Sant'Agnese in Agone is a beautiful basilica church designed by architect Borromini. Tradition says it stands on the very site where St. Agnes was martyred in the 4th century AD, giving the building a strong historical connection to early Christianity in Rome.
The church is known for its compact size and its nearly circular interior, creating a sense of intimacy and elegance. The unique shape sets it apart from many other grand churches, offering visitors a more personal experience within its sacred walls.
Restoration work is underway at Sant'Agnese in Agone. The façade and dome are currently covered in scaffolding as preservation efforts continue. Despite these renovations, the church remains open to the public, but only until noon each day.
Source - https://en.wikipedia.org/wiki/Sant%27Agnese_in_Agone
This is a large tomb built by the Roman Emperor Augustus in 28 BC in the form of a stone ring covered by an earth mound. A brick wall, 87 m in diameter, carried an earth mound covered with cypresses. On top of the hill stood a bronze monument of the emperor. The building was 44 meters high. At the beginning of the alley, which led to the tomb were two Egyptian obelisks. On both sides of the doorway bronze plates describe the "Res gestae", the deeds of the emperor. The urns of Augustus, Marcellus, Octavia, Agrippa, Drusus and other members of the Julian Claudian dynasty were revered here. In the Middles Ages the building served as citadel of the Colonna family. It was destroyed by Pope Gregor IX in 1241. The body of Cola di Rienzo. a popular leader of the people in the mid-14th century, was burnt in this monument. The Mausoleo di Augusto is not open to the public, and is fenced off.
Built in the 9th century, this ancient basilica crowns the top of the Esquiline Hill. Tons of gold decorate the interior together with impressive mosaics (particularly when the floodlights are turned on), and there is a museum on the premises. If you are in Rome on Corpus Christi (Corpus Domini), which is the Thursday after the 8th Sunday after Easter, an early-evening service is held in San Giovanni by the Pope followed by a procession along Via Merulana to Santa Maria. Good opportunity for a close up view of the Pope. This is a very large church with lots to see, as for example, the main part of the church has two layers of mosaics and paintings high on the walls, the altar and apse are spectacular, and then there are several more or less large chapels you won't want to miss, including the one with the amazing golden baptismal font. Allow at least an hour if not an hour and a half or more to visit the interior, even if you do not take any special tours, and also allow time to view the exterior from all sides. Overall, at least 2 hours would not be too much time to allot.
At the southern end of the Piazza, designed by Bernini but the main statue of the Moor was done by Giacomo della Porta and the other statues are 19th-century copies of the originals.
Home of the Abbot Primate of the Benedictine Confederation and Benedictine monks studying in Rome. Visit the monastic produce shop and listen to the best Gregorian chant in Rome during Vespers (19:15 each evening).
The building is in one of the most hidden corners of the city center among Piazza Navona and Castel Sant'Angelo. It served as residence for the Orsini family. Nowadays it is private property and one can only glance at the courtyard and the amazing fountain inside, erected in 1618 by architect Antonio Casoni. However, the brief moment is worth it.
Built in 141 AD and dedicated to the Empress Faustina; after her husband emperor Antoninus Pius died in 161 AD the temple was rededicated to the couple.
This museum is built on top of the excavation site of the Balbi Crypt, a building from the first century A.D. which underwent considerable modifications in the following centuries. Through the building's history, the museum gives us glimpses of what Roman life across the ages was like. Free visits of the ruins are possible. The Essedra ruins are only accessible on Saturdays and Sundays, at 10:45, 11:45, 12:45, 14:45 and 15:45.
A great little cathedral to visit, lovingly looked after by Irish Dominicans. There is an excavated older church below the medieval church you enter and a Mithraeum (temple to Mithras, whose cult was very popular with Roman soldiers from the 1st to 4th century AD) below that. The only place in Rome to hear the underground river that flows beneath the city.
The two museums are on opposite sides of the Piazza del Campidoglio, It is recommended to book tickets online Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica). Also based on a Michelangelo architectural plan, this compact gallery is well endowed in classical sculpture and paintings. Highlights include the small 1st-century-BC bronze Lo Spinario, a Greek statue of a little boy picking a thorn from his foot; the Lupa Capitolina (Capitoline Wolf), a rare Etruscan bronze statue probably dating from the 5th century BC; and (in the entrance courtyard), the massive head, hands, foot and kneecap from a colossal statue of Constantine the Great. The palace also contains a Pinacoteca (Picture Gallery) with paintings mainly from the 16th and 17th centuries - highlights include: Caravaggio's Fortune-Teller and his curious John the Baptist; The Holy Family, by Dosso Dossi; Romulus and Remus, by Rubens; and Titian's Baptism of Christ.
The museum is dedicated to Napoleon Bonaparte and his family. After Napoleon's death in 1821 the Pope gave permission to his family to settle down in Rome. His sister married Prince Camillo Borghese.