Simon-Dach-Straße

In this house the surrender of Germany was signed on May 9th, 1945, ending WWII in Europe. This museum describes the history of the war between Germany and the Soviet Union between 1941 and 1945 and the GDR/German-Russian relationship ever since. Historic rooms, permanent exhibition and special exhibits.

This heritage-protected public bathing beach which opened in 1907 is one of the largest inland lidos in Europe and has a 1275-m-long sand beach, a capacity for up to 30,000 guests and a popular nudist area.

The old town of Köpenick is surrounded by water. Especially noteworthy are the Köpenick Palace which houses a museum of applied art and the Neogothic town hall.

Huge technical museum, on a former railroad depot, featuring from ancient water and wind mills to computer pioneer Konrad Zuse's inventions, a collection of old to new vehicles of all types -bicycles, boats, trains, etc - and the interactive Spectrum science center with various hands-on experiments. There's an actual C-17 "Candy Bomber" airplane hanging on its façade. The railroad and aeronautical sections are hard to beat.

Designed by Hans Poelzig in 1929, it is the first self-contained broadcasting house in the world and it is still in use today.

The town hall of Berlin is known as such because it is made of red brick, not due to its former political persuasion. There are nice Prussian rooms inside, which are worth a look.

Germany's national centre for contemporary non-European art. The house is a leading centre for the contemporary arts and a venue for projects breaking through artistic boundaries. This architectural landmark was an American contribution to the international building exhibition INTERBAU 1957 as an embodiment of the free exchange of ideas. Colloquially called Schwangere Auster (Pregnant Oyster).

1938

The charming Baroque water palace of the Hohenzollern electors surrounded by the Dahme river and an English garden.

From 1941, 12,000 tons of concrete in a 15-m-high and 20-m-diameter cylinder were built to test the load-bearing capacity of the Berlin soils (turns out glacial sands are no good basis for gargantuan architecture) for Albert Speer's Germania buildings. Too massive for later blasting, this is one of the more bizarre remains of the Third Reich.

Nazi Propaganda Minister Josef Goebbels made Bebelplatz (then called Opernplatz) infamous on 10 May 1933, when he used the square across from Humboldt University to burn 20,000 books by "immoral" authors of whom the Nazis did not approve. Their list included Thomas and Heinrich Mann, Arnold Zweig, Kurt Tucholsky and Sigmund Freud. Today a monument is the reminder, though it blames Nazi students for the episode. When entering the square it's easy to miss the monument. It is in that part of Bebelplatz bounded on one side by the Opera House and on the other side by Humboldt University. Look dead centre: the monument is underground. A piece of plexiglass allows the viewer to look underground into a large, white room, filled with entirely empty, blank white bookcases. The room is large enough to hold the 20,000 books that were burnt. The absence of books reminds the viewer just what was lost here: ideas. But the event did reveal things to come, as ethnically Jewish author and philosopher Heinrich Heine, whose books were burned, let one of his characters say in an 1821 play: "This was only the foreplay. Where they burn books, they will also burn people." He was correct.

Exhibits include the Egyptian and Prehistory and Early History collections. It houses the famous bust of Nefertiti (the legality of its acquisition is still contested by the Egyptian state which is trying to get it back, so you might want to hurry to see it there).

There are three huge collections housed within this grand building: the Collection of Classical Antiquities, the Museum of Near Eastern Antiquities and the Museum of Islamic Art. The Pergamon Museum was the last museum built on Museumsinsel (Museum Island) and was intended to house the great acquisitions brought to Germany by archaeologists of the eighteenth and nineteenth century. The museum's best-known attraction is the Pergamonsaal. The Pergamon Altar (165 BC), from the eponymous Asia Minor city-state, is three stories high and served as the entrance gate to an entire complex. It is astounding both because of its size and extremely precise detail, especially in a frieze which shows the gods battling giants. The entire room is the same colour as the building's stone, making the details on the frieze section stand out even more. Facing the stairs, on the left hand side of the room there is a small-scale model of the altar which allows the viewer to see where the frieze segments would have been mounted. A 1:300 scale model of Pergamon city is on the right side of the room. The monumental market door of Milet has just been restored.Every first Sunday of the month, many museums in Berlin are free of charge. Sometimes a reservation is necessary in advance. For more information, see Museums Sonntag Booking.Since 2018 there is also a huge 360° panorama of Pergamon in another museum building, which is included in the Pergamon-only ticket.

A vast Holocaust memorial designed by the American architect Peter Eisenman. Opened in the spring of 2005, this gigantic abstract artwork covering an entire block near the Brandenburg Gate, including an underground information centre with extensive details on the Holocaust and the people who died during it. The blocks start out at ground level on the outer edges of the memorial, and then grow taller towards the middle, where the ground also slopes downwards. Entry to the information centre is free although priority is given to prebooked groups so there may be a short queue.

Berlin's biggest lake and popular resort for bathing and watersports. You can also travel there by tram, which is an experience by itself.

This is the number-one bathing and recreation spot in western Berlin, with several beaches, the large Strandbad Wannsee open-air lido and several historic landmarks nearby.

A museum dedicated to the Berliner sculptor.

Also known as "der hohle Zahn" (the Hollow Tooth), this church in Breitscheidplatz is a memorial to Kaiser Wilhelm, and one of Berlin's most famous landmarks. Thick walls and plain decor mark it as neo-Romanesque, but with what's left of the Gedächtniskirche, it's tough to distinguish it as any one style. Allied bombing left only one tower standing on 22 November 1943, but a new location for worship designed by Egon Eiermann was completed in December 1961 (it's the octagonal structure with blue stained glass windows). There is a small memorial museum beneath the tower filled with artifacts from the original church, which was built from 1891-95 to architect Franz Schwechten's specifications.Controversy arose after the war over the various options presented by the half-ruined cathedral - should it be torn down completely and rebuilt? Or should the destroyed sections be left standing as a memorial? The four major sections of the Kaiser-Wilhelm-Gedächtniskirche (central space, foyer, new tower and chapel) surround the ruined tower of the old church bridge and show the time gap between old and new. Mosaics and other remnants from the old church serve as a monument against war.

Built 1859-1866 this is one of the most architecturally stunning synagogues in Germany to survive both the Nazi era and the war.

Again one of the world's most comprehensive ones. At the museum district of Dahlem.