As one of the most captivating vantage points into ancient Rome's storied past, Palatine Hill beckons travelers with promises of historical allure and stunning vistas. Cloaked in mystery and majesty, this ancient site is indispensable to understanding the grand narratives of Roman history—a true must-see for visitors yearning to connect with the empire’s gilded past.
Nestled amidst the relics of time, Palatine Hill houses the vestiges of several lavish villas that were once the opulent residences of Rome's most affluent families. Each stone and column reverberates with whispers of the aristocracy that strolled these grounds in antiquity, allowing visitors to imagine the grandeur that once was. The astonishing preservation of these ruins offers a palpable connection to a world long gone, where luxury and history intertwined seamlessly.
A visit to Palatine Hill offers more than just an escape into ancient lore. For those striving to make the most of their Roman escapade, a combined ticket grants access not only to the serene heights of the hill but also to the bustling remnants of the Roman Forum and the iconic Colosseum. Purchasing your ticket here means sidestepping the prolonged queues often encountered at the Colosseum, allowing more time for exploration and enjoyment.
While the hustle and grandeur of the Imperial and Roman Fora may capture larger crowds, the treasures of Palatine Hill unfold a distinct charm of their own. The vistas from atop, with sweeping views over the city, offer an ideal juxtaposition of the ancient and the modern. Spending at least an hour wandering its pathways is wise—perhaps even necessary—to fully absorb the serene and awe-inspiring ambiance of this historic site.
Whether history buff or casual wanderer, ascending the gentle slope of Palatine Hill promises a rewarding journey enriched with stories of greatness and echoes of an era that shaped the very foundations of Western civilization.
Source - https://en.wikipedia.org/wiki/Palatine_Hill
More of an enormous traffic circle than a piazza, but a good central location. The centerpiece is the enormous Vittorio Emanuele Monument (aka the Wedding Cake or the Typewriter) with the Capitoline hill next door. Mussolini used to harangue Romans from the first floor balcony of Palazzo Venezia (see under Museums), to the west of the square.
Known properly as the Flavian Amphitheatre, this most famous of Roman landmarks takes its name from the giant statue of the emperor Nero that once stood near this location. The amphitheatre was capable of seating 50,000 spectators for animal fights and gladiatorial combats. It was a project started by the Emperor Vespasian in 72 and completed by his son Domitian sometime in the 80s. The Colosseum when completed measured 48 m high, 188 m in length, and 156 m in width. The wooden arena floor was 86 m by 54 m, and covered by sand.;Expect a long queue and an even longer wait. You can skip the queue if you decide to take a tour, but if you don't want a tour, you can STILL skip the queue. If you walk to the entrance for the Roman Forum, you can buy tickets there which allow you to bypass the queues. You can also buy tickets online. There are lots of people offering tours in English just outside the entrance to the Colosseum. Inside you can take a tour (English, Spanish, or German) every 30 minutes or so for an additional fee. The tours are given by knowledgeable archeologists, but they don't take you to any areas you couldn't visit on your own.
Next door to the Pyramid, this fine gate in the Aurelian Wall is named after St. Paul as the Via Ostiense leads to the basilica of St. Paul's Outside the Walls (see Rome/South).
The palace was built by the architect Baldassare Peruzzi on behalf of the Massimo family. The former palace was destroyed during the pillage of Rome in 1527. The Massimo family can be traced back to Quintus Fabius Maximus who defeated Hannibal in the 3rd century BC. The building is open to the public on March 16, only in order to commemorate the miraculous reanimation of Paolo Massimo by St. Philip Neri in 1538.
A 19th-century addition to the square, made to balance the Fontana del Moro.
Like Pasquino, the Facchino is one the so-called "speaking figures" which are peculiar to Rome. He is looking out of the Banco di Roma building. The man depicted is holding a barrel in his hands and is carrying water. It is sometimes said that he is looking similar to Martin Luther, but more probably a porter who died while carrying a barrel is depicted here.
Small collection of railway carriages and related stuff. Really just for those with special interest in the topic. Entrance through the station if the main entrance is closed.
Baroque church more noted for its position at the top of the Spanish Steps than it is for the church. Backdrop for numerous movies including Audrey Hepburn and Gregory Peck in Roman Holiday.
This is one of the two main Jesuit churches in Rome, the other being the nearby Sant'Ignazio. The interior is Baroque art on steroids. Simply astounding.
Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica).
With its strange Liberty- style buildings with influence from the Art Nouveau of the 1920s this small bunch of blocks is one of the most interesting, and less known, landmarks of the city. A must see.
According to the legendary passio, two brothers, John and Paul, who were officials at the imperial court, suffered martyrdom in 362 in their home on the Caelian hill, during the reign of emperor Flavius Claudius Julianus. This basilica dedicated to these two Roman officers was erected starting from 398 and was used first as a domus ecclesiae by the Christian community.
This church can be an interesting deviation if you are passing through its neighbourhood. It is believed to be the grave of the Saints Ciro and Giovanni, killed during the time of the Emperor Diocletian. The original name was Abba Cyrus and through Appaciro and then Appacero it finally became Pacera, very close to today's Passera. The building is on top of a 3rd century building still visible in the lower floor and in the underground. The main part of the building dates back to the 9th century as do the frescoes on the higher floor. Some of the frescoes have been restored. Downstairs there is a small quadrangular room and the underground, where the remains of the two Saints are supposed to be. There are still visible 3rd century traces of Roman frescoes; in front of the stair you can enjoy a small bird, the Justice, and an athlete while in the vault some eight apex stars. Bus 128,780,781,775 (first stop in Via della Magliana).
A tomb for the wealthy Gaius Cestius, who died in 12 BC. Admission to the monument only by guided tours on specific dates (2nd and 4th Saturday every month, and in combination with a ticket to the Museum of Via Ostiense also on the 1st and 3rd Saturday of every month).