Kunstgewerbemuseum

A small castle in late classical style. It was built 1868 by Martin Gropius (uncle of the Bauhaus-founder and other architects, the von Siemens family changed the castle a bit around 1900 and they enlarged the dimensions of the park, which is today renovated and nice to wander around when the sun is shining. Located within a few minutes' walking distance from Biesdorf station (take the S5 from the city centre) or Elsterwerdaer Platz station (U5).

The building by Le Corbusier from 1957 stands close to the stadium. It is one of the manifestations of an important architect of the 20th century. You can see a building that influenced the way of designing modern residential blocks all over the world.

The Schöneweide forced labor camp (GBI-Lager 75/76) on Britzer Straße is a complete ensemble, which makes it a rather unusual site in Berlin. Of the original thirteen housing barracks erected between 1943 and 1945, eleven are still standing today. Six barracks on the western part of the former camp grounds belong to the Documentation Center on Nazi Forced Labor.

One of three war memorials in Berlin erected by the Soviet Union to commemorate its war dead, particularly the 80,000 soldiers of the Soviet Armed Forces who died during the Battle of Berlin in April and May 1945. Contrary to popular belief, it has not been granted extraterritoriality even though it was guarded by Soviet troops throughout Berlin partition despite being in the British, not the Soviet, sector. It is however subject to a bilateral treaty between Germany and Russia that mandates Germany take care of the monument and keep it in a good state of repair.

Museum for Pre- And Early History with objects from the Collection of Classical Antiquities in the Neues Museum.

This would be a perfectly ordinary neighbourhood of Berlin or perhaps neighbouring Potsdam visible only on maps that show the border between Berlin and Potsdam if not for its history. While the Berlin border during German partition included a number of enclaves and exclaves, this is the only place where a significant number (some 300 people) ended up on an "island" of West Berlin surrounded by East German territory. Some complicated corridor solutions were applied for people from Steinstücken to be able to get to West Berlin proper without the need for lengthy border formalities. These days, like before partition, people in Steinstücken tend to use the services of Potsdam more than those of Berlin on a day-to-day basis.

The Kollwitzplatz, with a small nice park, is one of Berlin's most beautiful Gründerzeit city squares. Together with the Kollwitzstraße which is crossing it, it offers many cafés and restaurants, but is also a well-known symbol in Germany for gentrification since the late 1990s. Its flea market which takes place every Sunday in one of Berlin's best known and focuses on international delicatessen foods.

Designed by Hans Poelzig in 1929, it is the first self-contained broadcasting house in the world and it is still in use today.

Jewish cemetery and lapidarium with old tombstones.

The Bierpinsel ("beer brush") is a building in Steglitz which resembles an observation tower and is famous for its pop-art appearance. The futuristic, landmarked building was built from 1972 to 1976 and has since been used as restaurant, night club, bar, radio station and art café.

An eerie memorial to victims of the Nazi regime built on the place of a former execution room, where nearly 2900 people where put to death between 1933 and 1945.

The heart of Friedrichshain and its nightlife with numerous cafés, bars and restaurants along its entire extent and also in the side streets.

At 368 metres, the Fernsehturm is Berlin's tallest and indeed EU's second-tallest building, complected between 1965 and 1969. The main function of the building is television broadcasting, but the shiny sphere atop the tower houses a viewing platform, a restaurant and a Berlin Tourist Information point. The viewing platform sits 203 metres above ground, affording views of as much as 42 km away and featuring a bar. Given how flat Berlin is, it's not a very interesting view however and the state of the glass means that you can't get good photos either. The Sphere restaurant at 207 metres rotates at a speed of one full spin per 30 minutes. There are two lifts from the base to the platform and cafe, taking 40 seconds to reach the top, as well as a 986-step staircase. The Fernsehturm is not accessible to wheelchair users.Not all of the Berliners liked the tower and the overall composition of the Alexanderplatz afforded by the socialist city planners. East German T.V. tried to establish the nickname "Telespargel" ("television asparagus") which however doesn't seem to have caught on. During certain times of day, sunlight reflecting from the top caused a large cross-shaped light to shine down on the city. Called the Rache des Papstes (Pope's revenge) by nominally atheist East Berliners, the light-cross was an ironic result of socialist architecture. Rumour has it the architect was deprived of more than his next commission after that fiasco. At night, the Fernsehturm sometimes appears to be shooting light beams from the tower section, giving the impression it's a Death Star à la Star Wars.

150 m high lattice tower with open-air observation deck 124 m above ground.

Specializes in 19th-century painting and sculpture; Monet, Manet, Cézanne, C. David Friedrich and other important 18th- and 19th-century artists are well-represented.

Like Oranienstraße a street full of shops, cafes and restaurants, but in the other, more middle-class part of Kreuzberg.

This is the number-one bathing and recreation spot in western Berlin, with several beaches, the large Strandbad Wannsee open-air lido and several historic landmarks nearby.

Erected in 1818 to a classically-inspired design by Karl Friedrich Schinkel as a guardhouse for the imperial palace, since 1993 this compact building has housed a small, but extremely powerful war cenotaph, the Central Memorial of the Federal Republic of Germany, continuing its use under East German rule as the primary "Memorial to the Victims of Fascism and Militarism". The interior of the Doric column-fronted building is intentionally empty, but for a small but moving sculpture by Käthe Kollwitz depicting a mother cradling a dead child. The statue is positioned beneath a round hole in the ceiling, exposing the figures to the rain and snow.

Nice church near Unter den Linden/Museum Island, finished in 1830 by Schinkel in English Neogothic style. Nice exhibition inside (neoclassical statues and an exhibition about Schinkel's life and work upstairs).