The Church of the Gesù is one of the most important Jesuit churches in Rome. Along with the nearby Sant'Ignazio, it stands as a key landmark in the city, drawing visitors from all around the world.
While both the Church of the Gesù and Sant'Ignazio are significant, the Gesù holds a special place in the history of the Jesuit order. It serves as the mother church for Jesuits everywhere and is a powerful symbol of their spiritual mission.
Step inside and be prepared to be amazed. The interior of the Church of the Gesù is a spectacular display of Baroque art, filled with vibrant colors, intricate details, and grand decorations. Every inch of the space is carefully designed to impress and inspire. Many visitors say it feels like Baroque art on steroids, with every corner offering something extraordinary to admire.
The Church of the Gesù is more than just a place of worship; it is a true landmark of Rome. Its impressive architecture and breathtaking interior make it a must-see for anyone interested in art, history, or religion. A visit here promises a deep sense of awe and wonder, capturing the essence of Rome’s Baroque splendor.
Source - https://en.wikipedia.org/wiki/Church_of_the_Ges%C3%B9
According to the legendary passio, two brothers, John and Paul, who were officials at the imperial court, suffered martyrdom in 362 in their home on the Caelian hill, during the reign of emperor Flavius Claudius Julianus. This basilica dedicated to these two Roman officers was erected starting from 398 and was used first as a domus ecclesiae by the Christian community.
An ethnographic collection of around 60,000 pieces from European indigenous cultures. Documents evolution from the Palaeolithic age to the Iron Age.
More of an enormous traffic circle than a piazza, but a good central location. The centerpiece is the enormous Vittorio Emanuele Monument (aka the Wedding Cake or the Typewriter) with the Capitoline hill next door. Mussolini used to harangue Romans from the first floor balcony of Palazzo Venezia (see under Museums), to the west of the square.
Built in 141 AD and dedicated to the Empress Faustina; after her husband emperor Antoninus Pius died in 161 AD the temple was rededicated to the couple.
Simple and elegant lines make up this building, whose construction began in 1480 for Count Girolamo Riario, nephew of Papa Sisto IV, and was taken up by architect Martino Longhi for the new owner, Cardinal Marco Sittico Altemps. Today it houses one of the branches of the National Museum of Rome, showcasing ancient and Renaissance sculptures, and the results of the 16th/17th-century fashion for 'completing' ancient sculptures missing heads or arms.
A relaxing place to sit and recover from the exertions of sightseeing. Permanent collection plus annual competition.
This archaeological site displays the thermal baths of the villa of the wealthy Herod Atticus. Also in the complex is a restored villa, until 2002 a private residence, that has an exterior completely covered with pieces from Roman ruins, including pipes used in the baths. There are some very helpful staff to show you around, although they only speak Italian. An interesting photographic exhibition in the house traces the development of the Appian Way over the last century. Almost opposite the entrance to the baths is a ruined tower known as the Torre di Capo di Bove.
The chains that allegedly held St. Peter are displayed in a case before the altar. More importantly, contains the impressive statue of Moses by Michelangelo. It's close to the Colosseum, but a little hard to find. Take the steps opposite the Colosseum on Via dei Fori Imperiali, cross the road at the top and seek directions. Also reachable through steps to the right leading off Via Cavour.
This museum is built on top of the excavation site of the Balbi Crypt, a building from the first century A.D. which underwent considerable modifications in the following centuries. Through the building's history, the museum gives us glimpses of what Roman life across the ages was like. Free visits of the ruins are possible. The Essedra ruins are only accessible on Saturdays and Sundays, at 10:45, 11:45, 12:45, 14:45 and 15:45.
In the Middle Ages pilgrims on their way to St. Peter's had to pass through the Via dei Coronari in order to cross the Tiber at Ponte St. Angelo. The street got its name from the people who sold rosaries to the pilgrims. It follows the ancient Via Recta which led from what is today Piazza Colonna to the Tiber. In the 15th century Pope Sixtus IV initiated the construction of private buildings. Today, several houses dating back to the 15th and 16th century may be seen. House nr. 156/157 is said to have been the House of Fiametta, the mistress of Cesare Borgia.