The Theodosius Cistern came to light again in 2010 after the demolition of a building that had stood above it for centuries. Originally constructed around 430 AD, this ancient structure was designed to store water supplied by the Valens Aqueduct, a key part of Istanbul’s historic water system.
Although the Theodosius Cistern is not as large as the famous Basilica Cistern, it offers a unique atmosphere. The lighting inside is thoughtfully arranged, creating a dramatic and mysterious setting that highlights its historic columns and arches. Visitors often find the quieter surroundings more peaceful, as the site tends to attract fewer crowds than other, more popular landmarks.
Source - https://en.wikipedia.org/wiki/Theodosius_Cistern
Chora means countryside, and when built as a monastery in the 4th century it stood outside the Constantine walls; a century later, it was incorporated into the Theodosian walls. It was rebuilt in the 11th century then wrecked by an earthquake, so the structure and fabulous mosaics you see now are 14th century. When the church was converted to a mosque in 1500 the mosaics were plastered over, and only restored in 1958 when it became a museum. In 2020 it was again proclaimed a mosque but here (unlike Fethiye Mosque) they saw the sense and tourist income of preserving the mosaics. You need to work around prayer times.
The only active Ashkenazi Synagogue open to visits and prayers.
A profusion of carpets, rugs, calligraphy, pottery, Qu'rans and other manuscripts. The museum is housed in the Palace of Pargalı Ibrahim Pasha (1495–1536), who was grand vizier to Suleiman the Magnificent, and the best of pals till Suleiman had him murdered.
The building was erected as a Roman Catholic church in 1325 by the friars of the Dominican Order, near or above an earlier chapel dedicated to Saint Paul (Italian: San Paolo) in 1233. In 1299, the Dominican Friar Guillaume Bernard de Sévérac bought a house near the church, where he established a monastery with 12 friars. A new, much larger church was built near or above the chapel of San Paolo in 1325. Thereafter the church was officially dedicated to San Domenico. After the Fall of Constantinople, according to the Capitulations of the Ottoman Empire with the Republic of Genoa, the church, which by that time was known by the Turks under the name of Mesa Domenico, remained in Genoese hands, but between 1475 and 1478 it was transformed, with minor modifications, into a mosque by the Ottoman Sultan Mehmed II and became known as Galata Camii ("Galata Mosque") or Cami-i Kebir ("Great Mosque"). Towards the end of the century Sultan Bayezid II assigned the building to those Muslims of Spain (Andalusia) who had fled the Spanish Inquisition and migrated to Istanbul; hence the present name Arap Camii (Arab Mosque). Today, Arap Camii is the largest mosque on the Galata side of the Golden Horn. It is one of the most interesting mosques in the city due to its early Italian Gothic architectural style and church belfry, which has practically remained unaltered even after being converted into a minaret.
This is a circular indoor space enclosed by a 3D depiction of the Ottomans breaching the Walls of Constantinople on 29 May 1453, with sound effects. It's over-priced, unhistorical and tourist-trappy.
Istanbul's former Asia-side railway station nowadays has no trains, but is worth a look. It was built by the Germans in 1908 in a distinctive Teutonic-castle style - to make an impact on travellers from Asia about to step into Europe, and a counterpoint to Sirkeci station (also closed) on the European side which is modelled in Oriental style. It's intended eventually to make this the terminus for the high speed rail network.
A small town 40 km west of central Istanbul and 15 km north of Büyükçekmece that had a substantial Greek population until the 1920s transfers. Spared from destruction in the Balkan wars which foreshadowed the Great War, the old quarter has many historic wooden buildings and fountains in leafy squares. A short stretch of the old town walls still stand just north of the centre. In the outer areas, bunkers of the WW2 'Çakmak Line' and remnants of the Byzantine Anastasios Walls could be observed. The town's main sight, housed in a red brick neoclassical building erected as a Greek tavern, this museum commemorates the forced population transfer of 1922–26, whereby Greeks living in Turkey were expelled to Greece, while the Turks of Greece were expelled to Turkey.
