Tucked away in the Marais district of Paris, the Musée de la Serrure offers a glimpse into the fascinating world of locks and keys. Housed in the elegant Hôtel de Vigny, a 17th-century mansion, this unique museum showcases centuries of craftsmanship and innovation in the art of securing doors, chests, and treasures.
The museum is set in a historic residence that was once home to Parisian nobility. The building itself is a work of art, with grand windows, carved details, and a peaceful courtyard. Walking through its rooms, visitors can sense the rich heritage that surrounds the exhibits.
The Musée de la Serrure features a remarkable collection of locks, keys, bolts, and ornate fittings, some dating back to the Middle Ages. Each piece tells a story of its own. Some locks are simple for home use, while others are complex mechanisms with secret tricks, designed to guard priceless goods or personal letters.
Visitors can admire intricate ironwork, gilded handles, and decorative plates from many periods. Some highlights include medieval padlocks, Renaissance lockboxes, and whimsical keys shaped like flowers or animals. The creativity of past locksmiths shines through in every detail.
The museum also explains the techniques that locksmiths used through the ages. Interactive displays and models show how traditional tools shaped pieces by hand. Panels and videos reveal the secrets behind tumbler locks, combination mechanisms, and hidden compartments. The collection gives insight into both the technical and artistic side of lock-making.
Stepping into the Musée de la Serrure feels like entering a cabinet of curiosities. The peaceful rooms are filled with shadows and light, and the displays encourage careful attention to small wonders. The museum appeals to anyone interested in art, history, or clever inventions from everyday life.
Source - https://en.wikipedia.org/wiki/Mus%C3%A9e_de_la_Serrure
Famous people who stayed here include Marie de Rohan, intriguer during the Fronde; Jeanne Baptiste d'Albert de Luynes, future mistress of a duke of Savoy; Marie Angélique de Fontanges, mistress of Louis XIV, died here giving birth to his child who also died. Today its main cloister (illustration) forms part of the modern Hôpital Cochin.
One of the largest collections outside Asia of Southeast Asian, Indian, Afghan, Chinese, Japanese, and Korean art.
Built in 1625, the Hotel de Sully is an interesting house with some sculptures in a beautiful courtyard. The house features special exhibitions, so check listings when in Paris.
One of the best-known and most beautiful churches in Paris, in the guise of a Corinthian order classical temple. Construction started in 1764, although the church was not finally consecrated until 1845. The Madeleine has a lavish interior of marble and gold.
The sleaze of boulevard de Clichy between place Pigalle and place Blanche can provide a moment of distraction. Be warned if you are male it is better to do this in the company of a female fellow traveller, as the clubs often send the girls outside to attempt to physically drag passing men off of the street. These strip clubs are big ripoffs. They tempt you with a free drink for €10 entry; once in the girl who starts dancing orders a couple of drinks (Red Bull) and then before you realise you are presented with a bill ranging from €500-700. They have these big bouncers who threaten/manhandle you till you arrive at some settlement with them. The whole of Pigalle is a rip off, best avoided. The police know about these places but nothing is done.
Guimard's own home, built in 1909-12. It is less decorated than Castel Béranger, but still beautifully shaped. Privately owned and not open to the public.
The foundation opened its doors in May 2003. It preserves Henri Cartier-Bresson and Martine Franck’s archives. Exhibition of photographs, paintings, sculptings, and illustrations.
Suspended above the train tracks this garden is surprisingly calm and chilled-out.
Enter Bastille station through any entrance or on any train and then make your way to the Bobigny/Pablo Picasso-bound platform. All that's left of the fortress whose front steps used to lead up from place de la Bastille are some foundation stones which you can see while waiting for a north bound train on this metro platform. There are maps and explanations showing where the fortress used to be relative the place and surroundings (basically the location of the old front steps are now occupied by Café des Phares).
A former fortress and royal residence at the edge of the city, alongside the Bois de Vincennes. Most of the building is open to public.
The oldest planned square in Paris, and what many tourists as well as locals consider the heart of the Marais area.
