St Paul Outside the Walls, also called the Basilica of Saint Paul Outside the Walls, stands on the outskirts of Rome. Surrounded by a mostly modern and unremarkable neighborhood, the basilica offers a striking contrast with its grand architecture and deep history.
This enormous basilica is not the original structure. The ancient basilica, one of Rome's earliest Christian sites, suffered a devastating fire in 1823. What visitors see today is a careful and faithful reconstruction, completed in 1854. Despite the destruction, dedicated efforts saved several parts of the old interior. These rescued pieces have been painstakingly restored, allowing a glimpse into the artistry and devotion of earlier centuries.
Afternoon tends to be a quieter time to explore, as large tourist groups are less common later in the day. One of the most enchanting areas is the medieval cloister, which managed to survive the fire. Its peaceful atmosphere and historic details stand as a reminder of the basilica’s long past.
Source - https://en.wikipedia.org/wiki/Basilica_of_Saint_Paul_Outside_the_Walls
The Scala Sancta (Holy Stairs) is, according to Roman Catholic tradition, the staircase used by Jesus Christ to approach Pontius Pilate to be sentenced to death. Attracts numerous pilgrims who climb the stairs on their knees.
With its strange Liberty- style buildings with influence from the Art Nouveau of the 1920s this small bunch of blocks is one of the most interesting, and less known, landmarks of the city. A must see.
The Catacombs of Domitilla are considered to be the best preserved of all Roman catacombs. They are the only ones still to contain bones. Domitilla also has a subterranean basilica, much of which was reconstructed in 1870.
The Servian Wall was the first wall around Rome, built around the 3rd century BC. This well-preserved section provides a good opportunity to observe the construction methods of that time, particularly the use of tufa rock blocks
Permanent collection features paintings and drawings of Rome between the 18th and 20th centuries together with a fascinating black and white photo exhibition of Rome from 1950-80. Also offers rotating exhibitions, usually of the work of photographers.
A pleasant fountain in an out-of-the-way square. It was originally meant to have four dolphins rather than turtles, but the dolphins proved to be too large for the water pressure, so the turtles were added as an afterthought.
This palace of the 16th century was erected by the famous Medici family. It was the residence of Cardinals Giovanni and Giuliano Medici, later Pope Leo X. and Clement VII. Catherine de Medici, Pope Clement VII's niece lived here until her marriage in 1553 with Prince Henry, the son of King Francis I of France. The palace is named after Madama Margerita of Austria, the illegitimate daughter of Emperor Charles V. Since 1871 it has been the seat of the Italian Senate.
Perhaps the most fascinating building in Rome. The core of the structure began life as the mausoleum of Emperor Hadrian, built between 135 and 139 AD. Subsequent strongholds built on top of the mausoleum were in turn incorporated into a residence and castle by medieval Popes. The building was used as a prison until 1870 but now houses a museum. Opera buffs will be exhilarated to visit the balcony from which Tosca leaps to her death. Film buffs will recognise it as a setting from Angels and Demons.
This is one of the two main Jesuit churches in Rome, the other being the nearby Sant'Ignazio. The interior is Baroque art on steroids. Simply astounding.
Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica).
It was constructed to hold relics of the Passion of Jesus. They include two thorns of his crown, part of a nail and three small wooden pieces of the Cross. The authenticity of these relics is much disputed, however.
Casal Rotondo is the biggest mausoleum on the Appian Way, at about the sixth mile. It now incorporates a small private villa, originally a farmhouse. It is not known for whom it was built. The wall of fragments next to it, constructed by Luigi Canina, has ruins referring to the Cotta family but this family is now believed to not be associated with the Casal Rotondo.
This is the largest square in Rome. It sometimes hosts pop concerts and is the focal point for Rome's New Year's Eve celebrations. The twin churches Santa Maria dei Miracoli (1681) and Santa Maria in Montesanto (1679) used to provide a clear welcome to Rome for those coming from the north. Much older, to the north of the piazza is yet another Santa Maria (see below). The Piazza del Popolo is considered as one of the most beautiful squares in Europe. It was enlarged and two streets, the Via di Ripetta and the Via del Babuino were added by order of Pope Sixtus V. In the middle of the square is an obelisk (see below). In 1809-1816, Giuseppe Valadier, Roman architect of French origin, gave the square its characteristic oval shape.
The renamed Rome Zoo, one of the oldest in Europe, founded in 1911. On the edge of the Borghese Gardens, a short, well-signposted walk from the Gallery. They try hard, but San Diego this isn't. If you are a regular zoo-goer you will be disappointed.
On the other side of the Via dei Fori Imperiali to the Roman Forum. Well-preserved market area that doubled as a way of stopping the Quirinal Hill from collapsing. Below in the Forum is Trajan's Column, built in 113 with reliefs depicting the Emperor Trajan's vistories in battle.
The contours of the ancient stadium, built in the 6th Century B.C., are still visible in what is now a park in the shadow of the Palatine. Circus Maximus was primarily devoted to chariot races and was used for this purpose until around 550 AD. The stadium could seat up to 150,000 people. Originally built of wood, it burnt down twice, on the second occasion starting the great fire when the Emperor Nero was said to fiddle while Rome burned. It was in one of the tunnels here that Caligula met his end. Excavations began in 2009 at the east end of the circus and are likely to go on for some years.