In Rome, the Crypta Balbi Museum stands directly above an ancient excavation site. This museum was constructed over the Balbi Crypt, a structure first built in the 1st century A.D. Over time, the building changed and expanded, reflecting the various periods of Roman history that passed through its walls.
Walking through the museum, visitors can follow the story of Roman daily life through different eras. Displays and ruins reveal how people lived, worked, and adapted the space as the city evolved. Each part of the site offers a new perspective on Rome’s transformations, from ancient times through the medieval period and beyond.
The museum allows guests to freely explore most of the ruins. However, certain sections, such as the Essedra ruins, are only open to visitors on weekends. These special areas can be accessed on Saturdays and Sundays at set times: 10:45, 11:45, 12:45, 14:45, and 15:45. This schedule lets history enthusiasts experience some of the oldest parts of the site firsthand.
The most extensive collection of Etruscan art and artifacts anywhere. Fantastic collection and well worth the admission charge. A difficult museum to find, but a lovely display in a beautiful villa setting.
Romans and leaders of Rome's defeated enemies were imprisoned here where they either died of starvation or strangulation. According to legend, St. Peter was also imprisoned here.
The western end of the ancient Via Appia road connecting Rome to Brindisi in the heel of Italy, and as such the third world heritage site in Rome together with the Old Center and the Vatican. As such it's an important historical location, even if the remains of the gate aren't as impressive as the city's major sites. As Via Appia heads southeast out of Rome, and after a few kilometers the route is officially named Via Appia Antica and starts looking more historical: it gets narrow as a city street, the asphalt is replaced by a rock surface and the road is lined with parks and park-like areas and walled old buildings. This section has been described as the world's longest museum.
Underground burial place of an ancient Roman family and of seven early popes.
Good collection of Renaissance and Baroque art, including by Velasquez, Titian, Raphael, and Bernini, all owned by the Doria Pamphilj family. Excellent audio guides really bring the paintings to life.
Perhaps most famous for a large model of imperial Rome, but also has a large display of various aspects of ancient Rome, using plaster casts, models and reconstructions of works found in museums throughout the world.
Beautiful park, the 2nd largest in Rome (after Villa Doria Pamphili) at 450 acres/182 hectares. Hosts concerts on summer evenings. former summer residence of Italian monarchs. Also known for it's bunker.
A medieval church dating from the 6th century and home to the Bocca della Verità (Mouth of Truth). The Bocca della Verità at the entrance to the church is thought to be a 1st-century manhole cover. It is believed that if you put your hand in the mouth and tell a lie, the hand will be bitten off. Queues for the privilege of risking this can get rather long. Don't ignore the church, which is a gem, and has a separate entrance. Its mosaic floor in the Cosmatesque style is more rustic and less intricate than some others (Santa Maria in Trastevere, for example), but its simplicity gives it a solidity not found in the more ornate styles. S.M. in Cosmedin has a fine medieval choir enclosure and the tallest medieval belfry in Rome.
This building housed the University of Rome from the middle of the 15th century until 1935. The splendid interior courtyard was created by Giacomo della Porta. The inside church of Sant'Ivo (see above) is one of the masterpieces of the architect Borromini.
Erected in 203. You can see it close up from Via della Curia also (without entering the Forum).
More modern than most Roman churches: it was not started until 1873. This is Rome’s Episcopalian church. Some very interesting artwork, particularly the mosaics by Edward Burne-Jones of the Pre-Raphaelite school.
More of an enormous traffic circle than a piazza, but a good central location. The centerpiece is the enormous Vittorio Emanuele Monument (aka the Wedding Cake or the Typewriter) with the Capitoline hill next door. Mussolini used to harangue Romans from the first floor balcony of Palazzo Venezia (see under Museums), to the west of the square.
Built in 81 AD by the emperor Domitianus in dedication to his brother Titus, who died earlier that year and reigned as emperor from 79-81, overseeing the opening of the Colosseum in 80 and the eruption of Mt Vesuvius the previous year.