Hidden away from the bustling crowds of Rome’s main attractions, Santa Prassede offers a serene escape into a world of shimmering gold and ancient artistry. The moment you step inside, you’re greeted by a hushed, almost sacred atmosphere and a visual feast that transports you back over a thousand years.
The true stars of Santa Prassede are its breathtaking Byzantine mosaics. These intricate artworks, with their vibrant colors and delicate details, adorn the apse and chapels, telling stories of saints and miracles in glimmering glass and gold. Even if you’ve seen the city’s more famous churches, the mosaics here have a quiet power that’s uniquely captivating. It feels as though you’ve stumbled upon a hidden gem, more intimate and less crowded than many of Rome’s grand basilicas.
Beyond the mosaics, you’ll discover other intriguing pieces of religious art, each adding to the church’s rich tapestry of history and devotion. The gentle light filtering through the windows illuminates ancient frescoes and marble columns, making it easy to linger and soak up the tranquil ambience.
Best of all, you don’t need hours to appreciate Santa Prassede. In just 30 minutes, you can enjoy a relaxed visit, take in the highlights, and leave feeling inspired by both the art and the peaceful surroundings. If you’re exploring Rome and crave a moment of beauty and calm, this is one site you truly shouldn’t miss.
Source - https://en.wikipedia.org/wiki/Santa_Prassede
Small collection of railway carriages and related stuff. Really just for those with special interest in the topic. Entrance through the station if the main entrance is closed.
The remains of the ancient Roman archives, where Cicero and Seneca did research. Visible from the Forum and accessible through the Capitoline Museum.
The Piazza di Spagna (Spanish Square) is the most famous square in Rome. For a very long time it was the meeting point of all foreigners coming to Rome. In the 17th century it was the residence of the Spanish Ambassador to the Holy See. The area around the residence was Spanish territory and foreigners who stayed here without permission were forced to serve in the Spanish army. The Fontana della Barcaccia (Old Boat Fountain) on Piazza di Spagna was designed and built in 1627-29 by Pietro Bernini, father of the more famous Gian Lorenzo Bernini. The fountain celebrates the fact that before high walls were built along the banks of the Tiber Rome often used to flood. Once the waters were so high that a boat ended up in the square. The decorations on the fountain imitate the coat of arms of Pope Urban VII, Barberini'p, who ordered the fountain to be built. A less aesthetic occupant of the square is Italy's first McDonalds, dating back to 1986. Also in the piazza is a column erected in 1856 to commemorate the Immaculate Conception. The column is topped by a statue of the Virgin Mary, and rests on a base with statues of Moses, David, Isaiah and Ezekiel. The Pope visits the Piazza every year on December 8th to celebrate Immaculate Conception.
The chains that allegedly held St. Peter are displayed in a case before the altar. More importantly, contains the impressive statue of Moses by Michelangelo. It's close to the Colosseum, but a little hard to find. Take the steps opposite the Colosseum on Via dei Fori Imperiali, cross the road at the top and seek directions. Also reachable through steps to the right leading off Via Cavour.
At the southern end of the Piazza, designed by Bernini but the main statue of the Moor was done by Giacomo della Porta and the other statues are 19th-century copies of the originals.
Beautiful park, the 2nd largest in Rome (after Villa Doria Pamphili) at 450 acres/182 hectares. Hosts concerts on summer evenings. former summer residence of Italian monarchs. Also known for it's bunker.
This museum is built on top of the excavation site of the Balbi Crypt, a building from the first century A.D. which underwent considerable modifications in the following centuries. Through the building's history, the museum gives us glimpses of what Roman life across the ages was like. Free visits of the ruins are possible. The Essedra ruins are only accessible on Saturdays and Sundays, at 10:45, 11:45, 12:45, 14:45 and 15:45.
A magnificent patrician house with beautiful gardens. It was built by order of Cardinal Alessando Albani in 1743-1763 in order to accommodate his collection of art. The collection was taken care of by the Winkelmann, adviser and friend of the cardinal. In Rome, Winkelmann wrote his "Geschichte der Kunst des Altertumns (HIstory of the Art of Antiquity)", which made him the founder of classical archaeology. The painted ceiling of the great hall depicting Mount Parnassus is by the German painter Anton Raphael Mengs who was considered as the greatest painter in Rome in the 18th century. A permission to visit is to be requested by email or fax from Principi Torlonia's administration where you'd need to indicate date and time desired, your name and number of people in your party (max. 10).
Simple and elegant lines make up this building, whose construction began in 1480 for Count Girolamo Riario, nephew of Papa Sisto IV, and was taken up by architect Martino Longhi for the new owner, Cardinal Marco Sittico Altemps. Today it houses one of the branches of the National Museum of Rome, showcasing ancient and Renaissance sculptures, and the results of the 16th/17th-century fashion for 'completing' ancient sculptures missing heads or arms.
Erected in 203. You can see it close up from Via della Curia also (without entering the Forum).
Built in honour of Victor Emmanuel, the first king of a unified Italy, this vast structure may appear to be solid white marble but actually contains many rooms inside. There are two permanent museums, one on Italian Reunification and one on emigration from Italy, as well as other spaces that host rotating exhibitions. A walk through the Flag Room leads to the tomb of the unknown soldier. Good views from half-way up but you can also pay €10 (€2 concessions) and take a lift all the way to the top.
The most extensive collection of Etruscan art and artifacts anywhere. Fantastic collection and well worth the admission charge. A difficult museum to find, but a lovely display in a beautiful villa setting.
The Ghetto lies between the island in the River Tiber and the Theatre of Marcellus and includes Rome’s synagogue. It was established in 1555 as a result of a Papal Bull by Pope Paul IV that required all Jews to live in the area, considered one of the least desirable quarters of the city, as it was subject to constant flooding by the river. The area was originally enclosed by walls and gates that were only open during the day. With the end of the Papal States in 1870, the requirement that Jews live in the Ghetto came to an end. The walls were torn down in 1888 and much of the ghetto was demolished. However, there is still much to see, including walls of buildings that incorporate Roman ruins, and there are several good Jewish restaurants.