Built between 1859 and 1866, the Neue Synagoge stands out as one of Germany’s most architecturally striking synagogues to endure both the Nazi era and the destruction of the Second World War. Its survival gives the building a powerful presence, combining historical weight with remarkable design.
Source - https://en.wikipedia.org/wiki/New_Synagogue_(Berlin)
Small terrace on the top of the Park Inn, publicly accessible. Take the elevator to the 40th floor, and follow the signs up the stairs. Pay the attendant who also serves beer and coffee. Great views of the Fernsehturm. In the summer, consider base jumping off the roof with Jochen Schweizer. It is often closed in bad/windy weather, so look for a notice posted near the elevator that the terrace is closed.
Spectacular building by Mies van der Rohe contains its own collection and temporary exhibitions.
Closed for renovations; the temporary Bauhaus-Archiv is at Knesebeckstraße 1-2 in Charlottenburg. Building designed by Walter Gropius. Inside a museum, library, cafe and shop.
German historical museum covering everything from pre-history up to the present day. One can spend many, many hours here! The building from 1695/1730 was the Zeughaus (Arsenal) until 1876.
This castle is one of Berlin's oldest castles and where Prince Carl used to reside. Be sure to check out Glienicke Bridge, the bridge that became renowned for the exchange of Western and Eastern secret agents. You can also visit Glienicke Park.
Berlin's oldest church (1230) is a 3-nave hall church. It is in the centre of an area destroyed by bombs in the war which was then turned into a faux "old town" by the East German authorities called Nikolaiviertel. The area is more a hodge-podge of relocated buildings than an authentic reproduction, and the newly-built 1988 apartments that attempt to "harmonize" with the older buildings are embarrassing. The church is one of the only structures that was renovated rather than rebuilt. It is best known for a sandstone sculpture called the Spandauer Madonna (1290), but there are other interesting pieces here. When the church was destroyed in 1938 and rebuilt in the 1970s, the communist officials intended to use it as a museum, which did not open until 1987. The museum includes sacred textiles and religious sculpture from the fourteenth to the sixteenth centuries. The Nikolaikirche is the showplace of the Nikolaiviertel, which isn't saying much.
The town hall of Berlin is known as such because it is made of red brick, not due to its former political persuasion. There are nice Prussian rooms inside, which are worth a look.
The only surviving Berlin city gate and a potent symbol of the city. This is the point where Straße des 17. Juni becomes Unter den Linden. The gate was designed by Carl Gotthard Langhans in 1791 and was intended to resemble the Acropolis in Athens. The Brandenburg Gate now symbolizes reunification, after dividing East and West Berlin for decades. This is the site of Reagan's "Mr. Gorbachev open this gate, Mr. Gorbachev tear down this wall" speech.
This aeronautical experimental park on the grounds of Germany's first air field Johannisthal consists of a group of several individual technical monuments such as the walkable Großer Windkanal (High-speed wind channel, 1932–34), the Trudelturm (Fatty tower), a vertical wind tunnel for spinning tests (1934–36), the Schallgedämpfter Motorenprüfstand (Sound-insulated engine test bed, 1933–35) and the Isothermische Kugellabore (Adlershofer Busen, Isothermal spheric laboratories, 1959–1961), which are about 500 metres away from the other monuments.
House museum on Max Liebermann, German painter and printmaker. Has about 15 Lieberman paintings.
The Gemäldegalerie contains an astounding array of paintings, including works by Rembrandt, Rubens, Botticelli, Raphael, Titian, Goya, Velasquez and Watteau. The collection contains works from the old Bodemuseum on Museumsinsel in the East, now closed, and the former Gemäldegalerie in Dahlem. Its strong points are German paintings of the 13-16th centuries, Netherlandish painting of the 15th and 16th centuries, Flemish paintings of the 17th century, and miniature paintings of the 16th-19th centuries. In the newer section of the museum, designed by architects Heinz Hilmer and Christoph Sattler, there is enough space to display 1,150 masterpieces in the main gallery and 350 in the studio gallery - of the almost 2,900 pieces in the European painting collections. Established in 1830, the newly built gallery from 1998 has about 7,000 sq m of exhibition space (a complete tour of the 72 rooms covers almost 2 km).
A cuboid made of concrete. On the front side of the cuboid is a window, through which visitors can see a short film of two kissing men. The video will be changed every two years and will also show kissing lesbians.
Includes the Panoramapunkt, the viewing terrace located 101 metres above ground, accessible by Europe's fastest elevator.