Place Vendôme is a grand, eight-sided square designed in 1699. Its original purpose was to showcase a majestic statue of King Louis XIV on horseback. This impressive monument was meant to highlight the power and prestige of the French monarchy at the time.
In 1792, during the excitement and chaos of the French Revolution, the statue of Louis XIV was taken down. Years later, in 1806, a new monument rose in the center of the square—the Colonne de la Grande Armée. Inspired by Trajan’s column in Rome, this new column told the story of Napoleon’s military successes with detailed decorations winding up its sides.
The column standing today is a replica. The original was destroyed in 1871 during the Paris Commune, a turbulent period in the city’s history. The replica continues to hold a prominent place at the heart of the square, serving as a powerful reminder of the past.
Place Vendôme remains a symbol of Parisian elegance and luxury. The square is lined with exclusive boutiques, high-end jewelers, and famous fashion houses like Cartier, Boucheron, Trussardi, and Van Cleef & Arpels. Alongside these prestigious shops are several banks, the French Ministry of Justice, and the world-famous Hotel Ritz. Every corner of the square reflects the refined and sophisticated atmosphere Paris is known for.
Source - https://en.wikipedia.org/wiki/Colonne_Vend%C3%B4me
Most of the works by Picasso and others which were in the master's possession at the time of his death are now on display here.
The largest square in Paris with fantastic vistas in every direction. It was in this square (then called la Place de la Revolution) that the French King Louis XVI, Marie Antoinette and many others were guillotined during the Terror. The large Egyptian obelisk in the centre of the Place de la Concorde was brought from the Temple of Luxor.
20th- and 21st-century art in a building designed by Frank Gehry
a Roman Catholic church on the east side of the Place Saint-Sulpice within the rue Bonaparte, in the Luxembourg Quarter of the VIe arrondissement. At 113 metres long, 58 metres in width and 34 metres tall, it is only slightly smaller than Notre-Dame and thus the second largest church in the city. It is dedicated to Sulpitius the Pious. During the 18th century, an elaborate gnomon, the Gnomon of Saint-Sulpice, was constructed in the church. In front of the church itself is the magnificent Place Saint-Sulpice which contains the 'Fountain of the Four Bishops'. The church has a long-standing tradition of talented organists that dates back to the eighteenth century. In 1862, Aristide Cavaillé-Coll reconstructed and improved the existing organ built by François-Henri Clicquot. Though using many materials from Clicquot's French Classical organ, it is considered to be Cavaillé-Coll's magnum opus, featuring 102 speaking stops, and is perhaps the most impressive instrument of the romantic French symphonic-organ era. Its organists have also been renowned, starting with Nicolas Séjan in the 18th century, and continuing with Charles-Marie Widor (organist 1870-1933) and Marcel Dupré (organist 1934-1971), both great organists and composers of organ music. The current organists are 'titulaire' Daniel Roth (since 1985) and 'assistant titulaire' Sophie-Véronique Cauchefer-Choplin. In Saint-Sulpice Sunday organ recitals are held on a regular basis (Auditions du Dimanche, following the High Mass, usually from 11:30am till 12:05pm, during the subsequent mass, a visit of the organ loft is possible).
One of the largest collections outside Asia of Southeast Asian, Indian, Afghan, Chinese, Japanese, and Korean art.
It was conceived by Louis XV as a grand neo-classical church honouring St. Geneviève, the patron saint of Paris. After the Revolution, the building was converted into a mausoleum for the great philosophers, military, artists, scientists, and heroes of the French Republic. Occupants of the crypt include Voltaire, Rousseau, Victor Hugo, Zola, the Curies, and Alexandre Dumas (reinterred here in 2002). The view from the dome (206 steps) is marvellous. Check tour departure times at the information desk. A fascinating reconstruction of Foucault's pendulum also hangs within the Panthéon.
One of the most eye-popping sights of Paris, the catacombs represent a network of labyrinthine tunnels, first excavated in the Roman period, that now house the remains of over 6 million burials removed here from the various overcrowded cemeteries and charnel houses all over Paris in the late 18th and early 19th centuries. Well worth a visit: the atmosphere is suitably morbid and gloomy (without being too scary), the dark tunnels containing neatly stacked piles of skulls and long bones. There is a limit to the number of visitors allowed within the Catacombs at one time (200 persons). So, if you arrive just after opening, you must wait until someone exits, approximately 45–60 minutes, before anyone is admitted. Steep stairwell on the exit of the catacombs. Can be challenging for the elderly or the unfit. Tickets can be purchased online at a small premium (€29, includes audioguide), allows you pick a date&time and to skip the long line
Between the River Seine and the rail yards attached to Gare de Lyon and Gare de Bercy is a green space which would seem pretty huge if the 12th weren't also the home of the Bois de Vincennes. The park is a good place to hang out waiting for the line to form for sporting events and concerts at AccorHotels Arena.
Opened in January 2005, the Holocaust Memorial comprises a major documentation centre and a wall bearing 76,000 names of Jews deported from France to the Nazi camps between 1942-1944. Includes an archive of a million artefacts, including 55,000 photographs. Excursions are run from the memorial to French internment camp sites such as Drancy.
Since 2021 the 18th-century former Bourse de Commerce building has been the Paris home of the art collection of the French business magnate François Pinault, showing a rotating selection of contemporary artworks either newly commissioned or taken from his collection.
Numerous artists paint portraits of tourists and also sell their paintings.
The early Gothic Cathédrale de Notre Dame (Our Lady) has a 12th century design but wasn't completed until the 14th. Still it is a good example of the development of the style, though the west or main portal is a bit unusual in its rigidity. A April 2019 fire caused severe damage, but after extensive renovation the cathedral was reopened to the public in December 2024.
The massive parish church of the Les Halles area is a notable example of late Gothic interspersed with Renaissance details (including the entire front façade), as it was only completed in the 17th century. Its unique form results from a combination of relatively short length and impressive height of over 30 metres inside. The latter allows room not only for an array of stained glass windows and paintings, but also France's largest church organ of 8,000 pipes. The sculpture Écoute, depicting an oversized human head, was placed in front of the church's southern facade and has become a favourite photo spot.
Contained within two historic houses (hotels), the museum explores the history of Paris through objects in over 140 separate rooms.
The house in which the famous French novelist Victor Hugo once lived.
Part gallery - part restaurant - part nightclub, La Cite (Les Docks) is a modern building that is instantly recognisable due to being draped on one side with a large neon green shell covering the stairwells and roof the building. Roughly translated in English as The City of Fashion and Design, this is a trendy spot at the weekends and is used for event like Paris Design Week. The restaurant in the building is open all year round.
One of Paris's best kept secrets, painted by Monet numerous times. It is a very elegant centre of green in the middle of cosmopolitan Paris. Make sure you check out the statues, entrance rotunda and the surrounding mansions. Thanks to Haussmann himself this precious slice of parkland was reserved for the enjoyment and leisure of the people of Paris. It is unusual in France due to its casual, informal "English" style planning, and is a contrast to other Parisian parks such as the classically laid out and formal Luxembourg Gardens and the Tuileries. Randomly placed throughout the park are scaled-down architectural replicas including an Egyptian pyramid, Dutch windmill, and a Chinese fort. Free Wi-Fi in the park.