Santa Prassede

One of the oldest churches in the city. The nave is lined with a mismatched collection of columns taken from ancient Roman buildings. The apse is covered in gold mosaics from the 13th century, arguably the finest mosaics in the city. Impressive mosaics also on the front. According to legend the church was founded in 222, so it would be one of the most ancient churches in the city. Written records mention a church on this place in 337. What is visible today was built in the 12th century, by order of Pope Innocent III. The facade is decorated with mosaics representing the Virgin Mary and ten unidentified figures. Most probably these mosaics are the work of Petro Cavallini who created the mosaics of the lower apse dated 1290 representing scenes from the life of Mary. The mosaics of the upper apse in byzantine style are even older and date from 1140. The columns of the nave originate from the ancient Baths of Caracalla. The facade of Santa Maria in Trastevere is even more impressive at night when it is illuminated.

Wandering around the shopping and residential district of Prati, close to the Vatican, you may notice rather a lot of lawyers' nameplates outside buildings. This is also Rome's legal district because of the proximity of the Palazzo di Giustizia or Palace of Justice. This massive monstrosity on the banks of the Tiber was built on alluvial soil, which necessitated a concrete platform to support the foundations. Despite this, later settlement of the building led to the need for restoration work in 1970 and it is said to be still sinking. There were many allegations of corruption during its construction, something not unknown in the Rome of today, and this, combined with its appearance, gave rise to its nickname of the Palazzaccio or Ugly Palace.

Not, as commonly believed, named after the country but after the city of Strasbourg (Argentoratum in Latin), from which came a courtesan of Pope Alexander VI who lived nearby. Four Roman Republican-era temples, Pompey's theater and a Roman public toilet ("Latrina") have been excavated. The Pompey Theater is the site where Julius Caesar was stabbed to death by senators in 44 BC. The largo is also home to a large number of cats which are tended by the local animal rights organization - purportedly a jab at Mussolini who excavated the area and is said to have hated cats. As of September 2024 no cats could be seen at least from the street.

A 1st-century tomb surrounded by two farmhouses from the Middle Ages, one of which used to be a cheese store. Rather hidden behind a high wall, the tomb is rarely open to the public. You might be lucky on a Sunday: on the third Sunday of every month there is a guided tour at 11:00.

A 19th-century addition to the square, made to balance the Fontana del Moro.

Behind the pyramid, entered by the Via Caio Cestio, is the Protestant Cemetery where the poet John Keats was buried in 1821 and Percy Bysshe Shelley's ashes were also buried after his drowning in 1822. Richard Dana, author of Two Years before the Mast was buried there in 1882, and the Beat Generation poet Gregory Corso was buried there in 2001.

Contains the tomb of Pope Hadrian IV, the last non-Italian pope before Pope John Paul I.

They are posted at entrances to the Vatican City to provide security and protect the Pope. They wear very colourful clothing, similar to the uniforms worn by Renaissance-era soldiers. The Pontifical Swiss Guards is also the smallest and oldest standing army in the world, founded in 1506 by Pope Julius II. The origins of the Swiss guards, however, go back much further as the popes had regularly imported Swiss mercenaries during the 1400s.

This massive early 17th-century Baroque fountain was built to celebrate the re-opening of an old Roman aqueduct. Water played an important role in this area in Roman times as the grain was milled here using water mills.

This church is roughly halfway between Piazza Navona and the Pantheon. It is most notable for a side chapel which contains three Caravaggio masterworks: "The Calling of St. Matthew", "St. Matthew and the Angel" and "Martyrdom of St. Matthew".

Built in 141 AD and dedicated to the Empress Faustina; after her husband emperor Antoninus Pius died in 161 AD the temple was rededicated to the couple.

Caffarella Park covers an area of 339 ha and is part of the larger Appia Antica park. It contains both a working farm and numerous Roman ruins, some quite well preserved and is a great place for a stroll or cycle away from Rome’s traffic.

Parco Savello is the name of the grounds and orange grove next to the Santa Sabina church at the top of the Aventino and also where you have one of the best views of the city. Families gather here to sit under the dozens of orange trees. The "Giardino degli Aranci" is also a well known spot for lovers at night. The best views are arguably from Janiculum hill, just across the Tevere (Tiber) river. Immediately below you, the Tiber snakes its way through the city, and directly beyond it you can see the lively medieval quarter of Trastevere. Beyond that is the majestic dome of St. Peter's Basilica, with the historic centre of Rome visible to the right.

Brand new museum designed to celebrate the art and architecture of the 21st century.

Very ornately done and beautiful inside, but don't expect any information in English. All information panels are only in Italian. It's still a beautiful site though even if you don't read Italian. According to tradition St.Cecily suffered a particular cruel death as a martyr. She was scalded, suffocated and beheaded by three strokes on her neck. As she was singing all the time during her martyrdom she is considered the patron of music. The building of today shows a mixture of various styles, from the porticus of the 12th-century to the 18th-century facade.

Known properly as the Flavian Amphitheatre, this most famous of Roman landmarks takes its name from the giant statue of the emperor Nero that once stood near this location. The amphitheatre was capable of seating 50,000 spectators for animal fights and gladiatorial combats. It was a project started by the Emperor Vespasian in 72 and completed by his son Domitian sometime in the 80s. The Colosseum when completed measured 48 m high, 188 m in length, and 156 m in width. The wooden arena floor was 86 m by 54 m, and covered by sand.;Expect a long queue and an even longer wait. You can skip the queue if you decide to take a tour, but if you don't want a tour, you can STILL skip the queue. If you walk to the entrance for the Roman Forum, you can buy tickets there which allow you to bypass the queues. You can also buy tickets online. There are lots of people offering tours in English just outside the entrance to the Colosseum. Inside you can take a tour (English, Spanish, or German) every 30 minutes or so for an additional fee. The tours are given by knowledgeable archeologists, but they don't take you to any areas you couldn't visit on your own.

A very ancient church named after a saint who was in 1969 removed from the Roman Catholic calendar of saints for the lack of details of her life. But the church retains the name and is well worth visiting for an excellent 4th-century mosaic and attractive decorations on the facade. Visiting hours are short, but if you arrive close to 11:30, try talking to the attendant if you see him, and he might let you visit for a few minutes. The church is small, so 15 minutes should be long enough to see and absorb everything.

A museum devoted to pasta, Italy's premier gift to world cuisine.

Next door to Santa Croce. A collection of around 3000 pieces, although only a third of these are displayed.

This strange-looking, but delightful, building has undergone several transformations since its original construction as a rustic hideaway from the main villa in the park. It underwent a significant redesign in the early 1900s and again in 1917. The emphasis of the museum is on stained glass. The twenty rooms include 54 pieces of stained glass replaced, after restoration, in their original positions, 18 pieces of stained glass acquired and displayed on separate frames, and 105 sketches and preparatory cartoons for stained glass in churches in Rome.