Santa Maria degli Angeli e dei Martiri

A strange building, constructed by Reginald Pole, an English cardinal and later Archbishop of Canterbury, allegedly on the spot where he was able to escape from assassins sent by the English King Henry VIII.

One of the oldest churches in the city. The nave is lined with a mismatched collection of columns taken from ancient Roman buildings. The apse is covered in gold mosaics from the 13th century, arguably the finest mosaics in the city. Impressive mosaics also on the front. According to legend the church was founded in 222, so it would be one of the most ancient churches in the city. Written records mention a church on this place in 337. What is visible today was built in the 12th century, by order of Pope Innocent III. The facade is decorated with mosaics representing the Virgin Mary and ten unidentified figures. Most probably these mosaics are the work of Petro Cavallini who created the mosaics of the lower apse dated 1290 representing scenes from the life of Mary. The mosaics of the upper apse in byzantine style are even older and date from 1140. The columns of the nave originate from the ancient Baths of Caracalla. The facade of Santa Maria in Trastevere is even more impressive at night when it is illuminated.

More modern than most Roman churches: it was not started until 1873. This is Rome’s Episcopalian church. Some very interesting artwork, particularly the mosaics by Edward Burne-Jones of the Pre-Raphaelite school.

Beautiful park, the 2nd largest in Rome (after Villa Doria Pamphili) at 450 acres/182 hectares. Hosts concerts on summer evenings. former summer residence of Italian monarchs. Also known for it's bunker.

A small piazza just behind the Pantheon. The centerpiece is a statue of an elephant by Bernini with an ancient obelisk on its back.

The palace was built by the architect Baldassare Peruzzi on behalf of the Massimo family. The former palace was destroyed during the pillage of Rome in 1527. The Massimo family can be traced back to Quintus Fabius Maximus who defeated Hannibal in the 3rd century BC. The building is open to the public on March 16, only in order to commemorate the miraculous reanimation of Paolo Massimo by St. Philip Neri in 1538.

Also based on a Michelangelo architectural plan, this compact gallery is well endowed in classical sculpture and paintings. Highlights include the small 1st-century-BC bronze Lo Spinario, a Greek statue of a little boy picking a thorn from his foot; the Lupa Capitolina (Capitoline Wolf), a rare Etruscan bronze statue probably dating from the 5th century BC; and (in the entrance courtyard), the massive head, hands, foot and kneecap from a colossal statue of Constantine the Great. The palace also contains a Pinacoteca (Picture Gallery) with paintings mainly from the 16th and 17th centuries - highlights include: Caravaggio's Fortune-Teller and his curious John the Baptist; The Holy Family, by Dosso Dossi; Romulus and Remus, by Rubens; and Titian's Baptism of Christ.

The pride of Baroque Rome, was established towards the end of the 15th century, and preserves the shape of the ancient Stadium of Domitian. The buildings surrounding the square stand where the spectators once sat, watching the spectacle of the naumachiae (battles among ships). The square remains completely unspoilt by traffic and modern buildings. Today, the square is an immensely popular place to sip a cappuccino, shop, and watch street performers. Behind the piazza at the northern end, you can still see remains of the Roman athletic stadium well below the current ground level. Amongst the various monuments of the square, look especially for the two Baroque masterpieces by Bernini and Borromini.

On the site of the Roman baths, this museum houses an enormous collection of statues, etc.

This is not the real name of the church on the corner by the main entrance to San Callisto but it is universally known by this name. By legend it is located on the spot where Saint Peter had a vision of the risen Christ while fleeing persecution in Rome. According to the tradition, Peter asked Jesus, Domine, quo vadis? “Lord, where are you going?” The current church is from 1637. Inside is a copy of a stone said to contain the imprints of the feet of Jesus; the original is maintained in San Sebastiano, further along the Appian Way

Contains the tomb of Pope Hadrian IV, the last non-Italian pope before Pope John Paul I.

This was the site of the slaughter in 1944 of 335 Italians, including many Jews from the Ghetto, in retaliation for a Partisan attack on German troops in Rome. The caves where the massacre took place are now a National Monument and Memorial Cemetery and can be visited daily.

One of Bernini's masterpieces, an obelisk on the back of an elephant.

Very ornately done and beautiful inside, but don't expect any information in English. All information panels are only in Italian. It's still a beautiful site though even if you don't read Italian. According to tradition St.Cecily suffered a particular cruel death as a martyr. She was scalded, suffocated and beheaded by three strokes on her neck. As she was singing all the time during her martyrdom she is considered the patron of music. The building of today shows a mixture of various styles, from the porticus of the 12th-century to the 18th-century facade.

In the Middle Ages pilgrims on their way to St. Peter's had to pass through the Via dei Coronari in order to cross the Tiber at Ponte St. Angelo. The street got its name from the people who sold rosaries to the pilgrims. It follows the ancient Via Recta which led from what is today Piazza Colonna to the Tiber. In the 15th century Pope Sixtus IV initiated the construction of private buildings. Today, several houses dating back to the 15th and 16th century may be seen. House nr. 156/157 is said to have been the House of Fiametta, the mistress of Cesare Borgia.

A very ancient church named after a saint who was in 1969 removed from the Roman Catholic calendar of saints for the lack of details of her life. But the church retains the name and is well worth visiting for an excellent 4th-century mosaic and attractive decorations on the facade. Visiting hours are short, but if you arrive close to 11:30, try talking to the attendant if you see him, and he might let you visit for a few minutes. The church is small, so 15 minutes should be long enough to see and absorb everything.

This strange-looking, but delightful, building has undergone several transformations since its original construction as a rustic hideaway from the main villa in the park. It underwent a significant redesign in the early 1900s and again in 1917. The emphasis of the museum is on stained glass. The twenty rooms include 54 pieces of stained glass replaced, after restoration, in their original positions, 18 pieces of stained glass acquired and displayed on separate frames, and 105 sketches and preparatory cartoons for stained glass in churches in Rome.

A museum devoted to pasta, Italy's premier gift to world cuisine.

The stadium is on the west bank of River Tiber, about three km directly north of the Vatican. It is part of a sports complex that was built for the 1960 Olympic Games, including the Olympic swimming pool and the tennis complex where the annual ATP/WTA Italian Open is held. The main stadium holds more than 80,000 and was extensively rebuilt, with a roof added, for the 1990 World Cup (soccer) finals.