At the northern end of Via XX Settembre, right next to the historic Porta Pia designed by Michelangelo, stands the Embassy of the United Kingdom in Rome. This location holds a unique mix of history and modern design, making it a notable landmark in the area.
The current embassy was built after a tragic event in 1946, when the previous building was destroyed by a terrorist bomb. In response, a fresh vision was needed for the British diplomatic presence in the city. The celebrated architect Sir Basil Spence was chosen to design the new embassy, bringing contemporary ideas to the project.
One of the most distinctive features of the embassy is its construction on stilts. This design choice allows for uninterrupted views of the surrounding gardens, blending the building into its environment while showcasing modern architectural innovation. The embassy’s style stands out in the city, reflecting both progress and respect for its remarkable setting near one of Rome’s famous gateways.
Source - https://en.wikipedia.org/wiki/Embassy_of_the_United_Kingdom,_Rome
housed in the baroque palace Corsini where Christina, Queen of Sweden settled down in the last years of her life
The mausoleum of Cecilia Metella, who died in 69 BC, is the best preserved monument on the Appian Way and dominates the surroundings. In the Middle Ages it was transformed into a fortress and battlements were added. At that time there was considerable competition for ownership because of its strategic location.
The remains of the ancient Roman archives, where Cicero and Seneca did research. Visible from the Forum and accessible through the Capitoline Museum.
The Catacombs of Domitilla are considered to be the best preserved of all Roman catacombs. They are the only ones still to contain bones. Domitilla also has a subterranean basilica, much of which was reconstructed in 1870.
Next door to the Pyramid, this fine gate in the Aurelian Wall is named after St. Paul as the Via Ostiense leads to the basilica of St. Paul's Outside the Walls (see Rome/South).
This church can be an interesting deviation if you are passing through its neighbourhood. It is believed to be the grave of the Saints Ciro and Giovanni, killed during the time of the Emperor Diocletian. The original name was Abba Cyrus and through Appaciro and then Appacero it finally became Pacera, very close to today's Passera. The building is on top of a 3rd century building still visible in the lower floor and in the underground. The main part of the building dates back to the 9th century as do the frescoes on the higher floor. Some of the frescoes have been restored. Downstairs there is a small quadrangular room and the underground, where the remains of the two Saints are supposed to be. There are still visible 3rd century traces of Roman frescoes; in front of the stair you can enjoy a small bird, the Justice, and an athlete while in the vault some eight apex stars. Bus 128,780,781,775 (first stop in Via della Magliana).
The renamed Rome Zoo, one of the oldest in Europe, founded in 1911. On the edge of the Borghese Gardens, a short, well-signposted walk from the Gallery. They try hard, but San Diego this isn't. If you are a regular zoo-goer you will be disappointed.
Contains the tomb of Pope Hadrian IV, the last non-Italian pope before Pope John Paul I.
Designed by Bramante to mark the spot of St. Peter's martyrdom, this delightful miniature building is considered a masterpiece of Renaissance architecture. Open to the public.
Underground burial place of an ancient Roman family and of seven early popes.
The two museums are on opposite sides of the Piazza del Campidoglio, It is recommended to book tickets online Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica). Also based on a Michelangelo architectural plan, this compact gallery is well endowed in classical sculpture and paintings. Highlights include the small 1st-century-BC bronze Lo Spinario, a Greek statue of a little boy picking a thorn from his foot; the Lupa Capitolina (Capitoline Wolf), a rare Etruscan bronze statue probably dating from the 5th century BC; and (in the entrance courtyard), the massive head, hands, foot and kneecap from a colossal statue of Constantine the Great. The palace also contains a Pinacoteca (Picture Gallery) with paintings mainly from the 16th and 17th centuries - highlights include: Caravaggio's Fortune-Teller and his curious John the Baptist; The Holy Family, by Dosso Dossi; Romulus and Remus, by Rubens; and Titian's Baptism of Christ.
This is not, contrary to popular belief, one of the original seven hills that Rome was founded on. It is the second highest after Monte Mario, though, and offers incredible panoramic views of the city as long as the authorities remember to prune the trees on the hillside (if they are too tall you can walk a few meters down the hill for views that are just as good). On the other side of the piazza there is also a nice view of the dome of St. Peter's. The Piazza and the street leading up the hill are dedicated to Giuseppe Garibaldi who led Italian troops against the French here in 1849. There are also several commemorative statues.
The palace was built by the architect Baldassare Peruzzi on behalf of the Massimo family. The former palace was destroyed during the pillage of Rome in 1527. The Massimo family can be traced back to Quintus Fabius Maximus who defeated Hannibal in the 3rd century BC. The building is open to the public on March 16, only in order to commemorate the miraculous reanimation of Paolo Massimo by St. Philip Neri in 1538.
Known properly as the Flavian Amphitheatre, this most famous of Roman landmarks takes its name from the giant statue of the emperor Nero that once stood near this location. The amphitheatre was capable of seating 50,000 spectators for animal fights and gladiatorial combats. It was a project started by the Emperor Vespasian in 72 and completed by his son Domitian sometime in the 80s. The Colosseum when completed measured 48 m high, 188 m in length, and 156 m in width. The wooden arena floor was 86 m by 54 m, and covered by sand.;Expect a long queue and an even longer wait. You can skip the queue if you decide to take a tour, but if you don't want a tour, you can STILL skip the queue. If you walk to the entrance for the Roman Forum, you can buy tickets there which allow you to bypass the queues. You can also buy tickets online. There are lots of people offering tours in English just outside the entrance to the Colosseum. Inside you can take a tour (English, Spanish, or German) every 30 minutes or so for an additional fee. The tours are given by knowledgeable archeologists, but they don't take you to any areas you couldn't visit on your own.
An ethnographic collection of around 60,000 pieces from European indigenous cultures. Documents evolution from the Palaeolithic age to the Iron Age.
It was constructed to hold relics of the Passion of Jesus. They include two thorns of his crown, part of a nail and three small wooden pieces of the Cross. The authenticity of these relics is much disputed, however.
Built in the 9th century, this ancient basilica crowns the top of the Esquiline Hill. Tons of gold decorate the interior together with impressive mosaics (particularly when the floodlights are turned on), and there is a museum on the premises. If you are in Rome on Corpus Christi (Corpus Domini), which is the Thursday after the 8th Sunday after Easter, an early-evening service is held in San Giovanni by the Pope followed by a procession along Via Merulana to Santa Maria. Good opportunity for a close up view of the Pope. This is a very large church with lots to see, as for example, the main part of the church has two layers of mosaics and paintings high on the walls, the altar and apse are spectacular, and then there are several more or less large chapels you won't want to miss, including the one with the amazing golden baptismal font. Allow at least an hour if not an hour and a half or more to visit the interior, even if you do not take any special tours, and also allow time to view the exterior from all sides. Overall, at least 2 hours would not be too much time to allot.