Berlin’s town hall carries the name “Red Town Hall” for a simple reason: its façade is built from striking red brick. The color comes from the material itself, not from any past political leaning. Standing on Alexanderstraße, the building is a landmark of the city’s 19th-century architecture, with a tall clock tower and long rows of arched windows that give it a formal, civic presence.
Beyond the grand exterior, the interior holds several Prussian-era rooms that reflect the tastes and traditions of the time. Tall ceilings, careful woodwork, and classical detailing create a dignified atmosphere. These rooms, often used for official events, offer a glimpse into the city’s administrative history and the aesthetics that shaped it.
From ceremonial halls to quieter corridors, the spaces are designed with symmetry and order in mind. The materials—polished stone, decorative plaster, and dark woods—speak to the building’s role as a center of government. Together, they form a setting that is both practical and stately, making the historic Prussian rooms a point of interest for anyone curious about Berlin’s civic past.
Source - https://en.wikipedia.org/wiki/Red_Town_Hall_(Berlin)
Built by Hitler for the 1936 Olympic Games, this is one of the better examples of Nazi neoclassical architecture (laying claim to the legacy of Rome, fasces and all) and is still used for sporting events. At those Olympics, African-American athlete Jesse Owens won four gold medals, a party-spoiler for Aryan superiority. It's the home of soccer team Hertha BSC - they were relegated in 2023 and now play in 2. Bundesliga the second tier. In 2024 this stadium hosted games in the UEFA Euro Finals, including the final itself. For a glimpse of the Olympiastadion in its original state, seek out Leni Riefenstahl's movie Olympia - clips are shown in the Kinemathek and elsewhere.
With the Kreuzberg, a hill in Kreuzberg 61, the Prussian National Monument by Schinkel and a waterfall. Superb panoramic views across south Berlin.
More than 30 million objects in the scientific collection and a fascinating exhibition in one of the most significant institutions of its kind in the world. Some parts still under construction.
Germany's national centre for contemporary non-European art. The house is a leading centre for the contemporary arts and a venue for projects breaking through artistic boundaries. This architectural landmark was an American contribution to the international building exhibition INTERBAU 1957 as an embodiment of the free exchange of ideas. Colloquially called Schwangere Auster (Pregnant Oyster).
This area was Gay Central during the Weimar Republic, and it is today. But of course all are welcome. There is a diverse mix of restaurants and stores, several of which are open till midnight or later every day. The U-Bahn station has a superstructure and towers that echo the appearance of the Art Nouveau Neues Schauspielhaus across the street, now the Metropol, where radical left-wing dramas used to be presented in the 20s and 30s, and it is lit in rainbow colors.
The Gemäldegalerie contains an astounding array of paintings, including works by Rembrandt, Rubens, Botticelli, Raphael, Titian, Goya, Velasquez and Watteau. The collection contains works from the old Bodemuseum on Museumsinsel in the East, now closed, and the former Gemäldegalerie in Dahlem. Its strong points are German paintings of the 13-16th centuries, Netherlandish painting of the 15th and 16th centuries, Flemish paintings of the 17th century, and miniature paintings of the 16th-19th centuries. In the newer section of the museum, designed by architects Heinz Hilmer and Christoph Sattler, there is enough space to display 1,150 masterpieces in the main gallery and 350 in the studio gallery - of the almost 2,900 pieces in the European painting collections. Established in 1830, the newly built gallery from 1998 has about 7,000 sq m of exhibition space (a complete tour of the 72 rooms covers almost 2 km).
From 1941, 12,000 tons of concrete in a 15-m-high and 20-m-diameter cylinder were built to test the load-bearing capacity of the Berlin soils (turns out glacial sands are no good basis for gargantuan architecture) for Albert Speer's Germania buildings. Too massive for later blasting, this is one of the more bizarre remains of the Third Reich.
Nice church near Unter den Linden/Museum Island, finished in 1830 by Schinkel in English Neogothic style. Nice exhibition inside (neoclassical statues and an exhibition about Schinkel's life and work upstairs).
A domed church at Bebelplatz/Unter den Linden, the oldest (mid-18th century) and one of the biggest Catholic churches in Berlin. Interior was redesigned in a modern style in the 1950s, but there are still many treasure chambers in the basement.
This heritage-protected public bathing beach which opened in 1907 is one of the largest inland lidos in Europe and has a 1275-m-long sand beach, a capacity for up to 30,000 guests and a popular nudist area.
Places with markets on Wednesdays and Saturdays are popular with locals at Winterfeldplatz. Buy a coffee and browse amongst the stalls; this is a place to unearth hidden gems. Breakfast is served usually until 14:00-15:00.
One of the most authentic and oldest villages (1247) in the outskirts of Berlin, it looks the same way it did some hundred years ago. Take S-Bahn 1 to Waidmannslust and then bus 222 to Alt-Lübars.