Porta Maggiore is an ancient stone gate constructed in AD 52 during the reign of Emperor Claudius. Its design is remarkable because it was formed by the intersecting arches of two Roman aqueducts, creating a grand and functional city entrance. Over time, this impressive structure became part of the larger protective Aurelian walls that surrounded Rome, serving both as a gateway and a part of the city’s defenses.
Not far from Porta Maggiore stands the well-known “Baker’s Tomb.” This unique monument was built by a former slave who, after gaining freedom, became a successful baker. He erected the tomb for himself and his wife, celebrating both their lives and achievements. Visitors will notice decorative friezes along the top of the tomb, each one carefully carved to show different stages of breadmaking. These detailed scenes offer a glimpse into daily life in ancient Rome and highlight the importance of bread in the city’s culture.
Source - https://en.wikipedia.org/wiki/Porta_Maggiore
The contours of the ancient stadium, built in the 6th Century B.C., are still visible in what is now a park in the shadow of the Palatine. Circus Maximus was primarily devoted to chariot races and was used for this purpose until around 550 AD. The stadium could seat up to 150,000 people. Originally built of wood, it burnt down twice, on the second occasion starting the great fire when the Emperor Nero was said to fiddle while Rome burned. It was in one of the tunnels here that Caligula met his end. Excavations began in 2009 at the east end of the circus and are likely to go on for some years.
By Bernini, in the very centre of Piazza Navona. Incorporates an Egyptian obelisk and symbolises four of the world's great rivers (the Ganges, the Nile, the Danube and the Plata), representing the four continents known at the time.
An ethnographic collection of around 60,000 pieces from European indigenous cultures. Documents evolution from the Palaeolithic age to the Iron Age.
This is the largest square in Rome. It sometimes hosts pop concerts and is the focal point for Rome's New Year's Eve celebrations. The twin churches Santa Maria dei Miracoli (1681) and Santa Maria in Montesanto (1679) used to provide a clear welcome to Rome for those coming from the north. Much older, to the north of the piazza is yet another Santa Maria (see below). The Piazza del Popolo is considered as one of the most beautiful squares in Europe. It was enlarged and two streets, the Via di Ripetta and the Via del Babuino were added by order of Pope Sixtus V. In the middle of the square is an obelisk (see below). In 1809-1816, Giuseppe Valadier, Roman architect of French origin, gave the square its characteristic oval shape.
If it is sunny, you'll catch a few young people and older gentlemen sitting at the base of a statue in the middle of the open space. The statue is a brooding, hooded Giordano Bruno—an excommunicated Dominican monk and one of the earliest cosmologists who held the idea of an infinite universe. He was burnt at the stake for heresy on this spot on 17 February 1600. The piazza is used as a marketplace during the day, and party central for college students and tourists at night. When the sky gets dark and the street lamps go on, the Campo de' Fiori fills with people and lovers wander arm in arm in the crowd. Over the buzzing of conversation and the occasional burst of laughter you may hear a young vocalist belt out O Sole Mio at the top of his lungs as change plunks into his accordion case.
The enormous building at the southeast end of the Circus Maximus is the headquarters of the UN Food and Agriculture Organization (FAO). From its roof are undoubtedly the best views of Rome, but you will need to know someone who works there to get past the strict security.
This is a large tomb built by the Roman Emperor Augustus in 28 BC in the form of a stone ring covered by an earth mound. A brick wall, 87 m in diameter, carried an earth mound covered with cypresses. On top of the hill stood a bronze monument of the emperor. The building was 44 meters high. At the beginning of the alley, which led to the tomb were two Egyptian obelisks. On both sides of the doorway bronze plates describe the "Res gestae", the deeds of the emperor. The urns of Augustus, Marcellus, Octavia, Agrippa, Drusus and other members of the Julian Claudian dynasty were revered here. In the Middles Ages the building served as citadel of the Colonna family. It was destroyed by Pope Gregor IX in 1241. The body of Cola di Rienzo. a popular leader of the people in the mid-14th century, was burnt in this monument. The Mausoleo di Augusto is not open to the public, and is fenced off.
Romans and leaders of Rome's defeated enemies were imprisoned here where they either died of starvation or strangulation. According to legend, St. Peter was also imprisoned here.
This impressive villa covers 23 hectares. It can be accessed from the Via Appia Nuova (Bus 118) or through Via Appia Antica 251. Parts can be seen from the Appian Way at around the 5th mile just after No 251. The villa was built by Maximus and Condinus Quintilii. The emperor Commudus liked it so much that he put the brothers to death in 182 AD and took it for himself. A museum has friezes and sculptures from the villa. The nypheum, the tepidarium and the baths may also be visited. At Appia Antica 251 is Santa Maria Nova, a farmhouse that has undergone many reincarnations since being built on top of a Roman cistern that was probably used by Villa dei Quintilii.
The temple of the Emperor Hadrian was consecrated in 145 AD by Emperor Antoninus Pius. The remains of the antique temple were incorporated into a new building that served as the Papal Customs House. It was finished around 1690 and today accommodates the Stock Exchange (Borsa).
Next door to Santa Croce. A collection of around 3000 pieces, although only a third of these are displayed.