This outdoor and indoor history museum explores how the Nazi regime used terror to control Germany and occupied Europe. It stands on the original grounds where, from 1933 to 1945, the Gestapo and the SS directed surveillance, persecution, and violence. The location itself is part of the story, with fragments of foundations and exposed ruins that bring the past into sharp focus.
Open-air displays run alongside preserved segments of the site, including remnants of former prison cells and administrative buildings. Clear panels, photographs, and maps guide visitors through the rise of the dictatorship, the machinery of state terror, and the everyday mechanisms of control. The setting—half archaeological site, half exhibition—connects historical documents to the place where decisions and orders were carried out.
Indoor galleries present a detailed chronology of the regime’s expansion of power. Archival images, personal testimonies, and official records reveal how the Gestapo and the SS operated, how laws were weaponized, and how persecution escalated into mass violence. The exhibits are designed for careful reading, with bilingual captions and timelines that encourage a step-by-step understanding.
The design is restrained and purposeful. Steel, glass, and concrete frame the ruins without overshadowing them. Natural light and open walkways create a contemplative atmosphere, while the straightforward layout keeps the focus on evidence and context. The contrast between modern structures and scarred ground underscores the weight of what happened here.
The site sits within Berlin’s central band of memorials and museums, close to the former Berlin Wall and other landmarks of the twentieth century. Outdoor panels also explain how the district changed before, during, and after the war, linking this address to wider urban transformations and the continuing work of remembrance.
Source - https://en.wikipedia.org/wiki/Topography_of_Terror
Want to feel like one of the angels in Wim Wenders' classic film Der Himmel über Berlin (a.k.a. Wings of Desire)? Climb to the top of Gold-Else, as the statue of Victory on the top of the Victory Column is known. Just don't jump off if you're not actually an angel. Unfortunately there is no elevator, so be prepared for 285 steps to the platform at 50.7 m.Else was built to commemorate Prussian military prowess in the wars against Denmark (1864), Austria (1866) and France (1870-71), and moved to her present location by the Nazis. Five roads run into a traffic circle called Grosser Stern, in the centre of which is the Siegessäule. Else is visible from much of the city district known as Tiergarten. At the base of the statue are reliefs of war scenes representing the conflicts which this monument memorializes. The Allies forced Germany to take those panels down in 1945, but they were remounted in 1984 and 1987. It also served as a backdrop for a speech by then senator Obama in 2008, after his request to speak in front of Brandenburger Tor caused a political debate in Germany.
150-200 m along the Wiener Straße (bypassing the fire house and the public swimming pool) from U-Bahn Görlitzer Bahnhof, the park is famous for the Turkish families barbecuing on summer weekends, failed contemporary art and relaxed atmosphere of students. It does have a reputation of being full of pickpockets and drug dealers though and the police makes regular visits to this place to check on the situation.
A museum dedicated to everyday life in communist East Germany. The museum has very relaxed rules and you are allowed to touch and examine almost every object, which adds greatly to the experience.
Berlin's biggest lake and popular resort for bathing and watersports. You can also travel there by tram, which is an experience by itself.
One of the most authentic and oldest villages (1247) in the outskirts of Berlin, it looks the same way it did some hundred years ago. Take S-Bahn 1 to Waidmannslust and then bus 222 to Alt-Lübars.
A remarkable medium-sized classical castle by the famous K.F. Schinkel built 1820 to 1824, also called "Humboldtschlösschen", because Alexander and Wilhelm von Humboldt (and their family) lived here once. Still privately owned.
Again one of the world's most comprehensive ones. At the museum district of Dahlem.
The Gemäldegalerie contains an astounding array of paintings, including works by Rembrandt, Rubens, Botticelli, Raphael, Titian, Goya, Velasquez and Watteau. The collection contains works from the old Bodemuseum on Museumsinsel in the East, now closed, and the former Gemäldegalerie in Dahlem. Its strong points are German paintings of the 13-16th centuries, Netherlandish painting of the 15th and 16th centuries, Flemish paintings of the 17th century, and miniature paintings of the 16th-19th centuries. In the newer section of the museum, designed by architects Heinz Hilmer and Christoph Sattler, there is enough space to display 1,150 masterpieces in the main gallery and 350 in the studio gallery - of the almost 2,900 pieces in the European painting collections. Established in 1830, the newly built gallery from 1998 has about 7,000 sq m of exhibition space (a complete tour of the 72 rooms covers almost 2 km).
Museum of Contemporary Art located in former Hamburger Bahnhof train station. Big halls filled with artworks made since 1960s. In 2004 Rieckhallen, former Lehrter Bahnhof, was opened and now provides exhibition space for the Friedrich Christian Flick Collection. Free public guided tours (in English): Sa and Su at 12:00.
This imposing building houses the Federal German Parliament or "Bundestag" and was completed in 1894 to meet the need of the newly-unified German Empire of the Kaisers for a larger parliamentary building. The Reichstag was intended to resemble a Renaissance palace, and its architect, Paul Wallot, dedicated the building to the German people. The massive inscription in front still reads: "Dem Deutschen Volke" - 'For the German people'. The Nazi leader Adolf Hitler exploited the fire which gutted the Reichstag building in 1933 by blaming the Communists for the arson and for attempted revolution. There is good evidence to suggest, however, that his followers were actually responsible and that this was a manufactured crisis. The iconic photo symbolizing the Soviet victory over Nazi Germany shows a Soviet soldier planting the Soviet flag on top of the building and there are to this day graffiti left by Soviet soldiers on some walls of the Reichstag which were deliberately preserved by the new Germany as a memento of the war. It's perhaps the only national parliament to have traces left by a foreign army deliberately preserved. When German reunification became a reality, the new republic was proclaimed here at midnight on 2 October 1990. The Reichstag building is well-known in the art world thanks to Paris-based Bulgarian artist Christo's mammoth 'Wrapped Reichstag' project in 1995. The entire building was swathed in silver cloth for two weeks that summer.The Reichstag has undergone considerable restoration and alteration, including the addition of a spectacular glass dome designed by the British architect Norman Foster completed in 1999. You can visit the Reichstag building proper and even listen to a parliamentary debate but you need to book on their website sometimes weeks or even months in advance. Fortunately its much easier to visit the glass dome. You can reserve a visiting time and date on their website or in the small building across Scheidmannstrasse, except during the high season you should be able to arrange a time later the same day or the next day. Photo ID or passport is required to make the booking. A passsport is required during your visit. This is a very popular tourist attraction in Berlin and can get quite crowded however it is worth the effort. The helical path up the inside of the dome is a lot of fun and the 360 degree views at the top are splendid.