Via Veneto is one of Rome’s most famous and stylish streets. Its international fame arrived in 1960, when the street starred in Federico Fellini’s legendary film, La Dolce Vita. Cameras captured the lively atmosphere of the boulevard, forever connecting its name with glamour and movie-star excitement.
This elegant avenue is also home to the US Embassy, housed in the grand and imposing Palazzo Margherita. The building stands as a reminder of the street’s connection to important world events and diplomacy. Over the decades, Via Veneto has remained a symbol of sophistication and international flair.
During the 1980s, the once-bustling street experienced a period of decline. Many of its iconic establishments faded from the spotlight, and the energy of the golden years seemed to wane. But in recent years, Via Veneto has enjoyed a revival. The roadside cafes are lively once more, attracting people who enjoy watching the world go by and soaking up the classic Roman atmosphere.
Source - https://en.wikipedia.org/wiki/Via_Veneto
With its strange Liberty- style buildings with influence from the Art Nouveau of the 1920s this small bunch of blocks is one of the most interesting, and less known, landmarks of the city. A must see.
The Celian Hill is one of the seven hills of Rome. You immediately see the church of San Gregorio Magno. On this site monks were trained before setting off as missionaries to England at the end of the 6th Century. Further up the hill is Santi Giovanni e Paolo. At this point it is difficult to believe you are in the middle of a major city. This church was built in 398 over the home of two Roman soldiers, John and Paul, who were martyred for their Christian beliefs in 362. Excavations show that there were several burials on the site, a risky business as burials were illegal at that time. After the church you come to the back entrance of the Villa Celimontana park (jazz festival nightly in late June-August). The modern buildings before you reach the park are owned by Silvio Berlusconi’s television company. By the main entrance of the park note the boat-like fountain known as the “Navicella”. As you exit the main entrance to the left is the church of S. Maria in Domnica, which has some interesting mosaics. Next to this church is the Porta Esquilina, one of the gates from the original Servian walls of Rome. It dates back to the 4th century BC.
The Catacombs of Domitilla are considered to be the best preserved of all Roman catacombs. They are the only ones still to contain bones. Domitilla also has a subterranean basilica, much of which was reconstructed in 1870.
An example of urban planning that goes back to Pope Julius II, who, in 1508, envisioned it as a street that would connect all major government buildings. It is around a kilometer long and is in a straight line, an unusual feature for the time. It is lined with some interesting palaces but these days is more known for its antique shops. Via Giulia runs parallel with and one block from the River Tiber.
This church can be an interesting deviation if you are passing through its neighbourhood. It is believed to be the grave of the Saints Ciro and Giovanni, killed during the time of the Emperor Diocletian. The original name was Abba Cyrus and through Appaciro and then Appacero it finally became Pacera, very close to today's Passera. The building is on top of a 3rd century building still visible in the lower floor and in the underground. The main part of the building dates back to the 9th century as do the frescoes on the higher floor. Some of the frescoes have been restored. Downstairs there is a small quadrangular room and the underground, where the remains of the two Saints are supposed to be. There are still visible 3rd century traces of Roman frescoes; in front of the stair you can enjoy a small bird, the Justice, and an athlete while in the vault some eight apex stars. Bus 128,780,781,775 (first stop in Via della Magliana).
Perhaps the most fascinating building in Rome. The core of the structure began life as the mausoleum of Emperor Hadrian, built between 135 and 139 AD. Subsequent strongholds built on top of the mausoleum were in turn incorporated into a residence and castle by medieval Popes. The building was used as a prison until 1870 but now houses a museum. Opera buffs will be exhilarated to visit the balcony from which Tosca leaps to her death. Film buffs will recognise it as a setting from Angels and Demons.
Regular shows plus an excellent astronomical museum.
A truly monumental stairway of 135 steps (similar to climbing eight flights of stairs), built with French funds between 1721 and 1725 in order to link the Bourbon Spanish embassy to the Holy See (still located in the piazza below), with the Bourbon French church (its monastery founded in 1495) above. Don't sit on them though, or eat, or push a baby stroller on them, or do anything else that might obstruct pedestrians, make them dirty, or cause additional wear and tear, or else you will have to pay a fine that ranges from €250 to €400.
An underrated way to see fantastic art made after the Renaissance. Mainly Italian artists, notably De Chirico, but Cézanne, Degas, Kandinsky, Man Ray, Modigliani, Monet, Pollock and Van Gogh are also represented.
The museum is dedicated to Napoleon Bonaparte and his family. After Napoleon's death in 1821 the Pope gave permission to his family to settle down in Rome. His sister married Prince Camillo Borghese.
The chains that allegedly held St. Peter are displayed in a case before the altar. More importantly, contains the impressive statue of Moses by Michelangelo. It's close to the Colosseum, but a little hard to find. Take the steps opposite the Colosseum on Via dei Fori Imperiali, cross the road at the top and seek directions. Also reachable through steps to the right leading off Via Cavour.
A 1st-century tomb surrounded by two farmhouses from the Middle Ages, one of which used to be a cheese store. Rather hidden behind a high wall, the tomb is rarely open to the public. You might be lucky on a Sunday: on the third Sunday of every month there is a guided tour at 11:00.
In the Middle Ages pilgrims on their way to St. Peter's had to pass through the Via dei Coronari in order to cross the Tiber at Ponte St. Angelo. The street got its name from the people who sold rosaries to the pilgrims. It follows the ancient Via Recta which led from what is today Piazza Colonna to the Tiber. In the 15th century Pope Sixtus IV initiated the construction of private buildings. Today, several houses dating back to the 15th and 16th century may be seen. House nr. 156/157 is said to have been the House of Fiametta, the mistress of Cesare Borgia.