Museum of Contemporary Art of Rome

According to an inscription Emperor Augustus dedicated the obelisk to the sun in the 11th year of his consulate (10BC), after he had annexed Egypt to Rome. The obelisk is 24 m high. It was erected in Heliopolis in Egypt and was dedicated to Pharao Sethos I (1313-1292 BC) and Pharoa Ramses II (1292-1275 BC). Augustus brought the obelisk to the Circus Maximus, where it was rediscovered in 1587, broken into three pieces and was relocated to Piazze del Popolo on the orders of Pope Sixtus V in 1589.

Porta San Sebastiano is a gate in the amazingly well-preserved Aurelian Walls. Inside and upstairs is a museum dedicated to the construction of the walls and their recent restoration. You can take a walk along the top of the walls. At the museum you can also arrange to visit the Tomb of the Scipios (Sepolcro degli Scipiani) and a nearby Roman Columbarium (tomb for cremated remains), the entrance for which is 200 m back towards Rome along the Via Di Porta San Sebastiano. No wheelchair access.

This church is literally right next to the Pantheon. It is one of Rome's only Gothic churches, and well worth looking inside, although its plain square façade makes it look inconspicuous from outside. Excellent stained glass windows.

In the 8th and 9th century, San Saba was one of the most prestigious monasteries of Rome. The church has been built up over many centuries and contains a variety of architectural styles. Worth a look are the floor mosaics and some interesting frescoes on the left side of the church.

Built in 81 AD by the emperor Domitianus in dedication to his brother Titus, who died earlier that year and reigned as emperor from 79-81, overseeing the opening of the Colosseum in 80 and the eruption of Mt Vesuvius the previous year.

Completed in 1762 to a design by Nicola Salvi, this spectacular Baroque fountain features a mythological sculptural composition of Neptune, god of the sea, flanked by two Tritons: one Triton labours to control a violent sea-horse, the other controls a pacified creature, both symbolising the dual nature of the world's oceans. The location of the Trevi fountain marks the terminus of the ancient Aqua Virgo aqueduct, completed in 19 BCE in order to supply the Baths of Agrippa, and is so named on account of its position at the junction of three roads (tre vie). The legend says that one who throws a coin in the fountain shall one day return to Rome. The coins in the fountain are regularly collected to finance charities. The fountain has been made even more famous by the 1954 film, Three Coins in the Fountain, and by a famous scene in Federico Fellini's film La Dolce Vita. According to popular superstition and custom, throwing coins with one's right hand over one's left shoulder into the Trevi Fountain is a practice endowed with good luck. Throwing one coin ensures that the thrower will return to Rome; throwing two coins will ensure that the thrower will fall in love with a beautiful Roman girl (or handsome boy); throwing three coins, finally, ensures that the thrower will marry that girl or boy in Rome itself. The fountain is one of Rome's most famous attractions, but the square isn't exactly as large as St. Peter's, therefore it might be packed with crowds almost like at a rock festival. For this reason it's reportedly also a pickpocket hotspot, so do watch your pockets and bags here!

The temple of the Emperor Hadrian was consecrated in 145 AD by Emperor Antoninus Pius. The remains of the antique temple were incorporated into a new building that served as the Papal Customs House. It was finished around 1690 and today accommodates the Stock Exchange (Borsa).

It was built in 27 BCE, by Augustus' right hand man Marcus Agrippa, and later remodeled by the Emperor Hadrian (AD 125-128). This ancient temple was built as a temple to all the gods of the Roman state but has served as a Christian church since the 7th century. It is the only building from the Graeco-Roman world which has remained substantially intact and in continuous use throughout to the present day, and as it is still a functioning church, silence is requested during your visit. The Pantheon is celebrated for its large dome. From inside you'll see traces of the former bronze ceiling, melted down during the reign of Pope Urban VIII to make weapons for the fortification of the Castel Sant' Angelo. The hole in the center of the ceiling, though, is an original feature designed for architectural reasons (the dome would collapse without it.) If it happens to be raining, you should definitely go to the Pantheon to see the rain pouring into the building through the hole in the ceiling. There are holes in the ground that drain the water. The spectacular doors are Romans, but not the original. The original bronze beams of the pronao were melted down by Pope Urban VIII and might have been used to create Bernini's Baldacchino, or canopy, in Saint Peter's. The dome is the largest masonry dome in the world, larger than that of Saint Peter. The building now appears to be built in a depression, but this was not the original appearance. The street level at the sides and rear has risen about 10 metres (33 ft) since its construction due to the accumulation of debris from 2,000 years of settlement. This has necessitated the maintenance of the deep trench that keeps the building from being buried. The Pantheon was free for many years, but fees began being charged in 2023.

