Basilica Aemilia

This museum is built on top of the excavation site of the Balbi Crypt, a building from the first century A.D. which underwent considerable modifications in the following centuries. Through the building's history, the museum gives us glimpses of what Roman life across the ages was like. Free visits of the ruins are possible. The Essedra ruins are only accessible on Saturdays and Sundays, at 10:45, 11:45, 12:45, 14:45 and 15:45.

A medieval church dating from the 6th century and home to the Bocca della Verità (Mouth of Truth). The Bocca della Verità at the entrance to the church is thought to be a 1st-century manhole cover. It is believed that if you put your hand in the mouth and tell a lie, the hand will be bitten off. Queues for the privilege of risking this can get rather long. Don't ignore the church, which is a gem, and has a separate entrance. Its mosaic floor in the Cosmatesque style is more rustic and less intricate than some others (Santa Maria in Trastevere, for example), but its simplicity gives it a solidity not found in the more ornate styles. S.M. in Cosmedin has a fine medieval choir enclosure and the tallest medieval belfry in Rome.

The 4th rebuilding of the meeting place for the Roman Senate, once converted into a church during the Middle Ages, but now restored since the 1930s.

Small collection of railway carriages and related stuff. Really just for those with special interest in the topic. Entrance through the station if the main entrance is closed.

Minor basilica in 17th-century baroque style with good art inside. In a smaller Italian city, this might be a prime attraction, but in Rome, with its abundance of great churches, this is merely a pleasant church of secondary interest to visit if you are in the area.

This is the island located in the middle of the Tiber River (Il Fiume Tevere) that separates Central Rome and Trastevere. It boasts both a major hospital, called Fatebenefratelli, and a small synagogue that was secretly used in the Second World War when Rome's main synagogue nearby was closed down. It also has a café and gelateria on the Rome side. It is a nice way of getting to and from Trastevere. Be sure to get photos from Ponte Garibaldi as Isola Tiberina truly is beautiful. The island is 270 m long and up to 67 m broad. According to the legend envoys were sent to the temple of Asklepius in Epidauros in Greece in 291BC in order to get relief from an epidemic in Rome. The envoys brought one of the holy snakes back with them. The snake swam to the Tiber Island thus determining the place where a temple for Asklepius was built. The successor of the Asklepius sanctuary is the Church San Bartolomeo which was built by the German Emperor Otto III around the year 1000. The Ponte Rotto is what is left from the ancient Pons Aemilius, the oldest stone bridge over the Tiber erected around 180 BC. The bridge was partly destroyed during a flood in 1557, re-erected by Pope Gregor XIII and finally pulled down in 1598. In 62 BC the Senatorial road construction office replaced the wooden footbridge by the Ponte Fabricio.

This is not, contrary to popular belief, one of the original seven hills that Rome was founded on. It is the second highest after Monte Mario, though, and offers incredible panoramic views of the city as long as the authorities remember to prune the trees on the hillside (if they are too tall you can walk a few meters down the hill for views that are just as good). On the other side of the piazza there is also a nice view of the dome of St. Peter's. The Piazza and the street leading up the hill are dedicated to Giuseppe Garibaldi who led Italian troops against the French here in 1849. There are also several commemorative statues.

This small museum records the liberation of Rome from German occupation during the Second World War. During the occupation the building was used as a prison. Stair lifts and chair lifts available for wheelchair users (call ahead).

Finished in 29 BC, marks the spot of Caesar's spontaneous cremation and Mark Antony's funeral speech, made famous by Shakespeare in his play Julius Caesar ("Friends, Romans, Countrymen, lend me your ears ...").

Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica).

Underground burial place of an ancient Roman family and of seven early popes.

By Bernini, in the very centre of Piazza Navona. Incorporates an Egyptian obelisk and symbolises four of the world's great rivers (the Ganges, the Nile, the Danube and the Plata), representing the four continents known at the time.

According to an inscription Emperor Augustus dedicated the obelisk to the sun in the 11th year of his consulate (10BC), after he had annexed Egypt to Rome. The obelisk is 24 m high. It was erected in Heliopolis in Egypt and was dedicated to Pharao Sethos I (1313-1292 BC) and Pharoa Ramses II (1292-1275 BC). Augustus brought the obelisk to the Circus Maximus, where it was rediscovered in 1587, broken into three pieces and was relocated to Piazze del Popolo on the orders of Pope Sixtus V in 1589.

Brand new museum designed to celebrate the art and architecture of the 21st century.

A 19th-century addition to the square, made to balance the Fontana del Moro.