In Rome, the Caelian Hill is home to remarkable houses from the 1st century. These ancient dwellings are thought to have sheltered some of the city’s earliest Christian communities. Their walls still echo stories from centuries ago, offering a rare window into domestic life during the Roman Empire.
Visitors to these houses are often struck by the well-preserved frescoes that decorate the rooms. The colorful paintings, found on ceilings and walls, reveal both daily activities and symbols of faith. Scenes range from everyday Roman life to subtle references believed to be early Christian imagery. Each fresco adds a new layer to the story of those who once lived here, showing their beliefs, traditions, and artistic tastes.
A small museum is located on the site, displaying artifacts found during excavations. Pottery, coins, and household items help paint a picture of Roman family life. The exhibits provide more context to the houses themselves, allowing visitors to connect personal belongings with the spaces where people once gathered, worked, and worshipped. The museum’s setting within the ancient houses makes the experience even more immersive and memorable.
Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica).
One of Bernini's masterpieces, an obelisk on the back of an elephant.
Ballroom-like church which crowns part of the Capitoline Hill. Don't be fooled by the plain stone exterior.
This impressive villa covers 23 hectares. It can be accessed from the Via Appia Nuova (Bus 118) or through Via Appia Antica 251. Parts can be seen from the Appian Way at around the 5th mile just after No 251. The villa was built by Maximus and Condinus Quintilii. The emperor Commudus liked it so much that he put the brothers to death in 182 AD and took it for himself. A museum has friezes and sculptures from the villa. The nypheum, the tepidarium and the baths may also be visited. At Appia Antica 251 is Santa Maria Nova, a farmhouse that has undergone many reincarnations since being built on top of a Roman cistern that was probably used by Villa dei Quintilii.
The remains of the ancient Roman archives, where Cicero and Seneca did research. Visible from the Forum and accessible through the Capitoline Museum.
The museum is dedicated to Napoleon Bonaparte and his family. After Napoleon's death in 1821 the Pope gave permission to his family to settle down in Rome. His sister married Prince Camillo Borghese.
The western end of the ancient Via Appia road connecting Rome to Brindisi in the heel of Italy, and as such the third world heritage site in Rome together with the Old Center and the Vatican. As such it's an important historical location, even if the remains of the gate aren't as impressive as the city's major sites. As Via Appia heads southeast out of Rome, and after a few kilometers the route is officially named Via Appia Antica and starts looking more historical: it gets narrow as a city street, the asphalt is replaced by a rock surface and the road is lined with parks and park-like areas and walled old buildings. This section has been described as the world's longest museum.
According to the legendary passio, two brothers, John and Paul, who were officials at the imperial court, suffered martyrdom in 362 in their home on the Caelian hill, during the reign of emperor Flavius Claudius Julianus. This basilica dedicated to these two Roman officers was erected starting from 398 and was used first as a domus ecclesiae by the Christian community.
Built in honour of Victor Emmanuel, the first king of a unified Italy, this vast structure may appear to be solid white marble but actually contains many rooms inside. There are two permanent museums, one on Italian Reunification and one on emigration from Italy, as well as other spaces that host rotating exhibitions. A walk through the Flag Room leads to the tomb of the unknown soldier. Good views from half-way up but you can also pay €10 (€2 concessions) and take a lift all the way to the top.
Baroque church more noted for its position at the top of the Spanish Steps than it is for the church. Backdrop for numerous movies including Audrey Hepburn and Gregory Peck in Roman Holiday.
It was constructed to hold relics of the Passion of Jesus. They include two thorns of his crown, part of a nail and three small wooden pieces of the Cross. The authenticity of these relics is much disputed, however.
With its strange Liberty- style buildings with influence from the Art Nouveau of the 1920s this small bunch of blocks is one of the most interesting, and less known, landmarks of the city. A must see.
In the Middle Ages pilgrims on their way to St. Peter's had to pass through the Via dei Coronari in order to cross the Tiber at Ponte St. Angelo. The street got its name from the people who sold rosaries to the pilgrims. It follows the ancient Via Recta which led from what is today Piazza Colonna to the Tiber. In the 15th century Pope Sixtus IV initiated the construction of private buildings. Today, several houses dating back to the 15th and 16th century may be seen. House nr. 156/157 is said to have been the House of Fiametta, the mistress of Cesare Borgia.