Baroque church more noted for its position at the top of the Spanish Steps than it is for the church. Backdrop for numerous movies including Audrey Hepburn and Gregory Peck in Roman Holiday.

A 5th-century basilica, simply and attractively decorated. The wooden door, of which 18 carved panels of scenes from the Bible survive, is believed to date from the church's construction.

This is the largest square in Rome. It sometimes hosts pop concerts and is the focal point for Rome's New Year's Eve celebrations. The twin churches Santa Maria dei Miracoli (1681) and Santa Maria in Montesanto (1679) used to provide a clear welcome to Rome for those coming from the north. Much older, to the north of the piazza is yet another Santa Maria (see below). The Piazza del Popolo is considered as one of the most beautiful squares in Europe. It was enlarged and two streets, the Via di Ripetta and the Via del Babuino were added by order of Pope Sixtus V. In the middle of the square is an obelisk (see below). In 1809-1816, Giuseppe Valadier, Roman architect of French origin, gave the square its characteristic oval shape.

Constructed around the 1940s as the centrepiece of the EUR, but unused for a long time. It was restored before 2015 when the luxury fashion label Fendi moved in.

This church was built by the Emperor Constantine (272-337) as a mausoleum for his daughters Constantina and Helena. It was part of a much larger cemetery complex, parts of which can still be seen. The mausoleum was consecrated as a church and dedicated to Constantina when she became a saint in 1254. The building is circular with an inner arcade resting on pairs of granite columns. It retains some marvellous mosaics from the 4th Century.

The enormous building at the southeast end of the Circus Maximus is the headquarters of the UN Food and Agriculture Organization (FAO). From its roof are undoubtedly the best views of Rome, but you will need to know someone who works there to get past the strict security.

Church built on the site of three Roman pagan temples, which can be explored underground for a small fee paid at a desk near the church entrance.

Also based on a Michelangelo architectural plan, this compact gallery is well endowed in classical sculpture and paintings. Highlights include the small 1st-century-BC bronze Lo Spinario, a Greek statue of a little boy picking a thorn from his foot; the Lupa Capitolina (Capitoline Wolf), a rare Etruscan bronze statue probably dating from the 5th century BC; and (in the entrance courtyard), the massive head, hands, foot and kneecap from a colossal statue of Constantine the Great. The palace also contains a Pinacoteca (Picture Gallery) with paintings mainly from the 16th and 17th centuries - highlights include: Caravaggio's Fortune-Teller and his curious John the Baptist; The Holy Family, by Dosso Dossi; Romulus and Remus, by Rubens; and Titian's Baptism of Christ.

This church can be an interesting deviation if you are passing through its neighbourhood. It is believed to be the grave of the Saints Ciro and Giovanni, killed during the time of the Emperor Diocletian. The original name was Abba Cyrus and through Appaciro and then Appacero it finally became Pacera, very close to today's Passera. The building is on top of a 3rd century building still visible in the lower floor and in the underground. The main part of the building dates back to the 9th century as do the frescoes on the higher floor. Some of the frescoes have been restored. Downstairs there is a small quadrangular room and the underground, where the remains of the two Saints are supposed to be. There are still visible 3rd century traces of Roman frescoes; in front of the stair you can enjoy a small bird, the Justice, and an athlete while in the vault some eight apex stars. Bus 128,780,781,775 (first stop in Via della Magliana).

In the Middle Ages pilgrims on their way to St. Peter's had to pass through the Via dei Coronari in order to cross the Tiber at Ponte St. Angelo. The street got its name from the people who sold rosaries to the pilgrims. It follows the ancient Via Recta which led from what is today Piazza Colonna to the Tiber. In the 15th century Pope Sixtus IV initiated the construction of private buildings. Today, several houses dating back to the 15th and 16th century may be seen. House nr. 156/157 is said to have been the House of Fiametta, the mistress of Cesare Borgia.

The highest hill in Rome at 139 m, with sweeping views of the Vatican and Rome across the Tiber.