Housed in a former Beaux-Arts railway station (completed in 1900 for the Exposition Universelle, later saved from demolition and converted to its present use), the rambling, open-plan museum is home to the works of the great artists of the 19th century (1848-1914) - Impressionists, post-Impressionists, and the rest - that were formerly displayed in the l'Orangerie. This is perhaps the most spectacular collection of European impressionism in the world—breath-taking rooms full of Manet, Renoir, Monet, Van Gogh, and many others. Impressionist represent the biggest draw, but there is much more to explore.
Between the River Seine and the rail yards attached to Gare de Lyon and Gare de Bercy is a green space which would seem pretty huge if the 12th weren't also the home of the Bois de Vincennes. The park is a good place to hang out waiting for the line to form for sporting events and concerts at AccorHotels Arena.
The early Gothic Cathédrale de Notre Dame (Our Lady) has a 12th century design but wasn't completed until the 14th. Still it is a good example of the development of the style, though the west or main portal is a bit unusual in its rigidity. A April 2019 fire caused severe damage, but after extensive renovation the cathedral was reopened to the public in December 2024.
a Roman Catholic church on the east side of the Place Saint-Sulpice within the rue Bonaparte, in the Luxembourg Quarter of the VIe arrondissement. At 113 metres long, 58 metres in width and 34 metres tall, it is only slightly smaller than Notre-Dame and thus the second largest church in the city. It is dedicated to Sulpitius the Pious. During the 18th century, an elaborate gnomon, the Gnomon of Saint-Sulpice, was constructed in the church. In front of the church itself is the magnificent Place Saint-Sulpice which contains the 'Fountain of the Four Bishops'. The church has a long-standing tradition of talented organists that dates back to the eighteenth century. In 1862, Aristide Cavaillé-Coll reconstructed and improved the existing organ built by François-Henri Clicquot. Though using many materials from Clicquot's French Classical organ, it is considered to be Cavaillé-Coll's magnum opus, featuring 102 speaking stops, and is perhaps the most impressive instrument of the romantic French symphonic-organ era. Its organists have also been renowned, starting with Nicolas Séjan in the 18th century, and continuing with Charles-Marie Widor (organist 1870-1933) and Marcel Dupré (organist 1934-1971), both great organists and composers of organ music. The current organists are 'titulaire' Daniel Roth (since 1985) and 'assistant titulaire' Sophie-Véronique Cauchefer-Choplin. In Saint-Sulpice Sunday organ recitals are held on a regular basis (Auditions du Dimanche, following the High Mass, usually from 11:30am till 12:05pm, during the subsequent mass, a visit of the organ loft is possible).
There are many beautiful footpaths, a Buddhist Temple, and a lake with rowboats available for rental (about €10 as of 2009). The lake has many different kinds of birds, and islands accessible by footbridge.
This iconic triumphal arch forms the focus of the main east-west road axis of Paris, running between the Louvre and the Grande Arche de la Défense in the west. The monument was commissioned by Napoleon in 1806 as a tribute to his victories as Emperor of France - it was finally completed in 1836, long after his death. 50 m (150 ft) high and 45 m wide, the Arc de Triomphe is decorated with battle scenes and martial sculptures that includes La Marseillaise by Rude. The Tomb of the Unknown Soldier was placed beneath the arch in 1920, where an eternal flame burns in tribute to the French dead of both World Wars. The arch is surrounded by a large roundabout, aptly known as l'Etoile - 'the star' - with 12 thoroughfares leading off from it. Visitors can purchase a ticket to climb to the top of the arch, from where magnificent views spread out over western Paris. Admission to a small museum devoted to the history and meaning of the monument is included. The central island and the arch are accessed by an underground passage. Do not attempt to negotiate by foot the busy multi-lane road that rings the Arc de Triomphe, which many Parisian drivers seem to consider their own personal speedway.
Founded in 1671 by Louis XIV as a hospital for 6,000 wounded soldiers—this function explaining the name of the building—the golden-domed Hôtel des Invalides still functions as an infirmary and now also houses the Musée de l'Armée. The church attached, l'Eglise du Dôme, houses the tomb of Napoleon.
There are a number of famous occupants, but the real reason to visit this cemetery is to see the ornate tombstones, sculptures, and other sometimes macabre, sometimes touching memorials Parisians have left here for their dead.