836, long after his death. 50 m (150 ft) high and 45 m wide, the Arc de Triomphe is decorated with battle scenes and martial sculptures that includes La Marseillaise by Rude. The Tomb of the Unknown Soldier was placed beneath the arch in 1920, where an eternal flame burns in tribute to the French dead of both World Wars. The arch is surrounded by a large roundabout, aptly known as l'Etoile - 'the star' - with 12 thoroughfares leading off from it. Visitors can purchase a ticket to climb to the top of the arch, from where magnificent views spread out over western Paris. Admission to a small museum devoted to the history and meaning of the monument is included. The central island and the arch are accessed by an underground passage. Do not attempt to negotiate by foot the busy multi-lane road that rings the Arc de Triomphe, which many Parisian drivers seem to consider their own personal speedway.
One of the truly great venues for the performing arts anywhere in the world, Paris' new opera house actually managed to inspire some neighborhood protest during its planning and construction. Pretty much everybody is a believer nowadays though. Check out the website for upcoming shows, it might even make sense to plan a trip to Paris around one.
Enter Bastille station through any entrance or on any train and then make your way to the Bobigny/Pablo Picasso-bound platform. All that's left of the fortress whose front steps used to lead up from place de la Bastille are some foundation stones which you can see while waiting for a north bound train on this metro platform. There are maps and explanations showing where the fortress used to be relative the place and surroundings (basically the location of the old front steps are now occupied by Café des Phares).
Those who are unfamiliar with conceptual art sometimes don't know quite what to expect, or how to approach it. Such travellers should rest assured that the curators at the Pompidou Centre have assembled a marvellous introduction consisting of mostly approachable works which delight, amuse, and entertain. The art is far from the only reason for a visit, as the building also contains a vast public library and a fine restaurant (run by the Costes brothers) on the roof. In fact the place is literally surrounded by some of the nicest pavement cafés in the city, in its superb location between the car-free above ground part of Forum Les Halles and the Marais art district.
Try to visit the cabinet des Médailles.
The Jewish quarter, with many small delis and shops. Lively on most days except for Saturdays.
One of the best-known and most beautiful churches in Paris, in the guise of a Corinthian order classical temple. Construction started in 1764, although the church was not finally consecrated until 1845. The Madeleine has a lavish interior of marble and gold.
There are a number of famous occupants, but the real reason to visit this cemetery is to see the ornate tombstones, sculptures, and other sometimes macabre, sometimes touching memorials Parisians have left here for their dead.
The City of Architecture and Heritage, accommodated in the Palais du Chaillot, is a museum and gallery of French architecture. The centrepiece is the spectacular Hall of Casts, a collection of full-size plaster casts of facades, towers, doorways and windows of great buildings from all over France. Architecture of the late 19th, 20th, and 21st centuries is represented by additional galleries of models and images.
A Gothic church tower in a square 150m to the west of the Hôtel de Ville was restored by Ballu, is all that remains of Eglise Saint-Jacques-de-la-Boucherie, which was the meeting place in Paris for pilgrims heading to Santiago de Compestela. As such it is included on the UNESCO World Heritage List as part of the Routes of Santiago de Compostela in France.
a Roman Catholic church on the east side of the Place Saint-Sulpice within the rue Bonaparte, in the Luxembourg Quarter of the VIe arrondissement. At 113 metres long, 58 metres in width and 34 metres tall, it is only slightly smaller than Notre-Dame and thus the second largest church in the city. It is dedicated to Sulpitius the Pious. During the 18th century, an elaborate gnomon, the Gnomon of Saint-Sulpice, was constructed in the church. In front of the church itself is the magnificent Place Saint-Sulpice which contains the 'Fountain of the Four Bishops'. The church has a long-standing tradition of talented organists that dates back to the eighteenth century. In 1862, Aristide Cavaillé-Coll reconstructed and improved the existing organ built by François-Henri Clicquot. Though using many materials from Clicquot's French Classical organ, it is considered to be Cavaillé-Coll's magnum opus, featuring 102 speaking stops, and is perhaps the most impressive instrument of the romantic French symphonic-organ era. Its organists have also been renowned, starting with Nicolas Séjan in the 18th century, and continuing with Charles-Marie Widor (organist 1870-1933) and Marcel Dupré (organist 1934-1971), both great organists and composers of organ music. The current organists are 'titulaire' Daniel Roth (since 1985) and 'assistant titulaire' Sophie-Véronique Cauchefer-Choplin. In Saint-Sulpice Sunday organ recitals are held on a regular basis (Auditions du Dimanche, following the High Mass, usually from 11:30am till 12:05pm, during the subsequent mass, a visit of the organ loft is possible).
This charming museum is owned by the French Académie des Beaux-Arts. Its main collection areas, the result of several large donations, include: First Empire art and furnishings; illuminated manuscripts; and Impressionist art, including the largest Monet collection in the world and works by Renoir, Manet, Morisot, Caillebotte and Gauguin.
The house of the symbolist painter has now become a museum to his life and work.
The Paris Botanical Garden, founded as the royal medicinal garden in 1626 by King Louis XIII's doctor, contains over 10,000 species. The grounds also include a small zoo known as La Ménagerie, and the Muséum National d'Histoire Naturelle, which includes the Grande Galerie de l'Evolution (where you can see thousands of naturalized animals from all over the world) and the 'Galerie de paléontologie et d'anatomie comparée' (same thing, but with skeletons).
An industrial design museum in Paris that houses the collection of the Conservatoire National des Arts et Métiers (National Conservatory of Arts and Industry), which was founded in 1794 as a repository for the preservation of scientific instruments and inventions.
Numerous artists paint portraits of tourists and also sell their paintings.