Jüdischer Friedhof Schönhauser Allee is a historic Jewish cemetery in Berlin, known for its peaceful paths and weathered stones. Established in the 19th century, it reflects the growth of the city’s Jewish community and the changes that followed. Many notable figures rest here, and the grounds preserve a layered story of memory, loss, and continuity.
The cemetery’s old tombstones show a wide range of styles, from simple markers to grand family monuments. Hebrew and German inscriptions appear side by side, with symbols like menorahs, hands in blessing, and broken columns. Time has softened many carvings, yet the names and dates still speak clearly of families who shaped Berlin’s cultural and economic life.
A lapidarium on the grounds holds fragments and rescued stones that once stood elsewhere. These pieces include headstones damaged by weather, war, or neglect, gathered to safeguard what remains. Arranged with care, the collection helps visitors understand burial traditions, stonecraft techniques, and the effort to conserve fragile heritage.
Tall trees cast shifting light across mossy edges and sandy paths. Birds and the soft rumble of the city form a gentle soundtrack. Despite its central location, the cemetery feels calm and reflective, offering space to consider the long timeline of Jewish life in Berlin.
Details reward close attention: stones with pebbles placed on top as a mark of remembrance, ironwork fences with floral motifs, and family plots that show changing tastes across decades. The lapidarium’s fragments highlight different types of stone, from sandstone to granite, and reveal how artisans balanced faith, art, and the expectations of their time.
With an impressive, circus-tent-like roof over its courtyard and remains of the pre-war Hotel Esplanade incorporated into the modern structure.
A cuboid made of concrete. On the front side of the cuboid is a window, through which visitors can see a short film of two kissing men. The video will be changed every two years and will also show kissing lesbians.
A man-made hill of about 120 m in the Grunewald, created after the Second World War from debris of the city. On top is the Field Station Berlin, a former US listening station. Inside the building complex you can see lots of graffiti art. The hill can be accessed without any restrictions and is free; however, the building complex is surrounded by fences and requires a ticket (tours are available as well).
A fortress built between 1560 and 1590 to Italian design on the site of a 12th-century castle. The Juliusturm housed part of the huge indemnity (in physical gold coins) France had to pay after the war of 1870/71 until what was left of it was returned to France after Germany's loss in World War I. The term "Juliusturm" remained in usage in German for a large "rainy day fund" into the 1960s. Museums housed within the citadel cover the history of the town of Spandau, monumental public art in Berlin, and artillery.
The Bierpinsel ("beer brush") is a building in Steglitz which resembles an observation tower and is famous for its pop-art appearance. The futuristic, landmarked building was built from 1972 to 1976 and has since been used as restaurant, night club, bar, radio station and art café.
House museum on Max Liebermann, German painter and printmaker. Has about 15 Lieberman paintings.
The Gemäldegalerie contains an astounding array of paintings, including works by Rembrandt, Rubens, Botticelli, Raphael, Titian, Goya, Velasquez and Watteau. The collection contains works from the old Bodemuseum on Museumsinsel in the East, now closed, and the former Gemäldegalerie in Dahlem. Its strong points are German paintings of the 13-16th centuries, Netherlandish painting of the 15th and 16th centuries, Flemish paintings of the 17th century, and miniature paintings of the 16th-19th centuries. In the newer section of the museum, designed by architects Heinz Hilmer and Christoph Sattler, there is enough space to display 1,150 masterpieces in the main gallery and 350 in the studio gallery - of the almost 2,900 pieces in the European painting collections. Established in 1830, the newly built gallery from 1998 has about 7,000 sq m of exhibition space (a complete tour of the 72 rooms covers almost 2 km).
Want to feel like one of the angels in Wim Wenders' classic film Der Himmel über Berlin (a.k.a. Wings of Desire)? Climb to the top of Gold-Else, as the statue of Victory on the top of the Victory Column is known. Just don't jump off if you're not actually an angel. Unfortunately there is no elevator, so be prepared for 285 steps to the platform at 50.7 m.Else was built to commemorate Prussian military prowess in the wars against Denmark (1864), Austria (1866) and France (1870-71), and moved to her present location by the Nazis. Five roads run into a traffic circle called Grosser Stern, in the centre of which is the Siegessäule. Else is visible from much of the city district known as Tiergarten. At the base of the statue are reliefs of war scenes representing the conflicts which this monument memorializes. The Allies forced Germany to take those panels down in 1945, but they were remounted in 1984 and 1987. It also served as a backdrop for a speech by then senator Obama in 2008, after his request to speak in front of Brandenburger Tor caused a political debate in Germany.
Built 1859-1866 this is one of the most architecturally stunning synagogues in Germany to survive both the Nazi era and the war.
This area was Gay Central during the Weimar Republic, and it is today. But of course all are welcome. There is a diverse mix of restaurants and stores, several of which are open till midnight or later every day. The U-Bahn station has a superstructure and towers that echo the appearance of the Art Nouveau Neues Schauspielhaus across the street, now the Metropol, where radical left-wing dramas used to be presented in the 20s and 30s, and it is lit in rainbow colors.
A museum dedicated to everyday life in communist East Germany. The museum has very relaxed rules and you are allowed to touch and examine almost every object, which adds greatly to the experience.
The Gendarmenmarkt is a square in the Friedrichstadt with the Konzerthaus (concert hall) and in front of the statue of Germany's poet Friedrich Schiller, the Neue Kirche (New church) and the Französischer Dom (French cathedrals). Berlin’s Deutscher Dom on the magnificent Gendarmenmarkt square is not to be confused with the Berliner Dom. It was built in 1708. Since 1992 a German Parliament exhibition can be seen here entitled “Paths, Loosing Track and Detours” or the development of parliamentary democracy in Germany – ways and roundabouts. No religious services are held here. The French cathedral houses the Hugenottenmuseum. It represents the ongoing influence on Berlin by the Huguenots who emigrated from France after the revocation of the Edict of Nantes. Crown Prince Friedrich William encouraged them to settle here because most of them were skilled workers or otherwise useful to the kingdom. One memorable artwork, in room nine of the museum, pictures Crown Princess Dorothea exclaiming "But he's a refugee!" upon being presented a very valuable set of jewels by Pierre Fromery. The generally agreed-upon view of refugees as poor, without resources let alone diamonds, was blown apart by the talented French Protestants forced to leave their country due to religion. One of the most notable effects of having such a large French population was their influence on the infamous Berlin dialect. Berlinerisch words such as Kinkerlitzchen (from French "quincaillerie" - kitchen equipment) and Muckefuck (from French "mocca faux" - artificial coffee, though that etymology is not universally accepted) are unique to the area. The Französischen Dom (cathedral) itself was built to resemble the main church of the Huguenots in Charenton, France, destroyed in 1688. It has housed the museum since 1929. Closed till 2019
It was a museum of applied arts and a listed historical monument since 1966, and it is now a well-known Berlin exhibition hall.
Designed by Daniel Libeskind with an excellent exposition on the Jewish life in Berlin and the impact of the Holocaust. You can easily spend a day here. There is a metal scanner and other security features you'd rather expect at an airport than a museum.
Take a stroll for a few kilometers along this canal which runs right through the heart of Kreuzberg. It's peaceful and mostly traffic-free, but full of life in summer. Some parts are lined with bars and restaurants with terraces. Sit on a bench or terrace and watch the world go by on a summer evening.
Exhibition of digital interactive entertainment culture. You can actually play almost all of the exhibits making it a more "hands on" museum than most.
150 m high lattice tower with open-air observation deck 124 m above ground.