Museum of pasta food

The contours of the ancient stadium, built in the 6th Century B.C., are still visible in what is now a park in the shadow of the Palatine. Circus Maximus was primarily devoted to chariot races and was used for this purpose until around 550 AD. The stadium could seat up to 150,000 people. Originally built of wood, it burnt down twice, on the second occasion starting the great fire when the Emperor Nero was said to fiddle while Rome burned. It was in one of the tunnels here that Caligula met his end. Excavations began in 2009 at the east end of the circus and are likely to go on for some years.

This remarkable building served as the site of the Apostolic Chancellery, or offices of the Pope, for centuries, and now houses a Vatican court. Tucked behind the facade is also the Basilica of San Lorenzo in Damaso, an ancient Roman house church rebuilt in the 15th century.

A small piazza just behind the Pantheon. The centerpiece is a statue of an elephant by Bernini with an ancient obelisk on its back.

An underrated way to see fantastic art made after the Renaissance. Mainly Italian artists, notably De Chirico, but Cézanne, Degas, Kandinsky, Man Ray, Modigliani, Monet, Pollock and Van Gogh are also represented.

In the very heart of the city center, the building was for centuries ago the seat of the Venice embassy. Today it houses a museum and art galleries.

This church, which was commissioned by Ferdinand and Isabella of Spain, marks the point where, according to tradition, St. Peter was crucified. Particularly interesting for Irish visitors as it contains the graves of three Gaelic Chiefs who fled Ireland in 1607.

One of Bernini's masterpieces, an obelisk on the back of an elephant.

A 1st-century tomb surrounded by two farmhouses from the Middle Ages, one of which used to be a cheese store. Rather hidden behind a high wall, the tomb is rarely open to the public. You might be lucky on a Sunday: on the third Sunday of every month there is a guided tour at 11:00.

Unusual ancient Roman theatre with apartments built on top.

Permanent collection features paintings and drawings of Rome between the 18th and 20th centuries together with a fascinating black and white photo exhibition of Rome from 1950-80. Also offers rotating exhibitions, usually of the work of photographers.

Named after St. Francis of Assisi, who stayed nearby. Inside the Paluzzi-Albertoni chapel is one of Bernini’s masterpieces, the statue of the Blessed Ludovica Albertoni. The column in front of the church comes from the ruins of Veii (see Rome/North).

Also known as St Paul Outside the Walls. This is on the outskirts of Rome in an otherwise drab modern neighborhood. The enormous basilica is a faithful reconstruction, finished in 1854, of the ancient basilica which burned down in 1823. Parts of the original interior were rescued from the fire and have been extensively restored. Visiting in the afternoon may avoid the tourist coaches. Don't miss the medieval cloister, which survived the fire.

This well-preserved Roman circus was built at the beginning of the fourth century. It was part of an imperial villa built by Maxentius and the complex also contains the Mausoleum of his son, Romolo.

Built after 1631, the crypt of the church contains a macabre display - a series of chapels decorated with the bones of 3700 dead friars. The bones are glued to the walls and ceilings in bizarre and striking decorations.

The first basilica was constructed in the 4th century and dedicated to San Sebastian, a martyr of the 3rd century. Sebastian's remains were transferred to St. Peter's in 826, prior to a Saracen assault when the church was destroyed. The current church was largely constructed in the 17th-century. Until the Great Jubilee in 2000 this was one of the Seven Pilgrim Churches of Rome, i.e. the churches that all Roman Catholic pilgrims were expected to visit. However, at that time it was replaced by the Sanctuary of Divino Amore (see below). Entrance to the catacombs, which are smaller than the others in the area, is to the right of the church entrance. The area where you buy tickets and wait for tours has a good display of sarcophagi from the catacombs. You can rent a bicycle at the catacombs for further exploration of the Appian Way.

Since 1871 this has been the French Embassy. This 16th-century palace contains an important fresco cycle by Annibale Carracci and houses a library of collections by the French school in Rome, particularly on Roman archaeology. Note the two beautiful fountains in the piazza.

Inaugurated in 217 AD and used until the 6th Century. The baths were big enough for 1600 bathers at a time. Impressive and well-preserved. Used for operas in summer months (see Opera di Roma for details) and was the location for the famous "three tenors" concert in July 1990, at the time of the World Cup (soccer).

This is a footbridge connecting Castel Sant'Angelo with the other side of the Tiber. It is a Roman bridge completed in 134 AD by Hadrian, to give access to his newly constructed mausoleum. Pilgrims used this bridge to reach St Peter's Basilica, hence it was earlier known as the "bridge of Saint Peter". In the seventh century, the castle and the bridge took on the name Sant'Angelo, when it is said that an angel appeared on the roof of the castle to announce the end of a plague. The statues of ten angels on the bridge reflect its name.

The church was built by order of Pope Sixtus VI (della Rovere). The campanile was erected in 1504 by Bramante and the church has frescoes of the four sibyls by Raphael in its interior.

One of the oldest churches in the city. The nave is lined with a mismatched collection of columns taken from ancient Roman buildings. The apse is covered in gold mosaics from the 13th century, arguably the finest mosaics in the city. Impressive mosaics also on the front. According to legend the church was founded in 222, so it would be one of the most ancient churches in the city. Written records mention a church on this place in 337. What is visible today was built in the 12th century, by order of Pope Innocent III. The facade is decorated with mosaics representing the Virgin Mary and ten unidentified figures. Most probably these mosaics are the work of Petro Cavallini who created the mosaics of the lower apse dated 1290 representing scenes from the life of Mary. The mosaics of the upper apse in byzantine style are even older and date from 1140. The columns of the nave originate from the ancient Baths of Caracalla. The facade of Santa Maria in Trastevere is even more impressive at night when it is illuminated.