Santa Maria dell'Anima is a church in Rome with a long and fascinating history. The building stands out not only for its architecture but also for its important role in religious and cultural life throughout the centuries.
Inside Santa Maria dell'Anima is the tomb of Pope Hadrian IV. He is remembered as the last non-Italian pope before Pope John Paul II. This tomb adds a significant historical connection to the church, drawing interest from visitors who want to learn more about the lives of influential figures in the Catholic Church.
Source - https://en.wikipedia.org/wiki/Santa_Maria_dell%27Anima
This is the island located in the middle of the Tiber River (Il Fiume Tevere) that separates Central Rome and Trastevere. It boasts both a major hospital, called Fatebenefratelli, and a small synagogue that was secretly used in the Second World War when Rome's main synagogue nearby was closed down. It also has a café and gelateria on the Rome side. It is a nice way of getting to and from Trastevere. Be sure to get photos from Ponte Garibaldi as Isola Tiberina truly is beautiful. The island is 270 m long and up to 67 m broad. According to the legend envoys were sent to the temple of Asklepius in Epidauros in Greece in 291BC in order to get relief from an epidemic in Rome. The envoys brought one of the holy snakes back with them. The snake swam to the Tiber Island thus determining the place where a temple for Asklepius was built. The successor of the Asklepius sanctuary is the Church San Bartolomeo which was built by the German Emperor Otto III around the year 1000. The Ponte Rotto is what is left from the ancient Pons Aemilius, the oldest stone bridge over the Tiber erected around 180 BC. The bridge was partly destroyed during a flood in 1557, re-erected by Pope Gregor XIII and finally pulled down in 1598. In 62 BC the Senatorial road construction office replaced the wooden footbridge by the Ponte Fabricio.
Baroque church more noted for its position at the top of the Spanish Steps than it is for the church. Backdrop for numerous movies including Audrey Hepburn and Gregory Peck in Roman Holiday.
With its strange Liberty- style buildings with influence from the Art Nouveau of the 1920s this small bunch of blocks is one of the most interesting, and less known, landmarks of the city. A must see.
On top of the Capitoline hill. The piazza was designed by Michelangelo. The Capitoline Museum is housed in the palaces flanking the piazza. You can walk behind the Palazzo Senatorio, where Rome's government meets, to a wonderful viewpoint which overlooks the entire Roman Forum. In the centre of the square you can admire an exact copy of the Statue of Marcus Aurelius on horseback; the original is kept in one of the two museums, to preserve it from pollution.
This little church is hard to find but well worth the extra effort although it is often closed when you get there. One of Borromini's masterpieces. It is located only a block from Piazza Navona, but not usually visible from the street, as you must enter the courtyard of an old palazzo to reach the church. Sant'Ivo is a small church the dome of which is shaped like the Star of David, but with every other point rounded. The steeple seen from the outside looks like it has a staircase wrapped around it that ascends to heaven. As the church was commissioned by the Barberini family that produced a number of popes and whose family symbol was the bee—some say the steeple resembles the stinger of the insect.
It was immortalised in 1960 by the Federico Fellini film La Dolce Vita. It is also the location of the US Embassy, in the massive Palazzo Margherita. Via Veneto went into a period of decline in the 1980s but has returned to popularity and the roadside cafes are the place to be seen if you are into that sort of thing.
Parco Savello is the name of the grounds and orange grove next to the Santa Sabina church at the top of the Aventino and also where you have one of the best views of the city. Families gather here to sit under the dozens of orange trees. The "Giardino degli Aranci" is also a well known spot for lovers at night. The best views are arguably from Janiculum hill, just across the Tevere (Tiber) river. Immediately below you, the Tiber snakes its way through the city, and directly beyond it you can see the lively medieval quarter of Trastevere. Beyond that is the majestic dome of St. Peter's Basilica, with the historic centre of Rome visible to the right.
Casal Rotondo is the biggest mausoleum on the Appian Way, at about the sixth mile. It now incorporates a small private villa, originally a farmhouse. It is not known for whom it was built. The wall of fragments next to it, constructed by Luigi Canina, has ruins referring to the Cotta family but this family is now believed to not be associated with the Casal Rotondo.
Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica).
This is not the real name of the church on the corner by the main entrance to San Callisto but it is universally known by this name. By legend it is located on the spot where Saint Peter had a vision of the risen Christ while fleeing persecution in Rome. According to the tradition, Peter asked Jesus, Domine, quo vadis? “Lord, where are you going?” The current church is from 1637. Inside is a copy of a stone said to contain the imprints of the feet of Jesus; the original is maintained in San Sebastiano, further along the Appian Way
The Servian Wall was the first wall around Rome, built around the 3rd century BC. This well-preserved section provides a good opportunity to observe the construction methods of that time, particularly the use of tufa rock blocks
The Scala Sancta (Holy Stairs) is, according to Roman Catholic tradition, the staircase used by Jesus Christ to approach Pontius Pilate to be sentenced to death. Attracts numerous pilgrims who climb the stairs on their knees.