On the wide grounds of a former Luftwaffe and Royal Air Force airfield, the Militärhistorisches Museum der Bundeswehr – Flugplatz Berlin-Gatow presents a sweeping view of German military aviation. The site, once known as RAF Gatow, now holds more than 200,000 objects: 155 aircraft, 5,000 uniforms, and 30,000 books, alongside engines, instruments, and archival material. Exhibits span early experiments in flight to the Cold War and beyond, with attention to both technology and the people who used it.
Early aviation appears through reproductions of Otto Lilienthal’s gliders, tracing the first controlled flights. The collection then moves into the World War I era with aircraft such as the Fokker E.III, and further into World War II with types like the Bf 109 and the pioneering jet Me 262. Postwar chapters are represented by at least one aircraft of every type that served in the air forces of both East and West Germany, creating a continuous timeline of design and doctrine.
The grounds themselves tell a story. Displays cover the period when the Royal Air Force operated the base, adding context to the aircraft on view. Many postwar planes are positioned outdoors on the original tarmac and runways; exposure has left a number of them in rough condition, a reminder of how weather and time mark aluminum and steel. Long-term restoration projects are underway, including work on a Focke-Wulf Fw 190, to preserve and interpret key airframes for future study.
RAF Gatow holds a distinct place in the city’s postwar map. In divided Berlin, each sector had its own airport: Tegel in the French sector, Tempelhof in the American sector, and Gatow in the British sector. Unlike the other two, Gatow saw limited traffic and served more as a strategic and political symbol than a transport hub. After reunification it closed as an airfield, while Tempelhof ended all flights in 2008 and Tegel followed in November 2020. The former base now functions as a museum site, linking its runway history to the aircraft and stories on display.
Source - https://en.wikipedia.org/wiki/Milit%C3%A4rhistorisches_Museum_Flugplatz_Berlin-Gatow
This outdoor and indoor history museum documents the terror applied by the Nazi regime. It is on the site of buildings which during the Nazi regime from 1933 to 1945 were the headquarters of the Gestapo and the SS, the principal instruments of repression during the Nazi era.
Designed by Hans Poelzig in 1929, it is the first self-contained broadcasting house in the world and it is still in use today.
The museum’s treasures include the sculpture collection with works of art from the middle ages to the 18th century. The Bode museum is best known for its Byzantine art collection and the coin cabinet.
The Gendarmenmarkt is a square in the Friedrichstadt with the Konzerthaus (concert hall) and in front of the statue of Germany's poet Friedrich Schiller, the Neue Kirche (New church) and the Französischer Dom (French cathedrals). Berlin’s Deutscher Dom on the magnificent Gendarmenmarkt square is not to be confused with the Berliner Dom. It was built in 1708. Since 1992 a German Parliament exhibition can be seen here entitled “Paths, Loosing Track and Detours” or the development of parliamentary democracy in Germany – ways and roundabouts. No religious services are held here. The French cathedral houses the Hugenottenmuseum. It represents the ongoing influence on Berlin by the Huguenots who emigrated from France after the revocation of the Edict of Nantes. Crown Prince Friedrich William encouraged them to settle here because most of them were skilled workers or otherwise useful to the kingdom. One memorable artwork, in room nine of the museum, pictures Crown Princess Dorothea exclaiming "But he's a refugee!" upon being presented a very valuable set of jewels by Pierre Fromery. The generally agreed-upon view of refugees as poor, without resources let alone diamonds, was blown apart by the talented French Protestants forced to leave their country due to religion. One of the most notable effects of having such a large French population was their influence on the infamous Berlin dialect. Berlinerisch words such as Kinkerlitzchen (from French "quincaillerie" - kitchen equipment) and Muckefuck (from French "mocca faux" - artificial coffee, though that etymology is not universally accepted) are unique to the area. The Französischen Dom (cathedral) itself was built to resemble the main church of the Huguenots in Charenton, France, destroyed in 1688. It has housed the museum since 1929. Closed till 2019
Gothic church, the second oldest (built in late 13th century) of the historical centre of Berlin. It's the highest church tower of Berlin (about 90 m), but seems rather small beneath the gigantic TV tower. The church tower was built in the late 18th century by Carl Gotthard Langhans, the architect of the Brandenburg Gate.
The main street of former East Berlin. It is a big avenue, featuring neoclassical East German buildings, fountains and lakes.
Small park in the heart of West Berlin. Great place to chill on a sunny day. There are many great cafés and restaurants nearby. Linger over a coffee here and watch people passing by.
The large square in front of the Brandenburg Gate contains the French and American embassies, the rebuilt Hotel Adlon, and the new building of the Academy of Arts.
In 1893 the authorities of Berlin issued the artistic entrance to the National Park Friedrichshain. The fountain of fairy tales was commissioned by the National Park and later designed by Ludwig Hoffmann.
This chapel was built on the site of a church built in 1894 which sat on the "death strip" and was thus blown up by the GDR authorities in 1985. The chapel is the site of occasional memorial services for victims of the wall.
Museum established in 1888, with a collection of 3,500 instruments.
The memorial site stretches along the full 1.5-km length of Bernauer Straße. The listing marker points to the visitor centre. Various monuments can be found along the entire length of the street, documenting nearby escape attempts and tunnels; captions are in German and English. The documentation centre across the street on Bernauer Straße/Ackerstraße is excellent (although most of the documentation is in German). The viewing platform next to the documentation centre gives you a tiny hint of the true scale of the Wall and how terrifying the "no man's land" between the two sections of walls must have been. The monument (that you can see from the platform) is a complete section of 4th generation wall - both inside and outside sections, and you can peer through from the east side to see the remains of the electric fence and anti-tank devices in the death strip. It really helps you understand what an incredible feat it was to get from one side to the other -- and why so many died doing it. The memorial site is often missed by tourists but an absolute must for anyone interested in this part of the city's history. It's a memorial to those who died crossing, so you won't, fortunately, get the tackiness of the Checkpoint Charlie area; instead you will be left with a haunting feeling of what life with the wall may have been really like.Bernauer Straße is a street with a great deal of Wall history: it came to tragic prominence on August 13, 1961 when East German authorities closed the border and the street (with houses in the East but the street in the West). Border guards walled the doors and windows shut to keep Easterners from escaping by jumping out the window while Westerners (including police and fire brigades who brought life nets to help catch refugees) looked on in horror. The first recorded Wall-related death - the notorious Peter Fechter case (he bled to death in the "no-man's-land" with both sides unwilling or unable to help him) - was here, as was one of the famous tunnels and the famous photograph of the GDR border guard leaping over the barbed wire.