Palazzo Nuovo stands as a striking example of 17th-century architecture, its grand design inspired by sketches from Michelangelo. This impressive building has drawn visitors for centuries with its historical significance and collection of fascinating treasures.
Among the Palazzo Nuovo’s highlights is the famous Colossus of Constantine statue. This ancient sculpture captures the grandeur of the Roman emperor and offers a glimpse into Rome’s powerful past. Nearby, visitors can find The Dying Gaul, a stunning marble artwork that is a faithful copy of a bronze Greek original from the 3rd century BC. This piece is celebrated for its extraordinary detail and emotional impact.
Another treasure within the museum is the Capitoline Venus, an elegant and beautifully preserved statue that reflects the ideals of beauty from ancient times. Each masterpiece in the Palazzo Nuovo tells a story of artistry and history, connecting the past to the present.
Inside Palazzo Nuovo is the remarkable original gilt bronze equestrian statue of Emperor Marcus Aurelius. While many admire the replica outside in the piazza, the real statue is carefully preserved within the museum’s walls. Its presence offers an inspiring glimpse of a leader from ancient Rome, highlighted by masterful craftsmanship and rich detail.
Minor basilica in 17th-century baroque style with good art inside. In a smaller Italian city, this might be a prime attraction, but in Rome, with its abundance of great churches, this is merely a pleasant church of secondary interest to visit if you are in the area.
Early Roman houses dating back to the 1st century, believed to be homes of early Christians. Well-preserved frescoes and a small museum.
housed in the baroque palace Corsini where Christina, Queen of Sweden settled down in the last years of her life
At the southern end of the Piazza, designed by Bernini but the main statue of the Moor was done by Giacomo della Porta and the other statues are 19th-century copies of the originals.
A truly quiet oasis close to the hustle and bustle of EUR. There are three churches in this complex and the doors are open all day, unlike city churches. The monks produce a range of products such as liqueurs, chocolate and honey, as well as a cure for the illnesses Romans suffer when the Scirocco wind blows in from the Sahara. These are on sale at a shop at the Abbey.
A medieval church dating from the 6th century and home to the Bocca della Verità (Mouth of Truth). The Bocca della Verità at the entrance to the church is thought to be a 1st-century manhole cover. It is believed that if you put your hand in the mouth and tell a lie, the hand will be bitten off. Queues for the privilege of risking this can get rather long. Don't ignore the church, which is a gem, and has a separate entrance. Its mosaic floor in the Cosmatesque style is more rustic and less intricate than some others (Santa Maria in Trastevere, for example), but its simplicity gives it a solidity not found in the more ornate styles. S.M. in Cosmedin has a fine medieval choir enclosure and the tallest medieval belfry in Rome.
The remains of the ancient Roman archives, where Cicero and Seneca did research. Visible from the Forum and accessible through the Capitoline Museum.
The Collegio Romano was a college of the Jesuit order. Many popes, cardinals and bishops were educated here. Since 1870 it has been a secular (non-monastic) school. The coat of arms on the doorway is that of Pope Gregory XIII (1572–1585). The tower was erected in 1787 and served as an observatory. Until 1925 all clocks in Rome were set after that of the Collegio Romano.
If stones could talk: these hallowed ruins were the most powerful seat of government in the world. To stand in the political, legal and religious centre of the whole Roman Empire brings shivers down one's spine. It is the best way of imagining the splendour and glory of ancient Rome. Located in a small valley between the Capitoline and Palatine hills, access to the Forum is by foot only, from an entrance on the Via dei Fori Imperiali. Wheelchair access is available for most of the Forum but be aware that the path is often bumpy due to it containing original stones from the ancient Roman period. The Forum is much less crowded than the Colosseum and, from a historical perspective, much more interesting. You can hire an audioguide for €5.5 from a small booth just above the Arch of Titus near the Colosseum. These audioguides contain an audio jack so that two people can easily share one. Built in 141 AD and dedicated to the Empress Faustina; after her husband emperor Antoninus Pius died in 161 AD the temple was rededicated to the couple. Completed in 179 BC. The 4th rebuilding of the meeting place for the Roman Senate, once converted into a church during the Middle Ages, but now restored since the 1930s. Erected in 203. You can see it close up from Via della Curia also (without entering the Forum). Finished in 29 BC, marks the spot of Caesar's spontaneous cremation and Mark Antony's funeral speech, made famous by Shakespeare in his play Julius Caesar ("Friends, Romans, Countrymen, lend me your ears ..."). Built in 81 AD by the emperor Domitianus in dedication to his brother Titus, who died earlier that year and reigned as emperor from 79-81, overseeing the opening of the Colosseum in 80 and the eruption of Mt Vesuvius the previous year. The remains of the ancient Roman archives, where Cicero and Seneca did research. Visible from the Forum and accessible through the Capitoline Museum.
The Ghetto lies between the island in the River Tiber and the Theatre of Marcellus and includes Rome’s synagogue. It was established in 1555 as a result of a Papal Bull by Pope Paul IV that required all Jews to live in the area, considered one of the least desirable quarters of the city, as it was subject to constant flooding by the river. The area was originally enclosed by walls and gates that were only open during the day. With the end of the Papal States in 1870, the requirement that Jews live in the Ghetto came to an end. The walls were torn down in 1888 and much of the ghetto was demolished. However, there is still much to see, including walls of buildings that incorporate Roman ruins, and there are several good Jewish restaurants.
Good collection of Renaissance and Baroque art, including by Velasquez, Titian, Raphael, and Bernini, all owned by the Doria Pamphilj family. Excellent audio guides really bring the paintings to life.
Contains the ruins of several large villas that belonged to wealthy Roman families. You can buy a combined ticket for the Palatine Hill, the Roman Forum and the Colosseum here, avoiding the long lines at the Colosseum. While the Imperial and Roman Fora are probably more spectacular, overall, there are amazing sights on the Palatine Hill, so unless you are terribly short on time or find it too challenging to climb the hill, allow an hour or more for these sights, too.
One of Bernini's masterpieces, an obelisk on the back of an elephant.
Brand new museum designed to celebrate the art and architecture of the 21st century.