High above the Golden Horn, the Süleymaniye Mosque stands as an impressive example of Ottoman architecture. Designed by the famous architect Sinan in the 1550s, the mosque was built during the reign of Sultan Suleiman the Magnificent. Its grand domes and elegant minarets can be seen from many parts of Istanbul, making it one of the city's most recognizable landmarks.
The mosque was not built alone. It served as the centerpiece of a large religious complex, known as a külliye. This complex was more than just a place of worship. It included madrasas, where students learned about religion and science, a public kitchen that served food to the poor, and even a hospital that cared for the sick. All these buildings together made the site an important community center in the city.
To the east of the mosque, a small cemetery holds the mausoleums of Sultan Suleiman the Magnificent and his wife, Hurrem Sultan, also known as Roxelana. Their ornate tombs are a place of quiet reflection and reveal the deep connections between the mosque, the royal family, and Istanbul’s history.
Source - https://en.wikipedia.org/wiki/S%C3%BCleymaniye_Mosque
A medieval citadel on the Bosphorus at the mouth of the Göksu creek. It was built in the late 14th century to control (polite word for "choke off") shipping along the Bosphorus, which narrows to 660 m at this point. It worked in tandem with Rumeli Citadel, built some 50 years later on the European bank. It fell into disrepair but was restored in the 1990s. You can't go in, but it's a pleasant setting; the entire village is named Anadolu Hisarı after the fort and has many traditional wooden houses (yalı). Ferries along the Bosphorus call here.
The avenue has little in common with Baghdad, except it was the beginning of the Ottoman-era route to that city followed by many, including Ottoman sultan Murat IV during his march upon Persia, after which he captured Baghdad. In fact, with its sidewalk cafés and Western restaurants, Bağdat Caddesi is usually considered as one of Istanbul's most western-flavoured streets, ironically located in Asia. This street is not completely pedestrianized unlike Istiklal Street, which serves a similar function on the European Side, but its broad sidewalks with tree shade offer a pleasant walk. The restaurants and cafés on the avenue are mainly upscale, but there are also some quite affordable ones scattered around occasionally. Shopping opportunities also abound. From Kadıköy, take the Bostancı-bound dolmuşes (from just south of the ferries) or the public bus #4 (its stop is near the one for the dolmuş, but separate).
A former synagogue, the museum's exhibit details how the cultures mixed with and influenced each other in the past 500+ years since the Spanish expulsion.
Tiny house museum on the life of Turkish novelist Orhan Kemal (1914–1970).
This attractive neighbourhood was home to a large Christian and Jewish population until some decades ago and still has a number of sights like two synagogues, some churches among which the Armenian Surp Krikor Lusavoriç, dozens of wooden houses and a Jewish and Christian cemetery.
A historic house museum dedicated to the life of Adam Mickiewicz, renowned Polish poet. This is where he lived while in Turkey from September 1855 to 26 November 1855, when he died of illness.
A village with an impressive citadel overlooking the Bosphorus and its mouth into the Black Sea. By land it's accessible only by a hairpinning road through the forest, with few buses. It's best reached by ferry from Eminönü (twice daily) or Sariyer (frequent). In the village, a road is signposted up to the hilltop Yoros citadel (a little more than 1 km, 20 min on foot, free admission). There's a pleasant area with cafés by the ferry pier; the place gets crowded at weekends during summer. Nasty big dogs stalk the citadel area at night. See Istanbul#The_classic_Bosphorus_cruise.
A contemporary art museum in a building converted from an old power plant: 1914-built and coal-fired, this was the oldest in Istanbul and the Ottoman Empire. Part of the plant was kept in almost exact original condition and now serves as the "Energy Museum".
A private museum with a large painting collection and archaeological collections of measurement units and tools used in Asia Minor since antiquity and faiences of Kütahya.
This lavish palace with 285 rooms and 43 halls was the admin centre for the Ottoman Empire in its last 60 years. The palace government block (Selamlık) includes the Imperial Mabeyn (State Apartments) and Muayede Hall (Ceremonial Hall), while the Imperial Harem was the sultan's private quarters. Also here are the Painting Gallery, Music Museum, Clock Museum and Museum of Palace Collections. Free audio guide in several languages available by the ticket office. No photography inside, no backpacks but you can leave them in the cloakroom. Allow 3 hours to see everything.
Built in first half of the 15th century, this is the large medieval castle under the Second Bosphorus Bridge. Its former name Boğazkesen (Turkish)/Laimokopia (Greek) means both "strait-blocker" and "throat-cutter" in both languages and denotes the reason of its building—to shut the supply routes from the Black Sea in the north into the slowly falling apart Byzantine Empire through the Bosphorus. Rumeli, literally "the Roman land", was the name of the European half of the Ottoman Empire, and as is usual with some other structures and villages along the Bosphorus, used as a prefix to differentiate Rumeli Hisarı from its counterpart in the Asian Side, the much smaller Anadolu Hisarı just across the Bosphorus.
A neighbourhood east of Şişli known for its Art Nouveau apartment buildings, the ground floors of many of which are upmarket restaurants, cafes, pubs, and garment stores lining the sidewalks. Nobel laureate Orhan Pamuk, well-known Turkish novelist, is a lifelong resident of the neighbourhood which formed the background of several of his novels.
Built 1748-55, this launched the style we call Ottoman Baroque, with its grand central dome and pencil-thin minarets. It was copied throughout their empire and is replicated in new mosques even today. The name means "light of the Ottomans," and the interior uses light powdery decor, bathed with much more natural light than its gloomier classical predecessors. The complex also has a madrasa and the imaret (public soup kitchen).
Feshane began as a factory producing fezzes (fes), the red hats made of felt adopted by the Ottomans in the early 19th century as a part of westernizing efforts in lieu of much more traditional turbans. However, the fez was scrapped in favour of western garments during Atatürk's reforms of the 1920s and 30s as it was thought to symbolize the old, decidedly oriental regime. A restoration in 1998 made it a cultural and exhibition center, and after another in 2023, it was reopened as a culture and art center under the name Artistanbul Feshane.