Museo di Palazzo Venezia

In the Middle Ages pilgrims on their way to St. Peter's had to pass through the Via dei Coronari in order to cross the Tiber at Ponte St. Angelo. The street got its name from the people who sold rosaries to the pilgrims. It follows the ancient Via Recta which led from what is today Piazza Colonna to the Tiber. In the 15th century Pope Sixtus IV initiated the construction of private buildings. Today, several houses dating back to the 15th and 16th century may be seen. House nr. 156/157 is said to have been the House of Fiametta, the mistress of Cesare Borgia.

Pope Nicholas III connected Castel Sant'Angelo to St. Peter's by a covered fortified corridor called the Passetto di Borgo. This proved useful for Pope Clement VII during the Sack of Rome (1527). You can still see much of the Passetto by walking along the Borgo Sant'Angelo, which runs parallel to, and north of, the Via della Conciliazione.

The building is in one of the most hidden corners of the city center among Piazza Navona and Castel Sant'Angelo. It served as residence for the Orsini family. Nowadays it is private property and one can only glance at the courtyard and the amazing fountain inside, erected in 1618 by architect Antonio Casoni. However, the brief moment is worth it.

This museum is built on top of the excavation site of the Balbi Crypt, a building from the first century A.D. which underwent considerable modifications in the following centuries. Through the building's history, the museum gives us glimpses of what Roman life across the ages was like. Free visits of the ruins are possible. The Essedra ruins are only accessible on Saturdays and Sundays, at 10:45, 11:45, 12:45, 14:45 and 15:45.

A relaxing place to sit and recover from the exertions of sightseeing. Permanent collection plus annual competition.

It was constructed to hold relics of the Passion of Jesus. They include two thorns of his crown, part of a nail and three small wooden pieces of the Cross. The authenticity of these relics is much disputed, however.

The contours of the ancient stadium, built in the 6th Century B.C., are still visible in what is now a park in the shadow of the Palatine. Circus Maximus was primarily devoted to chariot races and was used for this purpose until around 550 AD. The stadium could seat up to 150,000 people. Originally built of wood, it burnt down twice, on the second occasion starting the great fire when the Emperor Nero was said to fiddle while Rome burned. It was in one of the tunnels here that Caligula met his end. Excavations began in 2009 at the east end of the circus and are likely to go on for some years.

The remains of the ancient Roman archives, where Cicero and Seneca did research. Visible from the Forum and accessible through the Capitoline Museum.

The enormous building at the southeast end of the Circus Maximus is the headquarters of the UN Food and Agriculture Organization (FAO). From its roof are undoubtedly the best views of Rome, but you will need to know someone who works there to get past the strict security.

Contains the tomb of Pope Hadrian IV, the last non-Italian pope before Pope John Paul I.

The Scala Sancta (Holy Stairs) is, according to Roman Catholic tradition, the staircase used by Jesus Christ to approach Pontius Pilate to be sentenced to death. Attracts numerous pilgrims who climb the stairs on their knees.

Baroque church more noted for its position at the top of the Spanish Steps than it is for the church. Backdrop for numerous movies including Audrey Hepburn and Gregory Peck in Roman Holiday.

Built after 1631, the crypt of the church contains a macabre display - a series of chapels decorated with the bones of 3700 dead friars. The bones are glued to the walls and ceilings in bizarre and striking decorations.

Perhaps the most fascinating building in Rome. The core of the structure began life as the mausoleum of Emperor Hadrian, built between 135 and 139 AD. Subsequent strongholds built on top of the mausoleum were in turn incorporated into a residence and castle by medieval Popes. The building was used as a prison until 1870 but now houses a museum. Opera buffs will be exhilarated to visit the balcony from which Tosca leaps to her death. Film buffs will recognise it as a setting from Angels and Demons.

This is not the real name of the church on the corner by the main entrance to San Callisto but it is universally known by this name. By legend it is located on the spot where Saint Peter had a vision of the risen Christ while fleeing persecution in Rome. According to the tradition, Peter asked Jesus, Domine, quo vadis? “Lord, where are you going?” The current church is from 1637. Inside is a copy of a stone said to contain the imprints of the feet of Jesus; the original is maintained in San Sebastiano, further along the Appian Way

The most extensive collection of Etruscan art and artifacts anywhere. Fantastic collection and well worth the admission charge. A difficult museum to find, but a lovely display in a beautiful villa setting.

This little church is hard to find but well worth the extra effort although it is often closed when you get there. One of Borromini's masterpieces. It is located only a block from Piazza Navona, but not usually visible from the street, as you must enter the courtyard of an old palazzo to reach the church. Sant'Ivo is a small church the dome of which is shaped like the Star of David, but with every other point rounded. The steeple seen from the outside looks like it has a staircase wrapped around it that ascends to heaven. As the church was commissioned by the Barberini family that produced a number of popes and whose family symbol was the bee—some say the steeple resembles the stinger of the insect.