Named after a 16th-century village, founded by Serbs deported from Belgrade when it fell to the Ottomans. The village was popular as a forest resort, but its inhabitants were resettled in the 19th century and it's now a bosky ruin. The forest is mostly primordial and deciduous, predominantly oak. It's dotted with ancient aqueducts and dams as this area was a water catchment for Constantinople / Istanbul, and has lots of walking jogging and cycling trails and picnic areas. The two main ways in are via Bahçeköy (near the Arboretum entrance) and Kemerburgaz (which has the best aqueducts). There's a small access toll. The forest is supposedly a protected area but is being encroached on by highways and suburbs: this is likely to get worse as the access route to Istanbul's new airport leads right through it.
If you are already in the area, it's worth considering to visit this waterside neo-Baroque manor, built in the 19th century for the countryside and hunting excursions of the Ottoman dynasty. The area, where the Göksu River flows into the Bosphorus, was known as "the Sweet Waters of Asia" by the pioneer European travellers of the epoch (as opposed to "the Sweet Waters of Europe", another contemporary elite recreational area on the other side of the city, where the Kağıthane and Alibeyköy Rivers empty into the Golden Horn).
Turkey was slow to protect its antiquities and to display them properly, but in 1867 Sultan Abdülaziz toured the museums of Paris, London and Vienna and saw what was needed. The main collection is in a grand neo-classical building of 1891, with two annexes for ancient art and Islamic art. Exhibits include Sumerian tablets, pieces of the wall of Babylon, Roman statues, and the sarcophagus of Alexander the Great, which he never lay in.
It was built in 2001 and is the first miniature park in Istanbul (the world's largest miniature park in respect to its model area). The park hosts icons of many cultures and civilizations. Models vary from the Hagia Sophia to Galata Tower, from Safranbolu Houses to the Sumela Monastery in Trabzon, from Qubbat As-Sakhrah to the ruins of Mount Nemrut. In addition, some works that have not survived into the present, such as the Temple of Artemis, the Halicarnassus Mausoleum and Ajyad Castle, were recreated. All former Ottoman Empire in one place.
A nice, organized museum with contemporary installations. It may be seen as overpriced given its small size. It also has a simple cafe.
It was built by the Genoese in the 14th century on the city walls of Galata, marking the highest point of their territory. Ride an elevator and take two flights of stairs to the top, then walk the parapet for a 360°-view of Istanbul, including the entire Sultanahmet peninsula: crowned by Topkapı Palace, the Blue Mosque and Hagia Sophia. A beautiful spot worthy of a lot of pictures.
Situated on the gentle hill overlooking the neighbourhood of Emirgan and the Bosphorus, Emirgan Park was for long the only place in the city where Istanbulites can admire the beauty of tulips. Having lost that distinction since the first decade of the 2000s as tulips are now everywhere, this is still a beautiful park with artificial ponds, small waterfalls, and impressive views of the Bosphorus. There are also cafes with open-air sections housed in pleasant former imperial hunting manors. Squirrels are there, too, in the middle of this metropolis of more than 15 million people, though you may have to look a bit deeper (or a bit upper on the branches!) to spot them.
Completed in 1851, this houses a mantle said to have been worn by the prophet Muhammad. The mantle is displayed during Ramadan.
A private museum with a large painting collection and archaeological collections of measurement units and tools used in Asia Minor since antiquity and faiences of Kütahya.
Sokollu Mehmet Pasha was the grand vizier and de facto ruler of the Ottoman Empire during its 16th century golden age. He commissioned this mosque, one of three in the city to bear his name, but the sloping site was a challenge. He hired the best, Mimar Sinan, who completed it in 979 AH / 1571 AD, with the slope resolved by a fronting courtyard above shops and a medrese. The interior has outstanding İznik blue tiles, and three fragments of the Black Stone (Hajar al-Aswad) of the Kaaba: above the main entrance, minbar and mihrab.
A medieval citadel on the Bosphorus at the mouth of the Göksu creek. It was built in the late 14th century to control (polite word for "choke off") shipping along the Bosphorus, which narrows to 660 m at this point. It worked in tandem with Rumeli Citadel, built some 50 years later on the European bank. It fell into disrepair but was restored in the 1990s. You can't go in, but it's a pleasant setting; the entire village is named Anadolu Hisarı after the fort and has many traditional wooden houses (yalı). Ferries along the Bosphorus call here.