Piazza della Minerva

A strange building, constructed by Reginald Pole, an English cardinal and later Archbishop of Canterbury, allegedly on the spot where he was able to escape from assassins sent by the English King Henry VIII.

The Piazza di Spagna (Spanish Square) is the most famous square in Rome. For a very long time it was the meeting point of all foreigners coming to Rome. In the 17th century it was the residence of the Spanish Ambassador to the Holy See. The area around the residence was Spanish territory and foreigners who stayed here without permission were forced to serve in the Spanish army. The Fontana della Barcaccia (Old Boat Fountain) on Piazza di Spagna was designed and built in 1627-29 by Pietro Bernini, father of the more famous Gian Lorenzo Bernini. The fountain celebrates the fact that before high walls were built along the banks of the Tiber Rome often used to flood. Once the waters were so high that a boat ended up in the square. The decorations on the fountain imitate the coat of arms of Pope Urban VII, Barberini'p, who ordered the fountain to be built. A less aesthetic occupant of the square is Italy's first McDonalds, dating back to 1986. Also in the piazza is a column erected in 1856 to commemorate the Immaculate Conception. The column is topped by a statue of the Virgin Mary, and rests on a base with statues of Moses, David, Isaiah and Ezekiel. The Pope visits the Piazza every year on December 8th to celebrate Immaculate Conception.

A magnificent patrician house with beautiful gardens. It was built by order of Cardinal Alessando Albani in 1743-1763 in order to accommodate his collection of art. The collection was taken care of by the Winkelmann, adviser and friend of the cardinal. In Rome, Winkelmann wrote his "Geschichte der Kunst des Altertumns (HIstory of the Art of Antiquity)", which made him the founder of classical archaeology. The painted ceiling of the great hall depicting Mount Parnassus is by the German painter Anton Raphael Mengs who was considered as the greatest painter in Rome in the 18th century. A permission to visit is to be requested by email or fax from Principi Torlonia's administration where you'd need to indicate date and time desired, your name and number of people in your party (max. 10).

A 19th-century addition to the square, made to balance the Fontana del Moro.

A very ancient church named after a saint who was in 1969 removed from the Roman Catholic calendar of saints for the lack of details of her life. But the church retains the name and is well worth visiting for an excellent 4th-century mosaic and attractive decorations on the facade. Visiting hours are short, but if you arrive close to 11:30, try talking to the attendant if you see him, and he might let you visit for a few minutes. The church is small, so 15 minutes should be long enough to see and absorb everything.

Pope Nicholas III connected Castel Sant'Angelo to St. Peter's by a covered fortified corridor called the Passetto di Borgo. This proved useful for Pope Clement VII during the Sack of Rome (1527). You can still see much of the Passetto by walking along the Borgo Sant'Angelo, which runs parallel to, and north of, the Via della Conciliazione.

Rome's museum of contemporary art, housed in a former industrial complex. Rotating exhibitions, each one usually lasting about 4 months. The MACRO Testaccio exhibition space is located in Aventino-Testaccio.

Although started in the 2nd century, San Callisto has had many more recent burials, including 16 popes. The burial arcades are almost 20 km long.

Completed in 1762 to a design by Nicola Salvi, this spectacular Baroque fountain features a mythological sculptural composition of Neptune, god of the sea, flanked by two Tritons: one Triton labours to control a violent sea-horse, the other controls a pacified creature, both symbolising the dual nature of the world's oceans. The location of the Trevi fountain marks the terminus of the ancient Aqua Virgo aqueduct, completed in 19 BCE in order to supply the Baths of Agrippa, and is so named on account of its position at the junction of three roads (tre vie). The legend says that one who throws a coin in the fountain shall one day return to Rome. The coins in the fountain are regularly collected to finance charities. The fountain has been made even more famous by the 1954 film, Three Coins in the Fountain, and by a famous scene in Federico Fellini's film La Dolce Vita. According to popular superstition and custom, throwing coins with one's right hand over one's left shoulder into the Trevi Fountain is a practice endowed with good luck. Throwing one coin ensures that the thrower will return to Rome; throwing two coins will ensure that the thrower will fall in love with a beautiful Roman girl (or handsome boy); throwing three coins, finally, ensures that the thrower will marry that girl or boy in Rome itself. The fountain is one of Rome's most famous attractions, but the square isn't exactly as large as St. Peter's, therefore it might be packed with crowds almost like at a rock festival. For this reason it's reportedly also a pickpocket hotspot, so do watch your pockets and bags here!

In addition to Santa Maria in Cosmedin there is a lot to be seen around this piazza. Opposite the church is the round temple dedicated to Hercules Invictus (the Unconquered Hercules), and not far from that the rectangular Fortuna Virilis, both constructed in the 1st Century. Opposite, to the back of the piazza is the Arch of Argentari and behind that the church of San Giorgio in Velabro, the front of which was repaired after being damaged by a terrorist bomb in July 1993.

Designed by Bramante to mark the spot of St. Peter's martyrdom, this delightful miniature building is considered a masterpiece of Renaissance architecture. Open to the public.

The house in which the famous English poet John Keats succumbed to consumption, now preserved as a memorial to his life and that of his friend Shelley, both of whom are buried in Rome's Protestant Cemetery (see Testaccio).

The contours of the ancient stadium, built in the 6th Century B.C., are still visible in what is now a park in the shadow of the Palatine. Circus Maximus was primarily devoted to chariot races and was used for this purpose until around 550 AD. The stadium could seat up to 150,000 people. Originally built of wood, it burnt down twice, on the second occasion starting the great fire when the Emperor Nero was said to fiddle while Rome burned. It was in one of the tunnels here that Caligula met his end. Excavations began in 2009 at the east end of the circus and are likely to go on for some years.

The chains that allegedly held St. Peter are displayed in a case before the altar. More importantly, contains the impressive statue of Moses by Michelangelo. It's close to the Colosseum, but a little hard to find. Take the steps opposite the Colosseum on Via dei Fori Imperiali, cross the road at the top and seek directions. Also reachable through steps to the right leading off Via Cavour.